The twentieth-century English novel encompasses a vast body of work, and one of the most important and most widely read genres of literature. Balancing close readings of particular novels with a comprehensive survey of the last century of published fiction, this Companion introduces readers to more than a hundred major and minor novelists. It demonstrates continuities in novel-writing that bridge the century's pre- and post-War halves and presents leading critical ideas about English fiction's themes and forms. The essays examine the endurance of modernist style throughout the century, the role of nationality and the contested role of the English language in all its forms, and the relationships between realism and other fictional modes: fantasy, romance, science fiction. Students, scholars and readers will find this Companion an indispensable guide to the history of the English novel.

Cook's accounts of periodicals are consistently informative, clear, and penetrating: his sensitivity to much of what he discusses, is, at times, positively uncanny. Reference Books Bulletin

The detective story, focused on inquiries, and in its wake the spy novel, built around conspiracies, developed as genres in the late nineteenth and early twentieth centuries. During the same period, psychiatry was inventing paranoia, sociology was devising new forms of causality to explain the social lives of individuals and groups and political science was shifting the problematics of paranoia from the psychic to the social realm and seeking to explain historical events in terms of conspiracy theories. In each instance, social reality was cast into doubt. We owe the project of organizing and unifying this reality for a particular population and territory to the nation-state as it took shape at the end of the nineteenth century. Thus the figure of conspiracy became the focal point for suspicions concerning the exercise of power. Where does power really lie, and who actually holds it? The national authorities that are presumed to be responsible for it, or other agencies acting in the shadows - bankers, anarchists, secret societies, the ruling class? Questions of this kind provided the scaffolding for political ontologies that banked on a doubly distributed reality: an official but superficial reality and its opposite, a deeper, hidden, threatening reality that was unofficial but much more real. Crime fiction and spy fiction, paranoia and sociology - more or less concomitant inventions - had in common a new way of problematizing reality and of working through the contradictions inherit in it. The adventures of the conflict between these two realities - superficial versus real - provide the framework for this highly original book. Through an exploration of the work of the great masters of detective stories and spy novels - G.K. Chesterton, Arthur Conan Doyle, John Le Carré and Graham Greene among others - Boltanski shows that these works of fiction and imagination tell us something fundamental about the nature of modern societies and the modern state.

Revenge knows no deadline. Although told to stand down now that the Chechen rebel who killed her fiancé is dead, CIA analyst Maggie Jenkins believes otherwise and goes rogue to track down the assassin. Soon it becomes clear that failure to find Zara will have repercussions far beyond the personal, as Maggie uncovers plans for a horrific attack on innocent Americans. Zara is the new face of terrorism–someone who doesn’t fit the profile, who can slip undetected from attack to attack, and who’s intent on pursuing a personal vendetta at any cost. Chasing Zara from Russia to the war-torn streets of Chechnya, to London, and finally, to the suburbs of Washington, D.C., Maggie risks her life to stop a deadly plot.

"1001 Midnights is the essential reference -- and reading -- book for all aficionados of mystery, detective, and suspense fiction. It is comprised of 1001 plot summaries, author biographies, and critical evaluations of classic and important crime and espionage novels, as well as short story collections seminal to the genre. It is an indispensible volume of information and criticisim." --

DigiCat Publishing presents to you this special edition of "Casino Royale" by Ian Fleming. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

This volume contains bio-critical information on popular writers of the genre.