This eBook is a collection of articles from a Frontiers Research Topic. Frontiers Research Topics are very popular trademarks of the Frontiers Journals Series: they are collections of at least ten articles, all centered on a particular subject. With their unique mix of varied contributions from Original Research to Review Articles, Frontiers Research Topics unify the most influential researchers, the latest key findings and historical advances in a hot research area! Find out more on how to host your own Frontiers Research Topic or contribute to one as an author by contacting the Frontiers Editorial Office: frontiersin.org/about/contact.

This book presents novel applications of nanotechnology for the preservation of artistic and historical artifacts. It explains the scientific principles behind numerous nanomaterials and discusses their applications to different types of common movable and fixed artistic substrates. It starts with an overview of the nano-tools developed over the last three decades, such as dispersions of nanoparticles, micellar solutions, microemulsions and gels. Compared to traditional methods, these new tools have the benefit of considerably less impact on both the operators and the environment. Each chapter is dedicated to a specific type of cultural heritage material (wall and easel paintings, stone, paper, canvas and wood) starting with the main degradation paths and discussing protocols for the application of innovative nanomaterials-based tools for cleaning, consolidation, or deacidification, which represent the majority of the case studies encountered in restoration facilities, workshops and ateliers. The book provides step-by-step descriptions that are meant to support conservators in the application of these novel materials and methods. The aim of the book is to equip end-users and conservators with essential information and knowledge on the availability and applicability of different nano-materials and dispersed systems. While the book’s focus is on the practical aspects, interested readers will also find references to the relevant advanced colloid and material science literature. Main audience: Expert conservators, restorers and technical staff at conservation institutes and museums, students at conservation and restoration schools, and scientists who are new to the field of conservation of artistic and historical artifacts.

Gives the scientific and technical background to understand, to produce, and to apply nanosystems for conservation to works of art. This book provides the detailed information necessary to understand and how to produce and use the modern systems for conservation.

Nanotechnologies and Nanomaterials for Diagnostic, Conservation and Restoration of Cultural Heritage explores how advanced nanoscale techniques can help preserve artworks. The book covers lab-scale available techniques as well as advanced methods from neutron sources and X-ray spectroscopy. Other sections highlight a variety of nanomaterials with potential uses in treatments for restoration and conservation, with conservation, consolidation and long-term protection protocols analyzed in each case. The final chapter presents case studies, demonstrates how nanoscale techniques are used to conserve art, and shows what happens when misinterpretation of data sources leads to misdiagnosis. The book is intended for scientists from academic and professional conservators, restorers who are involved in the conservation of artistic and historical artifacts, and those who want to learn how nanotechnology can increase the efficiency of conservation and protection techniques. Cogently explains how nanotechnology is used in the preservation, protection and restoration of artworks Explores the best nanomaterials for a variety of situations Shows how nanomaterials can be used in restoration, for cleaning and in conservation treatments Includes guidelines to prevent the misinterpretation of diagnostic data to help avoid misdiagnosis

The conservation and protection of buildings that constitute our cultural heritage are complex tasks calling for a comprehensive knowledge of the historical background of the buildings, as well as the construction technologies and materials used. Nanomaterials in Architecture and Art Conservation gives a comprehensive overview of the state of the art of using nanomaterials in conservation sciences, mainly for stone, mortar and plaster strengthening, but also for the consolidation of wall paintings. The book compiles and details deterioration mechanisms of stone and historical mortars, as well as methods of characterising and testing consolidation effects. The non- or semi-destructive characterisation methods that will be presented allow additional measurements to characterise objects before and after any interventions. Besides, general aspects of inorganic consolidants are targeted. The focus, in particular, is the application of nanolime as a new consolidation agent. Basic characteristics and application advices as well as beneficial combinations with other consolidation agents, such as silicic acid esters, are emphasised. What makes this book so special is the large number of practical applications described from the viewpoint of different restorers, offering a direct inside view of the procedure for the conservation of historical monuments. Restorers dealing with stone, mortar and plaster conservation; artists; advanced undergraduate- and graduate-level students of conservation science, art and nanotechnology; offices for the protection of monuments and heritage agencies; and researchers in materials science, conservation, nanotechnology and chemistry, especially those with an interest in applied sciences, will find this book a great reference.

The conservation and protection of buildings that constitute our cultural heritage are complex tasks calling for a comprehensive knowledge of the historical background of the buildings, as well as the construction technologies and materials used. Nanomaterials in Architecture and Art Conservation gives a comprehensive overview of the state of the art of using nanomaterials in conservation sciences, mainly for stone, mortar and plaster strengthening, but also for the consolidation of wall paintings. The book compiles and details deterioration mechanisms of stone and historical mortars, as well as methods of characterising and testing consolidation effects. The non- or semi-destructive characterisation methods that will be presented allow additional measurements to characterise objects before and after any interventions. Besides, general aspects of inorganic consolidants are targeted. The focus, in particular, is the application of nanolime as a new consolidation agent. Basic characteristics and application advices as well as beneficial combinations with other consolidation agents, such as silicic acid esters, are emphasised. What makes this book so special is the large number of practical applications described from the viewpoint of different restorers, offering a direct inside view of the procedure for the conservation of historical monuments. Restorers dealing with stone, mortar and plaster conservation; artists; advanced undergraduate- and graduate-level students of conservation science, art and nanotechnology; offices for the protection of monuments and heritage agencies; and researchers in materials science, conservation, nanotechnology and chemistry, especially those with an interest in applied sciences, will find this book a great reference.

This book aims to give state of the art in several domains of cultural heritage in which Nanosciences allow fundamental breakthrough. The first part of the book concerns nanostructured materials in ancient artifacts. Understanding their nature and formation processes bring new insight in the apprehension of technical level of ancient societies but can also inspire the design of new materials. The second part is dedicated to the understanding of materials. This crucial issue in material science today, for cultural heritage, needs to perform specific characterization techniques and technologies, but also to create tailored analytical strategies. Part three presents new methods, processes and materials at nano levels that can bring innovative solutions to conservation and restoration issues, linked with the understanding of the alteration processes involved at different scales.