Layla Kingston has a tricky problem. She doesn't let anyone toy with her guarded emotions-but she still longs for love. But when her boss, the irresistible millionaire Ashton Miller, tries to break through her walls, he finds it a bit difficult. Because, let's face it, everyone knows blending your professional and personal lives can be messy. Then in walks Alex Ryder. He offers her romance, a simple life, and coaxes Layla gently from her shell-but something's...missing. Maybe after years of disappointment and heartache at the hands of those she dared to trust, true love just isn't in the cards anymore...

Table of Contents CHAPTER 2 1. The Blessings That God Has Given Us (Genesis 2:1-3) 2. Mankind’s Thoughts Are Like Fog (Genesis 2:4-6) 3. We Have Met Jesus Christ Our Bridegroom (Genesis 2:21-25) CHAPTER 3 1. The Truth Does Not Change Regardless of How Many People Might Deny It (Genesis 3:1-4) 2. Sin Came to Enter This World (Genesis 3:1-6) 3. Where Should We Base Our Faith? (Genesis 3:1-7) 4. The Power of Faith in God (Genesis 3:1-7) 5. We Can Overcome Satan Only by True Faith (Genesis 3:1-7) 6. We Must Overcome Satan’s Plot by Believing in the True Gospel (Genesis 3:1-7) 7. Always Seek the Profit of God Only (Genesis 3:1-24) 8. Our Sins Have Been Washed Away by Believing in the Genuine Gospel (Genesis 3:8-10) 9. We Must Live According to the Desires of the Holy Spirit (Genesis 3:8-17) 10. What Is the Real Good and What Is the Real Evil? (Genesis 3:10-24) 11. The Providence of God (Genesis 3:13-24) 12. For Whom Should We Live? (Genesis 3:17-21) In the Book of Genesis, the purpose for which God created us is contained. When architects design a building or artists draw a painting, they first conceive the work that would be completed in their minds before they actually begin working on their project. Just like this, our God also had our salvation of mankind in His mind even before He created the heavens and the earth, and He made Adam and Eve with this purpose in mind. And God needed to explain to us the domain of Heaven, which is not seen by our eyes of the flesh, by drawing an analogy to the domain of the earth that we can all see and understand. Even before the foundation of the world, God wanted to save mankind perfectly by giving the gospel of the water and the Spirit to everyone’s heart. So although all human beings were made out of dust, they must learn and know the gospel Truth of the water and the Spirit to benefit their own souls. If people continue to live without knowing the dominion of Heaven, they will lose not only the things of the earth, but also everything that belongs to Heaven. The New Life Mission https://www.bjnewlife.org

Humanity’s complex relationship with technology spirals out of control in this first book of an all-new series from “the owner of the most powerful imagination in science fiction” (Ken Follett). “How far ‘space opera’ has come! The Old Masters of sci-fi would admire the scope and sweep of Salvation.”—The Wall Street Journal In the year 2204, humanity is expanding into the wider galaxy in leaps and bounds. Cutting-edge technology of linked jump gates has rendered most forms of transportation—including starships—virtually obsolete. Every place on Earth, every distant planet humankind has settled, is now merely a step away from any other. All seems wonderful—until a crashed alien spaceship of unknown origin is found on a newly located world eighty-nine light-years from Earth, carrying a cargo as strange as it is horrifying. To assess the potential of the threat, a high-powered team is dispatched to investigate. But one of them may not be all they seem. . . . Bursting with tension and big ideas, Peter F. Hamilton’s Salvation is the first book of an all-new series that highlights the inventiveness of an author at the top of his game. Praise for Salvation “[A] vast, intricate sci-fi showstopper . . . The journey grips just as hard as the reveal.”—Daily Mail (U.K.) “Exciting, wildly imaginative and quite possibly Hamilton’s best book to date.”—SFX “Dynamic, multifaceted characters, strong mind-expanding concepts, and impressive flair for language [make Salvation a] rare celestial event. . . . One of Britain’s bestselling sci-fi authors has launched an addictive new book as the initial stage of what is sure to be an intriguing new series called the Salvation Sequence.”—SyFyWire “Peter Hamilton just keeps getting better and better with each book, more assured and more craftsmanly adroit, and more inventive. [Salvation is] a bravura performance from start to finish. . . . Hamilton is juggling chainsaws while simultaneously doing needlepoint over a shark tank. It’s a virtuoso treat, and I for one can hardly wait for Salvation Lost.”—Paul Di Filippo, Locus “Peter F. Hamilton is known as one of the world’s greatest sci-fi writers for a reason. . . . Salvation is well worth the effort and a great introduction to some good old-fashioned space opera.”—Fantasy Book Review

I don't know where I am. I'm the last of nine. He calls me Faith, because he said that faith is blind. That's how he justified taking my eyes. See No Evil. That's the role I play here. If you can hear me. If you can see me. My name is Ione Winslow. PLEASE HELP.

Most studies of the history of interpretation of Song of Songs focus on its interpretation from late antiquity to modernity. In My Perfect One, Jonathan Kaplan examines earlier rabbinic interpretation of this work by investigating an underappreciated collection of works of rabbinic literature from the first few centuries of the Common Era, known as the tannaitic midrashim. In a departure from earlier scholarship that too quickly classified rabbinic interpretation of Song of Songs as allegorical, Kaplan advocates a more nuanced reading of the approach of the early sages, who read Song of Songs through a mode of typological interpretation concerned with the correspondence between Scripture and ideal events in Israel's history. Throughout the book Kaplan explores ways in which this portrayal helped shape a model vision of rabbinic piety as well as of an idealized vision of their beloved, God, in the wake of the destruction, dislocation, and loss the Jewish community experienced in the first two centuries of the Common Era. The archetypal and idealized language of Song of Songs provided, as Kaplan argues, a textual landscape in which to imagine an idyllic construction of Israel's relationship to her beloved, marked by mutual devotion and fidelity. Through this approach to Song of Songs, the Tannaim helped lay the foundations for later Jewish thought of a robust theology of intimacy in God's relationship with the Jewish people.