A stunning collection of projects from Shanghai’s leading architecture and design firm, Neri&Hu. Founded in 2004 by partners Lyndon Neri and Rossana Hu, Neri&Hu is an interdisciplinary architectural and design practice based in Shanghai that has established an international reputation and following. Through their innovative buildings in China, across Asia, and beyond, the firm has become a design-world favorite, collecting awards such as Overall Winner of the PLAN Award. This lavish volume, the most comprehensive monograph of the studio’s work to date, features more than thirty projects at all scales with specially commissioned photography. Based in research, Neri&Hu “anchors their work on the dynamic interaction of experience, detail, material, form, and light” rather than limiting designs to one specific style. This ethos allows the company to thrive in a number of design disciplines, including architecture, interior design, furniture design, branding, and product design. As engaged with the world of interior design as with large-scale urban redevelopment projects, Neri&Hu’s corpus spans a wide range of works that display Western influences adapted to the particular contexts of Asia. This collection is a beautiful design resource and a must-have for admirers of the firm.

Founded in 2004 by partners Lyndon Neri and Rossana Hu, Neri&Hu Design and Research Office is an inter-disciplinary architectural design practice based in Shanghai, China with an additional office in London, UK. Neri&Hu works internationally providing architecture, interior, master planning, graphic, and product design services. Currently working on projects in many countries, Neri&Hu is composed of multi-cultural staff who speak over 30 different languages. The diversity of the team reinforces a core vision for the practice: to respond to a global worldview incorporating overlapping design disciplines for a new paradigm in architecture. Neri&Hu s location is purposeful. With Shanghai considered a new global frontier, Neri&Hu is in the center of this contemporary chaos. The city s cultural, urban, and historic contexts function as a point of departure for the architectural explorations involved in every project. Because new sets of contemporary problems relating to buildings now extend beyond traditional architecture, the practice challenges traditional boundaries of architecture to include other complementary disciplines. Neri&Hu believes strongly in research as a design tool, as each project bears its unique set of contextual issues. A critical probing into the specificities of program, site, function, and history is essential to the creation of rigorous design work. Based on research, Neri&Hu desires to anchor its work on the dynamic interaction of experience, detail, material, form, and light rather than conforming to a formulaic style. The ultimate significance behind each project comes from how the built forms create meaning through their physical representations. In 2014, UK Wallpaper* announced Mr. Neri and his partner Rossana Hu as 2014 Designer of The Year. In 2013, Mr. Neri was inducted into U.S. Interior Design Hall of Fame with partner Rossana Hu and was selected as AD 100 top talents in architecture and interior design by Architectural Digest China. The practice was selected as the 2011 INSIDE Festival Overall Winner, won AR Awards for Emerging Architecture 2010 by Architectural Review (UK) and one of the Design Vanguards in 2009 by Architectural Record (US). In 2006, Mr. Neri was selected by I.D. Magazine as one of the 40 designers globally who deserve more attention in the I.D. 40 . http: //enthepractice.neriandhu.com/content/philosophy This new monograph is the first book ever published on Neri&Hu. In a lavishly illustrated beautiful design concept it presents a selection of their work in architecture and product design. The content is structured in an introduction including also an essay on the topic of renovation, and three sections: Buildings, Products, and Projects. "Buildings" features seven renovation projects in Shanghai, complete refurbishments as well as interior redesigns. The projects include three retail spaces, Neri&Hu s own office building, a hotel, a restaurant, and a private home. "Products" presents tea ware, a chair and table, and a picnic basket. "Projects" documents ongoing and unrealized architectural work: a private residence in Florida (US), two hotel renovations projects in London and Shanghai, and a museum renovation in Kuala Lumpur. An overview on Neri&Hu s projects to date rounds out the book. The illustrative concept zooms from overview to detail: project documentations include with site plans, demolition plans and sections (i.e. showing demolished, and preserved parts of existing buildings as well as proposed additions) as well as detailed paving and furniture plans for interiors and details of selected products. "

