Nadav Kander creates unfailingly beautiful photographs with the formal precision of a master photographer. But beauty is the beguiling lure for Kander's disconcerting explorations into representation through genre as diverse as portraiture, landscape, and still life. He employs the seductive charm of aestheticism to expose our inconsistent response to the female nude, to probe questions of morality and desire in a series on Cuban prostitutes, and to manifest the fragile imbalances of the American landscape with its endlessly repeating artifice at the edge of vast emptiness. The book is composed of chapters of images, interleaved with short stories, poems, and essays, each responding to a particular image or section. Each sequence elaborates a narrative, at times driven by the commissioned texts and often arising from the friction between two dissociated images. Nadav Kander was born in Israel in 1961 and was raised in South Africa. In 1982 he moved to London, where in 1986 he set up his first studio. Kander has received international critical acclaim for his photography and is one of the most sought-after photographers working today. In the preceding few years, Kander has shot for numerous magazines and commercial accounts, including Nova, Visionaire, Dazed & Confused, Raygun, Rolling Stone, Zoom, the London Sunday Times, Sports Illustrated, Graphis, and others. He has exhibited in museums and galleries such as the Saatchi Gallery, the Victoria and Albert Museum, the National Portrait Gallery, the Royal Photographic Society, and the Tate Museum. This book, his first, is accompanied by an international touring exhibition.

Published to accompany the exhibition 'Bodies.6 Women, 1 Man' at Flowers Gallery, 2013.

Nadav Kander's work is a varied interplay of influences. His restrained and articulate compositions have a clarity and calm that draw the viewer into zen-like states. His unique skill is especially manifest in his spare and muted landscapes and his straight portraits. This book deals with his work.

Learning to work with light is an important milestone in every photographer’s career, and the ability to craft light to fit your vision for an image is a skill that cannot be overrated. Most often, that crafting of light is spoken of in terms of the quality and quantity of light. But there is an important, third component of light that heavily influences the final look of the image: the color of light. In Chroma: A Photographer’s Guide to Lighting with Color, photographer Nick Fancher helps you elevate your game when it comes to introducing the bold, creative, and intentional use of color into your work.

Whether you’re using a high-powered strobe or a small hotshoe flash, Chroma is for you. Nick begins with a discussion of color theory, gels, and white balance, then examines how to determine which colors complement your subject matter (whether that’s people or products). He moves on to cover topics such as:

• Balancing, mixing, and overpowering ambient light with artificial light
• Layering colors for unique color combinations
• Mixing hard and soft light to achieve extremely rich color
• Lighting detail and texture
• Modifier options, such as ring flash, snoots, barn doors, softboxes, and filters
• Gobos to control the light
• Post-processing for vibrant, powerful colors
• How (and why) to light with color, even when the end goal is a black and white image

Illustrated throughout with innovative and expressive imagery, Chroma also includes behind-the-scenes photos, lighting diagrams, and Lightroom settings so you can follow along from the initial concept through to the final edit.

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There is so much detail to be captured in a face. Cicero (106-43 BC) said: "The face is a picture of the mind as the eyes are its interpreter." To capture a person's personality, there are many things to keep in mind, and the authors of FACES show us how to match up a personality with lighting, posing, and composition. Portraiture is truly an art, and this book dives deep into the details so that you end up with a gorgeous portrait that both you and your subject love. Not only is this book the most comprehensive title available on portraiture, but it contains stunning images. Each image is paired with a lighting diagram, a description of why the type of image was chosen, and then takes you through postproduction to put the finishing touches on. The authors also showcase a gallery of portraits by renowned photographers.

Short essays by photographers describing the photographs they didn't take, and why.

A visual survey of contemporary artists’ photography of architecture, featuring the work of Andreas Gursky, Iwan Baan, Wolfgang Tillmans, Catherine Opie, Thomas Ruff, Hiroshi Sugimoto, and more. Since the invention of photography, architecture has proved a worthy subject for photographers. Shooting Space: Architecture in Contemporary Photography showcases the relationship between the two practices. The book presents a broad spectrum of work from a diverse roster of renowned and emerging artists: Annie Leibovitz captures the construction of Renzo Piano’s New York Times building; James Welling revisits Philip Johnson’s iconic Glass House; Walter Niedermayr shifts perspectives on SANAA’s sculptural designs. The book is divided into five chapters, covering collaborations between photographer and architect, global urbanization, alterations to the natural landscape, reappraised Modernist icons, and imagined environments. Presenting a fresh study of outstanding work in contemporary architectural photography, Shooting Space not only provides an engaging display of beautiful photography, but will reward the reader with a considered survey of our built environment.