A set of 12 beautiful new folk tunes arranged for acoustic instruments and suitable for ensembles ranging from duos to small orchestras. Each tune has three written parts – melody, countermelody, and bass line – as well as chords shown beneath the melody line. In addition to technical tips there is a video performance of each tune by Moonrakers played at a steady pace. Suitable for intermediate-level amateurs and professionals alike. Includes access to online video.

A set of 14 folk tunes arranged for acoustic instruments and suitable for ensembles ranging from duos to small orchestras. Each tune has three written parts – melody, countermelody, and bass line – as well as chords shown beneath the melody line. In addition to technical tips, there is a video performance of each tune by Moonrakers, played at a steady pace. Suitable for intermediate/advanced players.

A set of 14 folk tunes arranged for acoustic instruments and suitable for ensembles ranging from duos to small orchestras. Each tune has three written parts - melody, countermelody, and bass line - as well as chords shown beneath the melody line. In addition to technical tips, there is a video performance of each tune by Moonrakers, played at a steady pace. Suitable for intermediate/advanced players.

Bill Bay asked me to write a follow up book to my last book, "The Bluegrass Pickers Tune Book (20233). If you like Bluegrass music (232 songs) I'd recommend getting that book to add to your collection. the focus of this book, the Acoustic Source Book is on roots and old-time music. the book is focused on the time period from late 1800's until 1940's. There are a few songs from the Bluegrass Book that were too important to be left out. I decided not to use any patriotic and Christmas songs and came up with a list of about 400 songs which eventually was cut down to over 200. During the late 1800's and early 1900's there was an important evolution in American music; the birth of jazz, ragtime, and blues. This was also the period of the phonograph and early commercial recordings. Music from the Minstrel period as well as traditional songs were used as staple for the roots musicians. In the early 1900's there were rags, blues, gospel, Tin-Pan Alley, jug band, spiritual, old-time country and popular songs. I've tried to include some of the well-known songs from every genre to give you a big slice of Americana. There are some great songs that are popular roots, bluegrass and old-time songs today that have never been published. There are also great songs that are not well known that should be played and enjoyed.Richard Matteson with Kara Pleasants Wildwood Flower http://www.youtube.com/watch?v=KO9Xde2bdwA Paul & Silas http://www.youtube.com/watch?v=Bv5Tmaff9HQ Meet Me By the Moonlight http://www.youtube.com/watch?v=2gwzCZfnG64 Scarborough Fair http://www.youtube.com/watch?v=grbxMlz_DlI Water is Wide http://www.youtube.com/watch?v=P-hZkxWs8gs Richard Matteson with Jessica KasterBarbara Allen http://www.youtube.com/watch?v=uX6PE80W4Pw In the Pines http://www.youtube.com/watch?v=MtOL9Id5TW4 Hop Along Peter http://www.youtube.com/watch?v=K5kAzSQ__rU Ain't Gonna Lay my Armor Down http://www.youtube.com/watch?v=wsBYRuT2_FU

The traditional music of Brittany has long been a passion for guitar and mandolin player David Surette, who has now edited and published a collection of Breton dance tunes. Fest Breizh contains 50 traditional dance tunes: gavottes, en dros, larides, and many others, collected and transcribed in standard notation, with chords provided as well. Unlike some previous collections, which have been principally keyed with a B-flat bombarde and bagpipe in mind, these are all in typical fiddle tunes keys. There is also an extensive discography, which provides the means to tracking down a recorded version of the tune, as well as some background notes and information about Breton music. the book contains most of the Breton material that Surette has recorded on his 4 solo CDs over the years.

"Except for original pieces about Bob Dylan and Peter, Paul and Mary, the articles compiled here about folk, bluegrass and new acoustic musicians first appeared in Guitar Player and Frets magazines. Most pieces have been updated; they profile the artists' backgrounds, careers and contributions to their musical forms. (The articles on Odetta, Pete Seeger, Bill Monroe and Richie Havens include interviews with the musicians.) Subjects represent different eras of modern folk music: from the early days (Woody Guthrie and Malvina Reynolds) to the height of popularity 25 years ago (the Kingston Trio, Joan Baez and Arlo Guthrie) to new acoustic artists (David Grisman and Tony Trischka). Also of note: an article about the Lomax family, the archivists who have made extensive recordings of folk music that might otherwise have been lost. Although this book gives the novice a general background, it adds little new information."-- Publishers Weekly.

"A handbook for compassion... a Must-Read Music Book.” —Rolling Stone Country "Generous and big-hearted, Gauthier has stories to tell and worthwhile advice to share." —Wally Lamb, author of I Know This Much Is True "Gauthier has an uncanny ability to combine songwriting craft with a seeker’s vulnerability and a sage’s wisdom.” —Amy Ray, Indigo Girls From the Grammy nominated folk singer and songwriter, an inspiring exploration of creativity and the redemptive power of song Mary Gauthier was twelve years old when she was given her Aunt Jenny’s old guitar and taught herself to play with a Mel Bay basic guitar workbook. Music offered her a window to a world where others felt the way she did. Songs became lifelines to her, and she longed to write her own, one day. Then, for a decade, while struggling with addiction, Gauthier put her dream away and her call to songwriting faded. It wasn’t until she got sober and went to an open mic with a friend did she realize that she not only still wanted to write songs, she needed to. Today, Gauthier is a decorated musical artist, with numerous awards and recognition for her songwriting, including a Grammy nomination. In Saved by a Song, Mary Gauthier pulls the curtain back on the artistry of songwriting. Part memoir, part philosophy of art, part nuts and bolts of songwriting, her book celebrates the redemptive power of song to inspire and bring seemingly different kinds of people together.