In this new and original study, Simon Casey explores the long-neglected link between D. H. Lawrence and philosophical anarchism. Focusing on the writings of some of the major anarchists-with particular emphasis on Stirner, Godwin, Bakunin and Thoreau-this book argues that the conceptual parallels between Lawrence and anarchism are strong and extensive and that reading Lawrence within the context of this tradition significantly enhances any understanding of his work. Lawrence's faith in the essential decency of human nature, his forceful defense of individual liberty, and his intolerance of all forms of domination and control all reflect the essential features of anarchism. NakedLiberty and the World of Desire looks at where these attitudes find explicit articulation in Lawrence's essays, poems, and letters, and shows how they are illustrated in his major works of fiction.

In this new and original study, Simon Casey explores the long-neglected link between D. H. Lawrence and philosophical anarchism. Focusing on the writings of some of the major anarchists-with particular emphasis on Stirner, Godwin, Bakunin and Thoreau-this book argues that the conceptual parallels between Lawrence and anarchism are strong and extensive and that reading Lawrence within the context of this tradition significantly enhances any understanding of his work. Lawrence's faith in the essential decency of human nature, his forceful defense of individual liberty, and his intolerance of all forms of domination and control all reflect the essential features of anarchism. NakedLiberty and the World of Desire looks at where these attitudes find explicit articulation in Lawrence's essays, poems, and letters, and shows how they are illustrated in his major works of fiction.

Desire for Love: The Secret Longings of the Human Heart in D. H. Lawrence’s Works is a collection of essays dedicated to several novels, novellas, short stories and non-fiction by D. H. Lawrence, one of the great 20th-century English writers. With the help of the psychoanalytic-textual approach, Marina Ragachewskaya analyses subtle expressions of the emotional sphere in Lawrence’s characters and their desire for love, which is realised linguistically, stylistically and symbolically. The discussion of the writer’s textual subtleties suggests emotional education and intellectual delight. The book offers an outline of Lawrence’s own psychoanalytic theory and how it is implemented in his fiction. Specific issues – such as love discourse, the unnamed eros, a Jungian quest in search of love, Doppelgängers, love of power and the power of love, sublimation and the language of dance, as well as love in the time of war – pertain to the discovery of unconscious desires and a “culture of feeling” in Lawrence. Comparisons with other authors are surprisingly rare in Lawrence studies. To fill this gap, the volume also contains an essay on Lawrence’s war stories analysed alongside Virginia Woolf’s Mrs Dalloway and Pat Barker’s Regeneration. This inquiry into genuine human feeling will be equally attractive to literature scholars, students and general readers.

Rare and previously unpublished essays and letters showcasing “Durrell’s wit, elegance, philosophy, joie de vivre and flaming intelligence” (The Irish Times). “The proverb says that whoever sees the world from the back of an elephant learns the secrets of the jungle and becomes a seer. I had to be content to become a poet.” ?Lawrence Durrell Best known for his novels and travel writing, Lawrence Durrell defied easy classification within twentieth-century Modernism. His anti-authoritarian tendencies put him at odds with many contemporaries?aesthetically and politically. However, thanks to a compelling recontextualization by editor James Gifford, these thirty-eight previously unpublished and out-of-print essays and letters reveal that Durrell’s maturation as an artist was rich, complex, and subtle. Durrell fans will treasure this selection of rare nonfiction, while scholars of Durrell, Modernist literature, anti-authoritarian artists, and the Personalist movement will also appreciate Gifford’s fine editorial work. “Gifford's scholarly command of the archives shows?especially his working intimacy with the unpublished archived words of Durrell’s editors, publishers, and collaborators. I have no doubt that this collection will serve as a starting point for any number of new critical ventures into the life and writing of Lawrence Durrell.” ?Charles Sligh, University of Tennessee at Chattanooga

We immerse ourselves daily in expressions of popular culture—YouTube videos, hip hop music, movies, adverts, greeting cards, videogames, and comics, to name just a few possibilities—and far too often we pay only scant critical attention to them. The essays in this collection redress this situation by probing a wide range of topics within the field of popular culture studies. Written in engaging and jargon-free prose, contributions critically examine various offerings in film, television, social media, music, literature, sports, and related areas. Moreover, they often pay special attention to the ways in which these pop culture artefacts intersect with issues of race, ethnicity, gender, sexual orientation, age, and ability. Providing a rich mixture of broad perspectives and intriguing case studies, the essays form a compelling mosaic of findings and viewpoints on popular culture. Exploring everything from toxic masculinity in twenty-first century television programmes to gendered greeting cards and adult colouring books, this provocative volume is essential reading for anyone interested in that fabricated and all-pervasive environment we call popular culture.

Moving from monasticism to constitutionalism, and from antinomianism to anarchism, this book reveals law's connection with love and freedom.