Over the course of the twentieth century, African Americans in New Orleans helped define the genres of jazz, rhythm and blues, soul, and funk. In recent decades, younger generations of New Orleanians have created a rich and dynamic local rap scene, which has revolved around a dance-oriented style called "bounce." Hip-hop has been the latest conduit for a "New Orleans sound" that lies at the heart of many of the city's best-known contributions to earlier popular music genres. Bounce, while globally connected and constantly evolving, reflects an enduring cultural continuity that reaches back and builds on the city's rich musical and cultural traditions. In this book, the popular music scholar and filmmaker Matt Miller explores the ways in which participants in New Orleans's hip-hop scene have collectively established, contested, and revised a distinctive style of rap that exists at the intersection of deeply rooted vernacular music traditions and the modern, globalized economy of commercial popular music. Like other forms of grassroots expressive culture in the city, New Orleans rap is a site of intense aesthetic and economic competition that reflects the creativity and resilience of the city's poor and working-class African Americans.

Lady detective Skip Langdon goes after the killer of Geoffrey Kavanagh, a computer genius. In the process, she learns to navigate The Original Worldwide Network, a country-wide bulletin board service. By the author of Jazz Funeral.

This book is based on performances and transcriptions from the DCI music videos Herlin Riley: Ragtime & beyond, and Johnny Vidacovich: Street beats modern applications. Additional interviews and essays on: Baby Dodds, Vernel Fournier, Ed Blackwell, James Black and Freddie Kohlman, Smokey Johnson, David Lee, and bassist Bill Huntington.

Winner of the 2007 Welty Prize In 1960, Jon Edgar and Louise “Gypsy Lou” Webb founded Loujon Press on Royal Street in New Orleans's French Quarter. The small publishing house quickly became a giant. Heralded by the Village Voice and the New York Times as one of the best of its day, the Outsider, the press's literary review, featured, among others, Charles Bukowski, Allen Ginsberg, Lawrence Ferlinghetti, Robert Creeley, Denise Levertov, and Walter Lowenfels. Loujon published books by Henry Miller and two early poetry collections by Bukowski. Bohemian New Orleans traces the development of this courageous imprint and examines its place within the small press revolution of the 1960s. Drawing on correspondence from many who were published in the Outsider, back issues of the Outsider, contemporary reviews, promotional materials, and interviews, Jeff Weddle shows how the press's mandarin insistence on production quality and its eclectic editorial taste made its work nonpareil among peers in the underground. Throughout, Bohemian New Orleans reveals the messy, complex, and vagabond spirit of a lost literary age. Learn about Director Wayne Ewing's documentary film The Outsiders of New Orleans: Loujon Press and watch a trailer at http://www.loujonpress.com/

A chronicle of the rise and development of a unique musical form. Inducted into the Blues Foundation's Blues Hall of Fame under its original title Walking to New Orleans, this fascinating history focuses on the music of major R&B artists and the crucial contributions of the New Orleans music industry. Newly revised for this edition, much of the material comes firsthand from those who helped create the genre, including Fats Domino, Ray Charles, and Wardell Quezergue.

Drumsville! The Evolution of the New Orleans Beat traces the history of drums and drumming in the Crescent City, exploring more than three centuries of the instrument and the art form that transformed New Orleans into the musical powerhouse it is today. Created as a companion to the New Orleans Jazz Museum exhibit of the same name, Drumsville! examines the drummer’s role in the evolution of brass bands, Black masking Indians, traditional and modern jazz, rhythm and blues, rock and roll, and funk.

From the eponymous star of one of the most popular reality shows in Fuse’s history, this no-holds-barred memoir and “snappily dictated story of inverted cultural norms in the wards of New Orleans” (East Bay Express) reveals the fascinating truth about a gay, self-proclaimed mama’s boy who exploded onto the formerly underground Bounce music scene and found acceptance, healing, self-expression, and stardom. As the “undisputed ambassador” of the energetic, New Orleans-based Bounce movement, Big Freedia isn’t afraid to twerk, wiggle, and shake her way to self-confidence, and is encouraging her fans to do the same. In her engrossing memoir, Big Freedia tells the inside story of her path to fame, the peaks and valleys of her personal life, and the liberation that Bounce music brings to herself and every one of her fans who is searching for freedom. Big Freedia immediately pulls us into the relationship between her personal life and her career as an artist; being a “twerking sissy” is not just a job, she says, but a salvation. A place to find solace and escape from the battles she faced growing up in the worst neighborhood in New Orleans. To deal with losing loved ones to the violence on the streets, drug overdoses, and jail. To survive hurricane Katrina by living on her roof for two days with three adults and a child. To grapple with the difficulties and celebrate the joys of living. In this eye-opening memoir that bursts with energy, you’ll learn the history of the Bounce movement and meet all the colorful characters that pepper its music scene. “Whether detailing the highs or the lows, Freedia’s tales pop as much as the booty that made her famous” (Out Magazine).