"A provocative interpretation of the political and cultural history of the early cold war years. . . . By insisting that art, even art of the avant-garde, is part of the general culture, not autonomous or above it, he forces us to think differently not only about art and art history but about society itself."—New York Times Book Review

Handsomely illustrated and engagingly written, New York Modern documents the impressive collective legacy of New York's artists in capturing the energy and emotions of the urban experience.

John F. Kennedy International Airport is one of New York City's most successful and influential redevelopment projects. Built and defined by outsize personalities—Mayor Fiorello La Guardia, famed urban planner Robert Moses, and Port Authority Executive Director Austin Tobin among them—JFK was fantastically expensive and unprecedented in its scale. By the late 1940s, once-polluted marshlands had become home to one of the world's busiest and most advanced airfields. Almost from the start, however, environmental activists in surrounding neighborhoods and suburbs clashed with the Port Authority. These fierce battles in the long term restricted growth and, compounded by lackluster management and planning, diminished JFK's status and reputation. Yet the airport remained a key contributor to metropolitan vitality: New Yorkers bound for adventure and business still boarded planes headed to distant corners of the globe, billions of tourists and immigrants came and went, and mammoth air cargo facilities bolstered the region's commerce. In The Metropolitan Airport, Nicholas Dagen Bloom chronicles the untold story of JFK International's complicated and turbulent relationship with the New York City metropolitan region. In spite of its reputation for snarled traffic, epic delays, endless construction, and abrasive employees, the airport was a key player in shifting patterns of labor, transportation, and residence; the airport both encouraged and benefited from the dispersion of population and economic activity to the outer boroughs and suburbs. As Bloom shows, airports like JFK are vibrant parts of their cities and powerfully influence urban development. The Metropolitan Airport is an indispensable book for those who wish to understand the revolutionary impact of airports on the modern American city.

The minimalist concrete architecture of Tadao Ando has roots both in Japanese traditions and in Western architecture. This book begins with both contexts: it explores how Ando unites Japanese tradition with a contemporary Western architectural idiom. By analyzing systematically and chronologically the roots and sources that have influenced the thinking of the Pritzker Prize-winning architect, the author communicates the principles and constants to which Ando's buildings can be traced back, and at the same time he places them in the appropriate context within the architect's characteristic ideas and intentions. Yann Nussaume teaches at the Ecole Nationale Supérieure d'architecture in Paris and is the author of numerous publications on Japanese and Chinese architecture. Die minimalistische Betonarchitektur von Tadao Ando hat ihre Wurzeln sowohl in japanischen Traditionen als auch in der modernen westlichen Architektur. Genau bei diesen Zusammenhängen setzt das Buch an: Es untersucht, auf welche Weise Ando in seinem Werk japanische Tradition und zeitgenössische westliche Architektursprache vereint. Indem der Autor systematisch und chronologisch die Wurzeln und Quellen analysiert, die für das architektonische Denken des Pritzker-Preisträgers prägend sind, vermittelt er die zentralen Grundsätze und Konstanten, auf die sich Andos Bauten zurückführen lassen, und er stellt sie zugleich in den ihnen angemessenen Kontext der besonderen Denkweise und Intentionen des Architekten.

A history of New York subway passengers as they navigated the system's constraints while striving for individuality, or at least a smooth ride. When the subway first opened with much fanfare on October 27, 1904, New York became a city of underground passengers almost overnight. In this book, Stefan HOhne examines how the experiences of subway passengers in New York City were intertwined with cultural changes in urban mass society throughout the twentieth century. HOhne argues that underground transportation--which early passengers found both exhilarating and distressing--changed perceptions, interactions, and the organization of everyday life.

This text examines the Modern Times community which championed every kind of reform from abolitionism, women's rights and vegetarianism to hydropathy, pacifism, total abstinence and the bloomer costume. It relies on primary sources such as land deeds, census entries and eyewitness accounts.