This first monograph by New York-based Young Projects demonstrates a new approach to spatial design that embraces ambiguity at the intersections of form, type, and material. This monograph introduces the cutting-edge research and work of Young Projects, founded by Bryan Young, where materiality, structure, and form intersect to generate new architectural typologies. The book presents a selection of the practice’s most relevant projects: five innovative houses completed between 2015 and 2020 as well as less in-depth looks at other projects that define the practice. Each house serves as a chapter through which Young Projects’ broader body of work is explored across scales, illustrated through a rich landscape of drawings, diagrams, renderings, mock-ups, prototypes, and photography. The through-line connecting all chapters is the studio’s interest in using ambiguity and anomaly to create novel and accessible spaces, whether for high profile clients or a new resort in St. Kitts. Young Projects seeks to draw users into immersive spatial experiences that unfold over time, in a manner that is familiar but subtly foreign. This quality of “allure” is a result of a unique and experimental approach to materiality and spatial legibility. These are the threads that tie the work together and have set Young Projects apart as an emerging practice, as well as inform the larger-scale projects the studio undertakes as it enters its second decade. Young Projects’ process often begins with simple exercises in making: form-finding experiments they undertake within their Brooklyn studio. Material research has included hand-pulling plaster with an irregular knife, using furniture foam as a casting bed, and forming concrete with palm stems. These experiments, among many others, mine characteristics that are not typically associated with conventional architectural materials and break traditional methodology, allowing for qualities of randomness and spontaneity to enter the process of making. The studio finds that letting go of control (at the right moments) produces results that are often surprising, entirely bespoke, and resist replication.

Presents a wave of designers who are applying architectural techniques to create innovative new furnishing options Furnitecture is a sourcebook exploring the furnishings, interior environments, and solutions for small spaces at the meeting point between design and architecture. The book features the work of a rising generation of designers across the globe who are starting to think about furniture in an architectural way, resulting in pieces that brilliantly transform interior spaces. Boosted by digital design and new manufacturing possibilities, furniture design that morphs into “micro architecture” is one of the most innovative fields of design today. Surveyed here are hundreds of examples of these objects, including bookshelves that can dynamically divide and reshape a room, chairs that create intimate room-like enclosures, and self-contained, expandable kitchen cubes. From Chicago-based firm Bureau Spectacular’s “Briefcase house,” and Japanese architect Shigeru Ban’s moving boxes within rooms to Dutch designers Makkink & Bey’s conversational Ear Chairs and the French atelier 37.2’s series of self-standing cubes, Furnitecture opens the door to a world of design invention and innovation. Presented in a compact, beautifully illustrated format, this volume will be an essential resource for designers and hip consumers everywhere.

Shanghai-based Atelier Deshaus stays away from China's commerce-driven mainstream architectural culture to focus on utterly independent designs that receive widespread international recognition. Shanghai-based Atelier Deshaus, founded in 2001 as one of the first private architectural firms in China, is also one of the country's most distinguished and innovative design studios. The firm made its name worldwide in 2014 with the much-acclaimed West Bund site for Shanghai's Long Museum, which has since been followed by a series of further museum and other art-related projects. Such cultural and community buildings of various scales are the main focus of Atelier Deshaus, who deliberately eschew the usual commercial construction tasks in China. Their strong buildings are developed from reading the sites with special attention paid to the preservation of Shanghai's industrial heritage after decades of a tabula rasa policy in the city's urban development. At the core of this book are Atelier Deshaus's twenty most important designs from 2001 to 2020. They are documented in rich detail through plans and images as well as concise explanatory texts by the architects. In an extensive conversation with Hubertus Adam, the firm's principals Liu Yichun and Chen Yifeng offer insights into their way of thinking, their understanding of Chinese tradition, their relation to art, and the challenges of working as a nongovernmental office in China. Additional essays place Atelier Deshaus in the context of contemporary international architecture and discuss their key projects with regards to constructive qualities and atmosphere. Lushly illustrated, Atelier Deshaus: Architecture 2001-2020 offers deep insights into the contemporary Chinese architecture scene.

Charlie Koolhaas is an artist, photographer, and writer in Rotterdam. City Lust is the name of a fragrance that she found in a Dubai perfumery wholesale showroom, but it is also the starting point of an expedition that leads Koolhaas to a variety of places in Africa, Asia, Europe, the Middle East, and the United States. In Lagos, Guangzhou, Dubai, London, and Huston, she explores the rapid changes that a globalized economy forces upon these so very different metropolises. ​ During extended stays in each place, Koolhaas took a vast number of photographs, many of them of striking intensity. Her aim is not only to show the increasing uniformity of cities around the world, but also to demonstrate the discrepancy between cultural standardization and local diversity in the age of globalization. City Lust is a brilliant combination of everyday photography, pure documentation, and captivating observation. Accompanying the photos is an equally fascinating and illuminating essay by Koolhaas that brings together her own insights into global trade and its protagonists.

Originally published in 1956, this book provides a non-technical analysis of contemporary building by on the of the world’s greatest architects. Published a few years after the end of WW2, it was an inspiring and constructive picture of what kind of living could lie ahead for Western industrial society. This book, the result of many year in the forefront of architectural experiment and achievement by the author, outlines in practical terms the road to improved existence through science, mass production in building and renewed emphasis on the individual.