In exploring how political violence is constructed by examing the life stories of former militants, this book innovatively combines a critical theory approach with a narrative paradigm.

"A sophisticated and persuasive late-modernist political analysis that consistently draws the reader into the narratives of the author and those of the people of violence in Northern Ireland to whom he talked. . . . Simply put, this book is a feast for the intellect"—Thomas M. Wilson, American Anthropologist "One of the best books to have been written on Northern Ireland. . . . A highly imagination and significant book. Formations of Violence is an important addition to the literature on political violence."—David E. Schmitt, American Political Science Review

An analysis of land and natural resource conflict as a source of political violence, focusing on election violence in Kenya.

This title was first published in 2001. The modern state’s claim to a monopoly of legitimate force bestows the concomitant duty of preventing the resort to violence by non-state actors. Consequently, failure to do so often leads to debates, concerning the legitimation of the perpetrators themselves and the legitimation of the authorities who were unable or unwilling to prevent their violent actions. Narratives of Violence constitutes the first work which relates these stigma contests to each other by analyzing the public discourse about right-wing violence in Israel. The result is an absorbing book which provides a fundamental re-evaluation of the causes and consequences of political violence and its societal boundaries. Its conclusions will have a resounding impact on the Israeli body politic and for democratic governments around the world.

An exploration of how political violence is constructed, this book presents the life stories of individuals once committed to political transformation through violent means in Portugal. Challenging simplistic conceptualisations about the actors of violence, this book examines issues of temporality, gender and interpersonal dynamics in the study of political violence. It is the first comprehensive case study of political violence in Portugal, based on the perspectives of former militants. These are individuals from different political spheres who became convinced that they could not be mere spectators of the circumstances of their times. For them, the only viable way of making a difference was through violent acts. Applying the Dialogical Self Theory to trace the identity positions underpinning their narratives, this book not only sheds light on radicalisation and deradicalisation processes at the individual level, but also on the meso- and macro-level contexts that instigate engagement with and encourage disengagement from armed organisations. This book will be of interest to students and scholars of critical terrorism studies, political violence, European history and security studies more generally.

Narrative, Political Violence and Social Change is a call for engaging actively and critically with the ontological, epistemological, and methodological implications of narrative in the study of political violence and terrorism. Building on a basic framework of three modes of narrative – as lens, as data, and as tool – the chapters in this book demonstrate how the study of political violence and terrorism benefits from narrative inquiry as an interdisciplinary endeavour, in particular as regards diverging perceptions of social reality, the meanings of belonging, and the human drive for change. They showcase the substantial advances that scholars have made in this field to date and identify promising avenues for further research. The chapters in this book were originally published as a special issue of the journal Studies in Conflict & Terrorism.

In the context of ongoing or historical violence, people tell stories about what happened, who did what to whom and why. Yet frequently, the speaking of violence reproduces the social fractures and delegitimizes, again, those that struggle against their own marginalization. This speaking of violence deepens conflict and all too often perpetuates cycles of violence. Alternatively, sometimes people do not speak of the violence and it is erased, buried with the bodies that bear it witness. This reduces the capacity of the public to address issues emerging in the aftermath of violence and repression. This book takes the notion of "narrative" as foundational to conflict analysis and resolution. Distinct from conflict theories that rely on accounts of attitudes or perceptions in the heads of individuals, this narrative perspective presumes that meaning, structured and organized as narrative processes, is the location for both analysis of conflict, as well as intervention. But meaning is political, in that not all stories can be told, or the way they are told delegitimizes and erases others. Thus, the critical narrative theory outlined in this book offers a normative approach to narrative assessment and intervention. It provides a way of evaluating narrative and designing "better-formed" stories: "better" in that they are generative of sustainable relations, creating legitimacy for all parties. In so doing, they function aesthetically and ethically to support the emergence of new histories and new futures. Indeed, critical narrative theory offers a new lens for enabling people to speak of violence in ways that undermine the intractability of conflict