Conventional literary representations of Western American history repress the violent conquest central to U.S. westward expansion through images of open space, autonomous individualism, and masculine heroism. In particular, the genre of autobiography has traditionally reproduced autonomous, transcendent, and masculinist notions of selfhood. This book analyzes New Western autobiographical narratives that contest such colonial understandings of race, gender, and landscape. Through a comparative analysis of memoirs and multiform narratives by diverse Euro-American, Native American, and Chicana writers, this study explores the ways in which "New Western" writing both reproduces and transforms conventional representations of the American West. Through the lens of narrative form, this book closely analyzes contemporary texts that express contradictory historical visions and notions of selfhood, even as they push the boundaries of autobiography. The book's introduction provides a theoretical and historical overview of Western American historiography and literary representations. The book is then divided into four chapters, three of which compare contradictory visions of Western identity in texts by diverse Euro-American and Native American authors from the late twentieth century. The fourth chapter focuses on these issues in the work of a popular Chicana author. Drawing upon a wide array of methodologies and perspectives, Narrating the American West offers valuable insights to students and scholars in a variety of fields, including postcolonial theory, ecocriticism, the New Western History, Native American Studies, American Studies, gender studies, and autobiography theory.

The American frontier, a potent symbol since Europeans first stepped ashore on North America, serves as the touchstone for Kerwin Klein's analysis of the narrating of history. Klein explores the traditions through which historians, philosophers, anthropologists, and literary critics have understood the story of America's origin and the way those understandings have shaped and been shaped by changing conceptions of history. The American West was once the frontier space where migrating Europe collided with Native America, where the historical civilizations of the Old World met the nonhistorical wilds of the New. It was not only the cultural combat zone where American democracy was forged but also the ragged edge of History itself, where historical and nonhistorical defied and defined each other. Klein maintains that the idea of a collision between people with and without history still dominates public memory. But the collision, he believes, resounds even more powerfully in the historical imagination, which creates conflicts between narration and knowledge and carries them into the language used to describe the American frontier. In Klein's words, "We remain obscurely entangled in philosophies of history we no longer profess, and the very idea of 'America' balances on history's shifting frontiers."

BOOK ONE of the CODE OF THE WEST seriesStaying alive in the Old West requires three things: a fast horse, a quick hand, and enough smarts to know when to get out of town.Pepper Paige is sick of the fighting and emptiness that surround her as a dance-hall girl. And tired of fearing Jordan Beckett, a violent patron who has turned his attentions on her. Pepper gets her chance to escape, assuming a stranger's identity . . . and that woman's fiance out west. Little does she know, that man's been killed by Indians. Instead, a prison escapee named Tap Andrews is passing himself off as the rancher.What happens when the pair meet? And who will be left standing when Beckett tracks down Pepper, only to find a tough young cowboy in his way?FOR MORE STEPHEN BLY BOOKS, AND OTHER AWARD-WINNING WESTERN WRITERS, GO TO http://dustytrailbooks.com/

Can true love die? Or, neglected, does it lie dormant until the object of true desire is again within reach? Denied, does passion smoulder, like embers waiting for the right conditions to flare into an all-consuming conflagration? #1 New York Times bestselling author Stephanie Laurens delivers the thrilling conclusion to her acclaimed series, THE ADVENTURERS QUARTET, a passionate Regency-era drama played out on the high seas and in the sweltering heat of tropical jungles, ultimately reaching a scintillating climax in the glittering ballrooms of Mayfair. The eldest of the Frobisher brothers and widely known as the lord of the privateers, Royd Frobisher expects to execute the final leg of the rescue mission his brothers have been pursuing. What he does not expect is to be pressured into taking his emotional nemesis, childhood sweetheart, ex-handfasted bride, and current business partner, Isobel Carmichael, with him. But is it Isobel doing the pressuring, or his own restless unfulfilled psyche? Resolute, determined, and an all but unstoppable force of nature, Isobel has a mission of her own—find her cousin Katherine and bring her safely home. And if, along the way, she can rid herself of the lingering dreams of a life with Royd that still haunt her, well and good. Neither expects the shock that awaits them as they set sail aboard Royd’s ship, much less the new horizons that open before them as they call into London, then, armed with the necessary orders and all arrangements in place, embark on a full-scale rescue-assault on the mining compound buried in the jungle. Yet even with the support of his brothers and their ladies and, once rescued, all the ex-captives, Royd and Isobel discover that freeing the captives is only half the battle. In order to identify and convict the backers behind the illicit enterprise—and protect the government from catastrophic destabilization—they must return to the ballrooms of the haut ton, and with the help of a small army of supporters, hunt the villains on their home ground. But having found each other again, having glimpsed the heaven that could be theirs again, how much are they willing to risk in the name of duty? Learn the answer and revel in the action, drama, intrigue, and passion as the Frobishers—with help from Wolverstone, the Cynsters, and many familiar others—steer the adventure to a glorious end. A historical novel of 135,000 words interweaving romance, high adventure, and intrigue.

"Epic in its scale, fearless in its scope" (Hampton Sides), this masterfully told account of the American West from a two-time Pulitzer Prize finalist sets a new standard as it sweeps from the California Gold Rush and beyond. In Dreams of El Dorado, H. W. Brands tells the thrilling, panoramic story of the settling of the American West. He takes us from John Jacob Astor's fur trading outpost in Oregon to the Texas Revolution, from the California gold rush to the Oklahoma land rush. He shows how the migrants' dreams drove them to feats of courage and perseverance that put their stay-at-home cousins to shame-and how those same dreams also drove them to outrageous acts of violence against indigenous peoples and one another. The West was where riches would reward the miner's persistence, the cattleman's courage, the railroad man's enterprise; but El Dorado was at least as elusive in the West as it ever was in the East. Balanced, authoritative, and masterfully told, Dreams of El Dorado sets a new standard for histories of the American West.

The relation between narration and history from the perspective of the twentieth century – the century of criticisms – suggests a new outlook fit for the new millennium. We can no longer look at history and historiography naively, but must be aware of the rhetorical strategies that are at work in the writing. A research group based in Milan has been working on this topic for a few years, discussing authors and texts from different genres and epochs. The essays presented here deal with texts chosen because of their intrinsic relevance to the history of English-speaking cultures and recent critical perspectives – largely, but not exclusively, indebted to Hayden White. Thus the volume considers instances of narrativity and historical discourse in authors as diverse as S. Johnson, E. Chambers, C. Hill, J. Raban, V. Woolf, N. Mitchison, V. S. Naipaul, S. Rushdie, J. M. Coetzee, A. Ghosh.