Each issue of New Daylight provides four months of daily Bible readings and comment, with a regular team of contributors drawn from a range of church backgrounds. New Daylight covers a varied selection of Old and New Testament passages, biblical themes, characters and seasonal readings. Topics and contributors Studies on Psalms 81--93 by Lakshmi Jeffreys Acts 1--6: adventures of a Spirit-inspired community by Michael Mitton 1 Samuel by Bob Mayo Fate and free will in Mark's Gospel by Sally Welch Mountains and rooftops in the Bible by Margaret Silf In truth and love: 2 and 3 John by Barbara Mosse My favourite prayers by Sally Welch Unsung heroes of the Old Testament by Paul Gravelle Zechariah: rebuilding, God's way by Andy John Words of encouragement and challenge by Tony Horsfall

Drawing on a range of approaches and media, including photography, digital imaging, film and video, writing, collecting, re-using archival materials, and online venues, Growing Up in the New Agesets out to reconsider the social utopias of the 1960s and early 1970s and discuss what we might learn from them today. Marjolaine Ryley is an artist who has exhibited and published her work nationally and internationally including exhibitions at Wolverhampton Art Gallery; Street Level Photoworks, Glasgow; Impressions Gallery, Bradford; and The Palacio des Artes, Porto. Her work is held in several major collections including The Victoria and Albert Museum, London and the Serralves Museum, Porto. Much of her work has explored family photography including her book Villa Mona - A Proper Kind of House (Trace Editions 2006),and Field Study 7 - Residence Astral (PARC 2008) which was published to coincide with the artist's visiting fellowship at the Photography and the Archive Research Centre (PARC). She has recently contributed a chapter on her current work Growing up in the New Age: A Journey into Wonderland to the book Alternative Worlds (Berghahn 2012). Ryley's practice incorporates photography, the moving image, text, and objects to explore memory, history, familial relationships, and archivalnarratives, linking personal experiences with broader social and political issues. Ryley lives in Newcastle upon Tyne, UK with her husband, daughter and son. She lectures part-time in Photography and Video Art at the University of Sunderland.

"Upstate" records the imprint of American industrial and agricultural history left on settings in and around Hudson, including the rural communities of Germantown and Livingston. Combining poetry with realism, the images express a quiet beauty and mystery in the vernacular architecture and artifacts reflecting the industrial era and rural settings in upstate New York and the shifting economic realities over time.

A New York Times Book Review Editors' Choice "A radiant first novel. . . . [Neon in Daylight] has antecedents in the great novels of the 1970s: Renata Adler’s Speedboat, Elizabeth Hardwick’s Sleepless Nights, Joan Didion’s Play It as It Lays. . . . Precision—of observation, of language—is Hoby’s gift. Her sentences are sleek and tailored. Language molds snugly to thought." —Parul Sehgal, The New York Times "What do you get when a writer of extreme intelligence, insight, style and beauty chronicles the lives of self–absorbed hedonists—The Great Gatsby, Bright Lights, Big City, and now Neon in Daylight. Hermione Hoby paints a garish world that drew me in and held me spellbound. She is a marvel."" —Ann Patchett, author of Commonwealth New York City in 2012, the sweltering summer before Hurricane Sandy hits. Kate, a young woman newly arrived from England, is staying in a Manhattan apartment while she tries to figure out her future. She has two unfortunate responsibilities during her time in America: to make regular Skype calls to her miserable boyfriend back home, and to cat–sit an indifferent feline named Joni Mitchell. The city has other plans for her. In New York's parks and bodegas, its galleries and performance spaces, its bars and clubs crowded with bodies, Kate encounters two strangers who will transform her stay: Bill, a charismatic but embittered writer made famous by the movie version of his only novel; and Inez, his daughter, a recent high school graduate who supplements her Bushwick cafe salary by enacting the fantasies of men she meets on Craigslist. Unmoored from her old life, Kate falls into an infatuation with both of them. Set in a heatwave that feels like it will never break, Neon In Daylight marries deep intelligence with captivating characters to offer us a joyful, unflinching exploration of desire, solitude, and the thin line between life and art.

By creating a snapshot of the Ghent community during its Bicentennial year, this collection of portraits provides a record for the future. Digital and smartphone technologies have enabled us to capture billions of fleeting moments yet, only a tiny fraction are intended to have lasting impact or to be printed and archived in any way. Photographs from the nineteenth and twentieth centuries are more readily to-hand, often serving as our only tactile document of history. "All of Us: Portraits of an American Bicentennial " is Richard Beaven's response to: a 'box of prints in the basement' from today which can be rediscovered and held by the community of tomorrow. Beaven's aim was to reflect a broad narrative of our town through those who live and work here. For nearly a year, he sought out and connected with possible subjects most of who were strangers beforehand. He photographed as diverse a representation of the community as he could find portraying each person in a similar way and describing each by name and their time connected with Ghent. He resisted any additional categorization ensuring an equal platform for all. The viewer is left to imagine and question for themselves what makes each subject unique or familiar based only on gesture, expression and setting. This was a humbling and deeply insightful journey for Beaven's. He would like to thank his Ghent neighbors for their time, support and the gift of understanding that we truly have more in common than that which separates us.

Benjamin Franklin conceived of it. Sir Arthur Conan Doyle endorsed it. Winston Churchill campaigned for it. Kaiser Wilhelm first employed it. Woodrow Wilson and Franklin Roosevelt went to war with it, and more recently the United States fought an energy crisis with it. For several months every year, for better or worse, daylight savings time affects vast numbers of people throughout the world. And from Ben Franklin's era to today, its story has been an intriguing and sometimes-bizarre amalgam of colorful personalities and serious technical issues, purported costs and perceived benefits, conflicts between interest groups and government policymakers. It impacts diverse and unexpected areas, including agricultural practices, street crime, the reporting of sports scores, traffic accidents, the inheritance rights of twins, and voter turnout. Illustrated with a popular look at science and history, Seize the Daylight presents an intriguing and surprisingly entertaining story of our attempt to regulate the sunlight hours.

Hong Kong based artist Ted Lau was always curious about North Korea having grown up seeing constant headlines about missile tests and nuclear weapons. It was after seeing Andreas Gursky's work in North Korea that he decided one day he had to visit the country. In 2019, an opportunity arose and he embarked on an exploratory journey to see what life was really like in this mysterious place. The results of his travels are captured in a new book peering behind the veil of the secretive country of North Korea.