Milanese has a greater variety of decorative stitches within the braid than any other lace. It is this variety, added to the baroque style of its designs, that makes Milanese the most beautiful of Italian laces. New in paperback, this book is a collection of 43 new braids, including two spiral braids, and 40 original patterns, all with diagrams, photographs and full instructions.

From the co-author of two previous Batsford lace titles comes a collection of 50 stunning lace patterns that showcase the delicate beauty of this ever-popular lace. Traditionally, the ornate braids that make up Milanese lace were used in long, convoluted floral patterns, but they are also easily adapted for use in more modern designs. This new book of patterns contains both traditional and modern examples, and the author experiments with different decorative styles - for example, Celtic lettering that is vibrant with the colours of original Celtic art, taken into a new dimension with the addition of Milanese braids. Exquisite miniatures in a Japanese style will be a challenge even for the most experienced lacemaker: the smallest patterns are not necessarily the easiest! Other patterns include flowers, scrolls, leaves and butterflies, plus some more unusual designs: dragons, a picture depicting the legend of Arion and the dolphin, and a spectacular piece featuring the mythical seven-headed Hydra. There is a good range of patterns, including both prickings and photographs of the finished pieces, suitable for abilities ranging from beginner to advanced.

The two books of Milanese Braids, 'Milanese Lace: An Introduction' and 'New Braids and Designs in Milanese Lace', both by Read and Kincaid (1988; 1994), have long been out of print. To make the braids available to a new audience, we reproduce them here, together with about forty new braids that were not included in earlier books. The braids are drawn from both Milanese and other continental braid-type laces. This is intended to be a reference book and it is hoped that it will stimulate creativity and encourage lace makers to develop new designs for modern use.

This illustrated book is designed to show lacemakers of all levels to make the decorated braids of the kind first used in early Milanese lace. More advanced instructions are then given showing how to work the same braids into original pieces.

The Grove Encyclopedia of Decorative Arts covers thousands of years of decorative arts production throughout western and non-western culture. With over 1,000 entries, as well as hundreds drawn from the 34-volume Dictionary of Art, this topical collection is a valuable resource for those interested in the history, practice, and mechanics of the decorative arts. Accompanied by almost 100 color and more than 500 black and white illustrations, the 1,290 pages of this title include hundreds of entries on artists and craftsmen, the qualities and historic uses of materials, as well as concise definitions on art forms and style. Explore the works of Alvar Aalto, Charles and Ray Eames, and the Wiener Wekstatte, or delve into the history of Navajo blankets and wing chairs in thousands of entries on artists, craftsmen, designers, workshops, and decorative art forms.

What is that lace? How old is it? Has it been made by hand or machine? What would it have been used for? These are the types of questions that this practical guide sets out to answer. Lavishly illustrated, it shows you how to identify the sort of lace that you might find hiding away in drawers and cupboards, or buy at a vintage textile fair. It deals predominantly with the hand-made and machine laces of the nineteenth and twentieth centuries. Topics covered include: an introductory survey of the different types of lace, their history and construction; guidelines for a systematic approach to lace identification and advice on cleaning and storage; chapters on the different types of lace: bobbin lace, needlelace, craft laces such as crochet and tatting, machine lace and lace based on tapes and nets. There are exercises on distinguishing similar pieces of lace made using different techniques and there are illustrations of how lace has been used and of some of the tools used in the making. Written by experienced lacemakers, Gilian Dye and Jean Leader, it presents items from their own collections to illuminate and inspire others who wish to know more about this fascinating textile. Lace Identification is a complete guide to the beauty of this stitch craft, and will richly reward all those who study the treasures they may own.

Bedfordshire lace became popular in the fashions of the second half of the nineteenth century because of the beauty of its bold-open designs, often with elegant floral motifs, and it continues to fascinate and captivate lacemakers today. This practical book is dedicated to the novice and experienced lacemaker wishing to learn these techniques so as to realize this elegance for themselves. Information is given about the equipment needed for bobbin lacemaking, how to make a pricking (the pattern on which the lace is made), and how to wind thread on the bobbins. Instruction explains how to work cloth stitch and half stitch, plaits, windmill crossings, picots and leaf-shaped tallies, and how to finish a piece of lace. There is a series of twenty-six patterns, some traditional and others designed more recently. These are supported by instructions, photographs and diagrams. The patterns include small motifs, edgings - some with corners for handkerchiefs - butterflies and, finally, three exquisite collars.