This multidisciplinary book offers the first broad ecocritical review of American art and examines the environmental contexts of artistic practice from the colonial period to the present day. Tracing how visions of the environment have changed from the Native-European encounter to the emergence of modern ecological activism, more than a dozen scholars and practitioners discuss how artists have both responded to and actively instigated changes in ecological understanding.

Nature's Nation examines our consumer-based industrial and urban society and notes the heavy price paid to create this by placing the political, economic, social and cultural development of the U.S within an environmental framework.

Established in 1859, Singapore's Botanic Gardens has served as a park for Singaporeans and visitors, a scientific institution, and a testing ground for tropical plantation crops. Each function has its own story, while the Gardens also fuel an underlying narrative of the juncture of administrative authority and the natural world. Created to help exploit natural resources for the British Empire, the Gardens became contested ground in conflicts involving administrators and scientists that reveal shifting understandings of power, science and nature in Singapore and in Britain. This continued after independence, when the Gardens featured in the "e;greening"e; of the nation-state, and became Singapore's first World Heritage Site. Positioning the Singapore Botanic Gardens alongside the Royal Botanic Gardens at Kew and gardens in India, Ceylon, Mauritius and the West Indies, this book tells the story of nature's colony-a place where plants were collected, classified and cultivated to change our understanding of the region and world.

"In The Nation's Nature, James D. Drake examines how a relatively small number of inhabitants of the Americas, huddled along North America's east coast, came to mentally appropriate the entire continent and to think of their nation as America. Drake demonstrates how British North American colonists' participation in scientific debates and imperial contests shaped their notions of global geography. These ideas, in turn, solidified American nationalism, spurred a revolution, and shaped the ratification of the Constitution."--Publisher description.

The stunning portrayals of the Canadian landscape in the documentaries produced by the National Film Board of Canada, not only influenced cinematic language but shaped our perception of the environment. In the early days of the organization, nature films produced by the NFB supported the Canadian government’s nation-building project and show the state as an active participant in the cultural construction of the land. By the mid-1960s however, films like Cree Hunters of Mistassini and Death of a Legend were asking provocative questions about the state’s vision of nature. Filmmakers like Boyce Richardson and Bill Mason began to centre the experiences of First Nations people, contest the notion that nature should be transformed for economic gain, and challenge the idea that the North is a wild and empty landscape bereft of civilization. Author Michael Clemens describes how films produced by the NFB broadened the ecological imagination of Canadians over time and ultimately inspired an environmental movement.

Nature and Nation explores the relations between people and forests in Peninsular Malaysia where the planet's richest terrestrial eco-system met head-on with the fastest pace of economic transformation experienced in the tropical world. It engages the interplay of history, culture, science, economics and politics to provide a holistic interpretation of the continuing relevance of forests to state and society in the moist tropics. Malaysia has long been singled out for emulation by developing nations, an accolade contradicted in recent years by concerns over its capital-, rather than poverty-driven forest depletion. The Malaysian case supports the call for re-appraisal of entrenched prescriptions for development that go beyond material needs. -- Book cover.