Mystic Chords of Memory "Illustrated with hundreds of well-chosen anecdotes and minute observations . . . Kammen is a demon researcher who seems to have mined his nuggets from the entire corpus of American cultural history . . . insightful and sardonic." —Washington Post Book World In this ground-breaking, panoramic work of American cultural history, the Pulitzer Prize-winning author of A Machine That Would Go of Itself examines a central paradox of our national identity How did "the land of the future" acquire a past? And to what extent has our collective memory of that past—as embodied in our traditions—have been distorted, or even manufactured? Ranging from John Adams to Ronald Reagan, from the origins of Independence Day celebrations to the controversies surrounding the Vietnam War Memorial, from the Daughters of the American Revolution to immigrant associations, and filled with incisive analyses of such phenonema as Americana and its collectors, "historic" villages and Disneyland, Mystic Chords of Memory is a brilliant, immensely readable, and enormously important book. "Fascinating . . . a subtle and teeming narrative . . . masterly." —Time "This is a big, ambitious book, and Kammen pulls it off admirably. . . . [He] brings a prodigious mind and much scholarly rigor to his task . . . an importnat book—and a revealing look at how Americans look at themselves." —Milwaukee Journal

“When I set foot on ground where Lincoln, Lee, Grant, or others walked, where the great battles raged, an almost magical feeling infuses me. Capturing these places on film, hopefully, in some small way, allows us to preserve that magical feeling of the special places and people of the war in our everyday lives.” These are the impassioned words of longtime Civil War aficionado David J. Eicher. Through his stunning photographs in Mystic Chords of Memory, Eicher presents many of the historical sites that evoke that “magical feeling” for him and thousands of other Civil War scholars and buffs. In this captivating -pictorial work, Eicher not only visits the most famous Civil War battlefields—Gettysburg, Vicksburg, Chickamauga, and Antietam among them—but also introduces readers to an array of lesser-known battle sites as well as monuments, forts, houses and farms, cemeteries, and museums. The breathtaking color photographs, chosen from Eicher’s vast personal collection, are supplemented by powerful, historical black-and-white photographs that propel readers back to the Civil War era. The resulting richly illustrated work captures the most important, unusual, and interesting places associated with the war as they stand today. Eicher’s probing analysis of the arduous four-year struggle provides background on its origins, interpretations of its major battles, and a summary of the war’s aftermath. Peppered with more than 150 quotations from the journals, letters, and diaries of Civil War participants, the narrative allows readers to absorb the human aspects of the greatest of America’s national tragedies. Eicher details the firing on Fort Sumter, the shock of First Bull Run, the carnage of Shiloh, the transformation of the war at Antietam, the turning points at Gettysburg and Vicksburg, the decisive, grueling campaigns of 1864, and the surrender at Appomattox. Contributing to the book’s charm are dozens of images of forgotten places touched by the war, such as an abandoned graveyard in a Mississippi wood, the sandy strip of beach where some of the war’s first black soldiers won fame, trenches along a Virginia county highway, and a brick church in Virginia pocked by artillery fire. Whether viewed as fields of death or fields of glory—and they were both—Civil War sites retain a commanding hold on the American imagination. In words as well as photographs, Eicher captures the poignant memory of our nation in conflict.

My father died in 1990 and in the process of going through his belongings I discovered an old wooden weather-beaten trunk in the attic that aroused my curiosity. Considering the layers of dust covering the lid, it appeared that it had not been opened in many years. The lid seemed to creak and strain with the weight of the ages as I lifted the heavy oak. A neatly-folded Union Civil War uniform, complete with cap, stared up at me from the lost past. Although obviously worn, great care had been taken in its preservation. I gingerly lifted up the jacket and immediately noticed the three sergeant stripes on the upper arm. I knew then who had worn it. My great-grandfather, Sergeant Charles Powers, had served two tours of duty during the Civil War and in 1861-62 had been stationed in Washington with the thousands of other troops guarding the city from what many thought was an imminent invasion from the South. During that period of 1861-62 he was at various times assigned to guarding the White House, Capitol and Arsenal. Sgt. Powers lived till 1918 and my father, born in 1908, used to travel with his parents from Harrisburg to Lancaster to visit his grandfather where he would sit on the old gentlemans knee and be regaled with stories of Civil War Washington and the Lincolns. My father than passed these stories down to me.

Citing baby-boomer favorites including Bob Dylan, Bob Marley, the Beatles and other rock greats, the author shows that they have drawn on the same primal source from which mythology, dreams, and poetic insight arise. (Music)

Defining Memory uses case studies of exhibits from around the country to examine how local museums, defined as museums whose collections are local in scope or whose audiences are primarily local, have both shaped and been shaped by evolving community values and sense of history. Levin and her contributors argue that these small institutions play a key role in defining America's self-identity and should be studied as seriously as more national institutions like the Smithsonian and the Metropolitan Museum of Art.

In Creating Colonial Williamsburg, Anders Greenspan examines the restoration and re-creation of the structures and gardens of Virginia's colonial capital beginning in 1926. The restoration was undertaken by the Rockefeller family, whose aim was to

In the history of music there are seldom as rapid musical developments as we can find in Scriabin's works. In only 31 years Scriabin made a breathtaking development: in his early works he still uses a romantic tonal language, while his later works are far-reaching into the 20th century. Scriabin's development is gradual and consequent, each step can be derived from the preceding, thus connecting the music of the 19th and 20th centuries. He can be regarded as a key composer of his age.Harmony is the central factor in Scriabin's musical thinking. From harmony everything else is developed. It defines the form, also the melody and tone systems are developed from it.This book is concerned with the following basic issues: Which elements in Scriabin's harmony are new, and what has been derived from the tradition? Why is the development in Scriabin's works consequent, once started, why did it have to follow a certain course? Is there something elemental in Scriabin's way of thinking that pushes ahead this development?