“An inspiring and riveting tale.” —Patrik Henry Bass, Senior Editor, Essence After a career of many firsts, journalist Gerald Boyd became the first black managing editor of the New York Times. But the dream ended abruptly with Boyd's forced resignation in the wake of scandal over Jayson Blair, a reporter who had plagiarized and fabricated news stories. A rare inside view of power and behind-the-scenes politics at the nation's premier newspaper, My Times in Black and White is the inspirational tale of a man who rose from urban poverty to the top of his field, struggling against whitedominated media, tearing down racial barriers, and all the while documenting the most extraordinary events of the latter twentieth century.

Working against racism is part of what it means to call Jesus Lord and Savior. Most of us don’t need to make speeches. We need to make friends. This is the core message of Black and White: racism can be disrupted by relationships. If you will risk forging friendships with those who do not look like you, it will change the way you see the world, and that could change the world. The authors, Teesha Hadra, a young African American woman, and John Hambrick, a sixty-year-old white man, bring a confident and redemptive tone to this hope because that is exactly what they’ve experienced. Black and White leverages their story, surrounding it with other’s stories, practical advice, and exploration of the systems of racism to motivate you to consider your own role in change. Learn about the various and often subtle ways racism continues to be a part of American culture. Discover how simple (albeit not always easy) it is to get involved in what God is doing to disrupt racism. Become equipped to take faithful, practical, next steps in obedience to God’s call to join the movement against racism. “Awareness creates discontent. A lack of awareness often results in complacency. When it comes to racism there’s no room for complacency. Especially for Christ followers. In Black & White my friends Teesha Hadra and John Hambrick stir our awareness. My hope—their hope—is that having become aware we will become permanently and passionately discontent with racism in all of its insidious forms and expressions.” —Andy Stanley, pastor and founder of North Point Community Church, author of Irresistible

Writing from the perspective of a friend, Frederick Joseph offers candid reflections on his own experiences with racism and conversations with prominent artists and activists about theirs--creating an essential read for white people who are committed anti-racists and those newly come to the cause of racial justice.

A powerful editor is found dead in the newsroom—stabbed with the very spike he would use to kill stories—and in the cutthroat offices of The New York Globe, anyone could be the murderer. Could it be the rival newspaper tycoon? The bumbling publisher? The steely executive editor? As more bodies turn up, it will fall on Priscilla Bollingsworth, a young and ambitious NYPD detective, and Jude Hurley, a clever and rebellious reporter, to navigate the ink-infested waters of the case. A cunning and pitch-perfect portrait of the declining newspaper industry, this rollicking novel entertains from the first to the last.

A meditation on race and identity from one of our most provocative cultural critics. A reckoning with the way we choose to see and define ourselves, Self-Portrait in Black and White is the searching story of one American family’s multigenerational transformation from what is called black to what is assumed to be white. Thomas Chatterton Williams, the son of a “black” father from the segregated South and a “white” mother from the West, spent his whole life believing the dictum that a single drop of “black blood” makes a person black. This was so fundamental to his self-conception that he’d never rigorously reflected on its foundations—but the shock of his experience as the black father of two extremely white-looking children led him to question these long-held convictions. It is not that he has come to believe that he is no longer black or that his kids are white, Williams notes. It is that these categories cannot adequately capture either of them—or anyone else, for that matter. Beautifully written and bound to upset received opinions on race, Self-Portrait in Black and White is an urgent work for our time.

A NEW YORK TIMES CRITICS' TOP BOOK OF THE YEAR • BOOKLISTS' EDITOR'S CHOICE • ONE OF NPR'S BEST BOOK OF THE YEAR “At once a film book, a history book, and a civil rights book.… Without a doubt, not only the very best film book [but] also one of the best books of the year in any genre. An absolutely essential read.” —Shondaland This unprecedented history of Black cinema examines 100 years of Black movies—from Gone with the Wind to Blaxploitation films to Black Panther—using the struggles and triumphs of the artists, and the films themselves, as a prism to explore Black culture, civil rights, and racism in America. From the acclaimed author of The Butler and Showdown. Beginning in 1915 with D. W. Griffith's The Birth of a Nation—which glorified the Ku Klux Klan and became Hollywood's first blockbuster—Wil Haygood gives us an incisive, fascinating, little-known history, spanning more than a century, of Black artists in the film business, on-screen and behind the scenes. He makes clear the effects of changing social realities and events on the business of making movies and on what was represented on the screen: from Jim Crow and segregation to white flight and interracial relationships, from the assassination of Malcolm X, to the O. J. Simpson trial, to the Black Lives Matter movement. He considers the films themselves—including Imitation of Life, Gone with the Wind, Porgy and Bess, the Blaxploitation films of the seventies, Do The Right Thing, 12 Years a Slave, and Black Panther. And he brings to new light the careers and significance of a wide range of historic and contemporary figures: Hattie McDaniel, Sidney Poitier, Berry Gordy, Alex Haley, Spike Lee, Billy Dee Willliams, Richard Pryor, Halle Berry, Ava DuVernay, and Jordan Peele, among many others. An important, timely book, Colorization gives us both an unprecedented history of Black cinema and a groundbreaking perspective on racism in modern America.

What if you lost the thing that made you who you are? Lexi has always been stunning. Her butter-colored hair and perfect features have helped her attract friends, a boyfriend, and the attention of a modeling scout. But everything changes the night Lexi's face goes through a windshield. Now she's not sure what's worse: the scars she'll have to live with forever, or what she saw going on between her best friend and her boyfriend right before the accident. With the help of her trombone-playing, defiantly uncool older sister and a guy at school recovering from his own recent trauma, Lexi learns she's much more than just a pretty face.