New modes of practice are now emerging in architecture. Rural Studio, Exyzt, Muf, Assemble and many more have led the way by challenging conventional ideas of ‘The Architect' and reclaiming the notion of architecture as something public that should work ultimately towards the collective good. This quiet revolution is born out of a crisis in the profession and a wider vacuum in the political, environmental and economic situation. On the one hand, architecture as a profession has seen its influence diminish rapidly over the last 50 years through privatisation and the dominance of finance, while on the other hand it has also lacked collective courage and readiness to evolve. Without necessarily being aware of each other, studios around the world are now redefining the profession of architecture as something more proactive, self-aware and political. They are broadening their skill sets and becoming deeply involved in their projects, initiating them themselves, financing them and running them. Though much of this work is dealing with local issues at a relatively small scale, it is inherently ambitious with global application. Contributors include: Shumi Bose, Indy Johar, Alison Killing, Douglas Murphy, and Finn Williams Featured architects: Aterlier d’Architecture Autogérée (AAA), adamo-faiden; Baupiloten, Grupo Toma, Hector, Inteligencias Colectivas, raumlaborberlin, studioBASAR, Studio GutGut, Taller Ken, and We Made That.

Based on the research of the EU-6th framework funded research consortium on 'New Modes of Governance in the European Union', this volume explores the roots, execution and applications of new forms of governance and evaluates their success.

"This study, wrought by one of Machiavelli's interpreters, uncovers the hidden intricacies of the Discourses. It will inform and challenge its readers at every step."--BOOK JACKET.

In modern global economies, how can we govern science, technology, risk and the environment more effectively? As the pace of innovation has increased, the governance agenda has, itself, been changing; policy-making is in a state of flux and governments are stressing the need for more integrated or "joined up" policies to deal with new orders of complexity. This timely book describes the new approaches to policy for science, technology, risk and the environment in the context of this modern governance agenda. The authors examine the extent to which governance is integrated, where gaps exist and where further integration might be helpful for a range of policy areas. The interdisciplinary approach bridges scientific, technical and socio-economic research at global, European, UK and regional levels. New Modes of Governance will be a valuable resource for academics, policy-makers, regulators, and science and industry communities involved in innovation.

Globalization processes are propelling a transformation of governance. As political problems become more transnational, public as well as private actors increasingly perform governance activities beyond the level of individual states. This book examines the wide variety of forms that governance can take in the global system and their consequences. An overarching analytical framework is applied to global institutions and initiatives in areas such as trade liberalization, financial market regulation, privacy protection, cybercrime, and food safety.

This is an essential book for all those concerned with the field of assessment. It addresses relevant and timely conceptual and practical issues from a research perspective and, based on research results, clearly provides solutions to practical applications at the cutting edge of the emerging area of new modes of assessment. In a clear and rigorous manner, the authors explore new methods and study the various quality aspects of innovative approaches.

The Beats, Black Mountain, and New Modes of American Poetry explores correspondences amongst the Black Mountain and Beat Generation writers, two of most well-known and influential groups of poets in the 1950s. The division of writers as Beat or Black Mountain has hindered our understanding of the ways that these poets developed from mutual influences, benefitted from direct relations, and overlapped their boundaries. This collection of academic essays refines and adds context to Beat Studies and Black Mountain Studies by investigating the groups’ intersections and undercurrents. One goal of the book is to deconstruct the Beat and Black Mountain labels in order to reveal the shifting and fluid relationships among the individual poets who developed a revolutionary poetics in the 1950s and beyond. Taken together, these essays clarify the radical experimentation with poetics undertaken by these poets.