Nicholas Hawksmoor (1662–1736) is one of English history’s greatest architects, outshone only by Christopher Wren, under whom he served as an apprentice. A major figure in his own time, he was involved in nearly all the grandest architectural projects of his age, and he is best known for his London churches, six of which still stand today. Hawksmoor wasn’t always appreciated, however: for decades after his death, he was seen as at best a second-rate talent. From the Shadows tells the story of the resurrection of his reputation, showing how over the years his work was ignored, abused, and altered—and, finally, recovered and celebrated. It is a story of the triumph of talent and of the power of appreciative admirers like T. S. Eliot, James Stirling, Robert Venturi, and Peter Ackroyd, all of whom played a role in the twentieth-century recovery of Hawksmoor’s reputation.

'There is no Light without Darknesse and no Substance without Shaddowe.' So proclaims Nicholas Dyer, assistant to Sir Christopher Wren and man with a commission to build seven London churches to stand as beacons of the enlightenment. But Dyer plans to conceal a dark secret at the heart of each church - to create a forbidding architecture that will survive for eternity. Two hundred and fifty years later, London detective Nicholas Hawksmoor is investigating a series of gruesome murders on the sites of certain eighteenth-century churches - crimes that make no sense to the modern mind . . . Cover art by: Barn'whether the book addresses graffiti explicitly, evoke a city from the past, or are considered cult classics, the novels all share the quality - like street art - of speaking to their time.' Guardian Gallery

British architect Nicholas Hawksmoor is recognized as one of the major contributors to the traditions of British and European architectural culture. This title reconsiders his architecture in relation to urbanism. The publication focuses on a series of important London churches the architect designed during the early of the 18th century.

The diverse works of architect Nicholas Hawksmoor (1661-1736) ranged from small architectural details to ambitious urban plans, from new parish churches to work on the monument of his age, St Paul's Cathedral. As a young man Hawksmoor assisted Christopher Wren and John Vanbrugh, emerging from these formidable apprenticeships to design some of the most vigorous and dramatic buildings in England. In this study, architectural historian Vaughan Hart examines both Hawksmoor's built and planned work. In addition, he explains Hawksmoor's theory of architecture.

Six remarkable churches built by Nicholas Hawksmoor from 1712 to 1731 still stand in London. In this book, architectural historian Pierre de la Ruffinière du Prey examines these designs as a coherent whole—a single masterpiece reflecting both Hawksmoor's design principles and his desire to reconnect, architecturally, with the "purest days of Christianity."

This book is the first complete study of the circumstances which led to the building of Castle Howard, one of the greatest and best-known English country houses. It describes how and why Charles Howard, third earl of Carlisle, decided to build it; how the architect Sir John Vanbrugh received his first commission; how the building was paid for and where the money came from; what the original interiors looked like; how the gardens and park were laid out; and the decision taken to build the first classical mausoleum in England, designed by Nicholas Hawksmoor. It relates the physical appearance of the architecture to the hopes, desires and personalities of those involved in the building and makes it possible to look at the house in the way that it was intended to be seen by visitors in the eighteenth century. The Building of Castle Howard should appeal to anyone who is interested in eighteenth-century architecture, in the history of gardens, in country houses, and in a historical detective story of a house which Sir John Vanbrugh was determined should be 'the top seat and garden of England.'