Fleeing an empty future in the Nekropolis, twenty-one-year-old Hariba has agreed to have herself "jessed," the technobiological process that will render her subservient to whomever has purchased her service. Indentured in the house of a wealthy merchant, she encounters many wondrous things. Yet nothing there is as remarkable and disturbing to her as the harni, Akhmim. A perfect replica of a man, this intelligent, machine-bred creature unsettles Hariba with its beauty, its naive, inappropriate tenderness . . . and with prying, unanswerable questions, like "Why are you sad?" And slowly, revulsion metamorphoses into acceptance, and then into something much more. But these outlaw emotions defy the strict edicts of God and Man -- feelings that must never be explored, since no master would tolerate them. And the "jessed" defy their master's will at the risk of sickness, pain, imprisonment . . . and death.

Meet Matt Richter. Private eye. Zombie. His mean streets are the city of the dead, the shadowy realm known as Nekropolis. And in this first case, Richter must help a delectable half-vampire named Devona recover a legendary artifact known as the Dawnstone, before it’s used to destroy Nekropolis itself. That is, if he can survive the myriad horrors that infest the city itself.

"The complete Matt Richter collection"--Cover.

Matt Richter won't let a little thing like death keep him from cracking his latest case. But there's a new evil power rampaging through the streets of Nekropolis. The last battle has begun.

MATT RICHTER'S GOING TO PIECES - LITERALLY. You've got to keep your head to survive in the teeming undead city known as Nekropolis. It's a pity crazed genius Victor Baron couldn't manage that. Now everyone wants a piece of him. Zombie detective Matt Richter and his glamorous she-vampire companion Devona are back on the case, with another wild and wonderful investigation.

When a dark new power arises from beneath the shadowy realm known as Nekropolis, zombie PI Matt Richter must save the city from total annihilation.

In this unique literary memoir, “the greatest Russian poet of our time” pays tribute to the major authors of Russian Symbolist movement (Vladimir Nabokov). In Necropolis, the poet Vladislav Khodasevich turns to prose to memorializes some of the greatest writers of late 19th and early 20th century Russia. In the process, he delivers an insightful and intimate eulogy of the era. Recalling figures including Alexander Blok, Sergey Esenin, Fyodor Sologub, and the socialist realist Maxim Gorky, Khodasevich reveals how their lives and artworks intertwined, including a notorious love triangle among Nina Petrovskaya, Valery Bryusov, and Andrei Bely. Khodasevich testifies to the seductive and often devastating Symbolist ideal of turning one’s life into a work of art. He notes how this ultimately left one man with the task of memorializing his fellow artists after their deaths. Khodasevich’s portraits deal with revolution, disillusionment, emigration, suicide, the vocation of the poet, and the place of the artist in society. Personal and deeply perceptive, Necropolis show the early twentieth-century Russian literary scene in a new light.