News From Nowhere or, An Epoch of Rest Being Some Chapters From a Utopian Romance by William Morris Chapter 1 Discussion and Bed Up at the League, says a friend, there had been one night a brisk conversational discussion, as to what would happen on the Morrow of the Revolution, finally shading off into a vigorous statement by various friends of their views on the future of the fully-developed new society. Says our friend: Considering the subject, the discussion was good-tempered; for those present being used to public meetings and after-lecture debates, if they did not listen to each others' opinions (which could hardly be expected of them), at all events did not always attempt to speak all together, as is the custom of people in ordinary polite society when conversing on a subject which interests them. For the rest, there were six persons present, and consequently six sections of the party were represented, four of which had strong but divergent Anarchist opinions. One of the sections, says our friend, a man whom he knows very well indeed, sat almost silent at the beginning of the discussion, but at last got drawn into it and finished by roaring out very loud, and damning all the rest for fools; after which befell a period of noise, and then a lull, during which the aforesaid section, having said good-night very amicably, took his way home by himself to a western suburb, using the means of travelling which civilisation has forced upon us like a habit. As he sat in that vapour-bath of hurried and discontented humanity, a carriage of the underground railway, he, like others stewed discontentedly, while in self-reproachful mood he turned over the many excellent and conclusive arguments which though they lay at his fingers' ends, he had forgotten in the just past discussion. But this frame of mind he was so used to, that it didn't last him long, and after a brief discomfort, caused by disgust with himself for having lost his temper (which he was also well used to), he found himself musing on the subject-matter of discussion, but still discontentedly and unhappily. "If I could but see it!" As he formed the words, the train stopped at his station, five minutes' walk from his own house, which stood on the banks of the Thames, a little way above an ugly suspension bridge. He went out of the station, still discontented and unhappy, muttering "If I could but see it! if I could but see it!" but had not gone many steps toward the river before (says our friend who tells the story) all that discontent and trouble seemed to slip off him. It was a beautiful night of early winter, the air just sharp enough to be refreshing after the hot room and the stinking railway carriage. The wind, which had lately turned a point or two north of west, had blown the sky clear of all cloud save a light fleck of two which went swiftly down the heavens. There was a young moon halfway up the sky, and as the home-farer caught sight of it, tangled in the branches of a tall old elm, he could scarce bring to his mind the shabby London suburb where he was, and he felt as if he were in a pleasant country place--pleasanter, indeed, than the deep country was as he had known it. He came right down to the river-side, and lingered a little, looking over the low wall to note the moon-lit river, near upon high water, go swirling and glittering up to Cheswick Eyot; as for the ugly bridge below, he did not notice it or t hink of it, except when for a moment (says our friend) it stuck him that he missed the row of lights down-stream. Then he turned to his house door and let himself in; and even as he shut the door to, disappeared all remembrance of that brilliant logic and foresight which had so illuminated the recent discussion; and of the discussion itself there remained no trace, save a vague hope, that was now become a pleasure, for days of peace and rest, and cleanness and smiling goodwill. In this mood he tumbled into bed, and fell asleep after his wont, in two minutes' time; but (contrary to his wont) woke up again not long after in that curiously wide-awake condition which sometimes surprises even good sleepers; a condition uder which we feel all our wits preternaturally sharpened, while all the miserable muddles we have ever got into, all the disgraces and losses of our lives, will insist on thrusting themselves forward for the consideration of those sharpened wits. In this state he lay (says our friend) till he had almost begun to enjoy it; till the tale of his stupidities amused him, and the entanglements before him, which he saw so clearly, began to shape themselves into an amusing story for him. He heard one o'clock strike then two and then three; after which he fell asleep again. Our friend says that from that sleep he awoke once more, and afterwards went through such surprising adventures that he thinks that they should be told to our comrades, and indeed the public in general, and therefore he proposes to tell them now. But, says he, I think it would be better if I told them in the first person, as if it were myself who had gone through them; which, indeed, will be the easier and more natural to me, since I understand the feeling and desires of the comrade of whom I am telling better than any one else in the world does.

A new edition of William Morris's classic text of British socialism.

One of the most literary of utopian fantasies, this 1890 novel distills the author's attitudes toward politics, art, and society. A resonant critique of state socialism, it offers remarkably modern proposals for an alternative, idyllic society.

Drawing on the work of Ruskin and Marx, this novel is a statement of the author's egalitarian convictions as well as a contribution to the utopian tradition. The text is based on that of 1891, incorporating the extensive revisions made by Morris to the first edition.

News from Nowhere (1890) is a classic work combining utopian socialism and soft science fiction written by the artist, designer and socialist pioneer William Morris. It was first published in serial form in the Commonweal journal beginning on 11 January 1890. In the novel, the narrator, William Guest, falls asleep after returning from a meeting of the Socialist League and awakes to find himself in a future society based on common ownership and democratic control of the means of production.

News from Nowhere (1890) is a classic work combining utopian socialism and soft science fiction written by the artist, designer and socialist pioneer William Morris. In the book, the narrator, William Guest, falls asleep after returning from a meeting of the Socialist League and awakes to find himself in a future society based on common ownership and democratic control of the means of production. In this society there is no private property, no big cities, no authority, no monetary system, no divorce, no courts, no prisons, and no class systems. This agrarian society functions simply because the people find pleasure in nature, and therefore they find pleasure in their work.