This book is a collection of "stories", and just as the Stories of the Dreaming act as a container of experiences for the indigenous people, it attempts to be a container for experiences that had not had enough exposure in psychoanalytic literature.

Through a series of case studies from the mid-eighteenth century to the start of the twenty-first, this collection of essays considers the historical insights that ethno/auto/biographical investigations into the lives of individuals, groups and interiors can offer design and architectural historians. Established scholars and emerging researchers shed light on the methodological issues that arise from the use of these sources to explore the history of the interior as a site in which everyday life is experienced and performed, and the ways in which contemporary architects and interior designers draw on personal and collective histories in their practice. Historians and theorists working within a range of disciplinary contexts and historiographical traditions are turning to biography as means of exploring and accounting for social, cultural and material change - and this volume reflects that turn, representing the fields of architectural and design history, social history, literary history, creative writing and design practice. Topics include masters and servants in eighteenth-century English kitchens; the lost interiors of Oscar Wilde's 'House Beautiful'; Elsa Schiaparelli's Surrealist spaces; Jean Genet, outlaws, and the interiors of marginality; and architect Lina Bo Bardi's 'Glass House', S?Paulo, Brazil.

From the time of the continent's formation tens of millions of years ago as the Godwana twin of Antarctica, Australia has been dominated by fire much as its sister has been by ice. Now Stephen Pyne, one of our foremost environmental historians, proposes a major reinterpretation of the Australian experience by using fire and Australia to explain one another. He narrates the story of how fire came to Australia and interacted with the Australian biota and its human inhabitants, while at the same time he relates the planetary saga of fire as it has been played out on this special island continent. Much as the Aborigines exploited fire to remake their environment into something more usable, so Stephen Pyne exploits fire to transform the landscape of history into something more accessible, to use its transmuting power to extract new meaning out of familiar events. Pyne traces the impact of fire, from its initial influence on the evolving vegetation of the new continent, through its use by the Aborigines and the subsequent European settlers, to the holocaust of February 1983 known as Ash Wednesday, and he shows us that the dynamic nature of fire has made it a most powerful environmental determinant in Australia, shaping both its social and natural histories. In his critically acclaimed study of Antarctica, The Ice, Pyne explored the myriad dimensions of the cold continent; now Burning Bush offers us an equally absorbing examination of a continent informed by fire.

E. T. Cook's two-volume biography is a vital tool for anyone wishing to understand Ruskin's achievements in so many fields.