Cyrla has been warned that her neighbors know she is half Jewish--grounds for certain arrest in their Nazi-occupied town. A cruel twist of fate places Cyrla in a terrible dilemma in this page-turning debut novel.

“A free-wheeling vehicle . . . an unforgettable ride!”—The New York Times Cat’s Cradle is Kurt Vonnegut’s satirical commentary on modern man and his madness. An apocalyptic tale of this planet’s ultimate fate, it features a midget as the protagonist, a complete, original theology created by a calypso singer, and a vision of the future that is at once blackly fatalistic and hilariously funny. A book that left an indelible mark on an entire generation of readers, Cat’s Cradle is one of the twentieth century’s most important works—and Vonnegut at his very best. “[Vonnegut is] an unimitative and inimitable social satirist.”—Harper’s Magazine “Our finest black-humorist . . . We laugh in self-defense.”—Atlantic Monthly

A manifesto for a radically different philosophy and practice of manufacture and environmentalism "Reduce, reuse, recycle" urge environmentalists; in other words, do more with less in order to minimize damage. But as this provocative, visionary book argues, this approach perpetuates a one-way, "cradle to grave" manufacturing model that dates to the Industrial Revolution and casts off as much as 90 percent of the materials it uses as waste, much of it toxic. Why not challenge the notion that human industry must inevitably damage the natural world? In fact, why not take nature itself as our model? A tree produces thousands of blossoms in order to create another tree, yet we do not consider its abundance wasteful but safe, beautiful, and highly effective; hence, "waste equals food" is the first principle the book sets forth. Products might be designed so that, after their useful life, they provide nourishment for something new-either as "biological nutrients" that safely re-enter the environment or as "technical nutrients" that circulate within closed-loop industrial cycles, without being "downcycled" into low-grade uses (as most "recyclables" now are). Elaborating their principles from experience (re)designing everything from carpeting to corporate campuses, William McDonough and Michael Braungart make an exciting and viable case for change.

From award-winning author Sara Pennypacker comes the long-awaited sequel to Pax; this is a gorgeously crafted, utterly compelling novel about chosen families and the healing power of love. A New York Times bestseller! It’s been a year since Peter and his pet fox, Pax, have seen each other. Once inseparable, they now lead very different lives. Pax and his mate, Bristle, have welcomed a litter of kits they must protect in a dangerous world. Meanwhile Peter—newly orphaned after the war, racked with guilt and loneliness—leaves his adopted home with Vola to join the Water Warriors, a group of people determined to heal the land from the scars of the war. When one of Pax's kits falls desperately ill, he turns to the one human he knows he can trust. And no matter how hard Peter tries to harden his broken heart, love keeps finding a way in. Now both boy and fox find themselves on journeys toward home, healing—and each other, once again. As he did for Pax, Jon Klassen, New York Times bestseller, Caldecott medalist, and two-time Caldecott Honoree, has created stunning jacket and interior illustrations.

Special agent James Cronley Jr. finds that fighting both ex-Nazis and the Soviet NKGB can lead to strange bedfellows, in the dramatic new Clandestine Operations novel about the birth of the CIA and the Cold War. A month ago, Cronley managed to capture two notorious Nazi war criminals, but not without leaving some dead bodies and outraged Austrian police in his wake. He's been lying low ever since, but that little vacation is about to end. Somebody--Odessa, the NKGB, the Hungarian Secret Police?--has broken the criminals out of jail, and he must track them down again. But there's more to it than that. Evidence has surfaced that in the war's last gasps, Heinrich Himmler had stashed away a fortune to build a secret religion, dedicated both to Himmler and to creating the Fourth Reich. That money is still out there in the hands of Odessa, and that infamous organization seems to have acquired a surprising--and troubling--ally. Cronley is fast finding out that the phrase "the enemy of my enemy is my friend" can mean a lot of different things, and that it is not always clear which people he can trust and which are out to kill him.

It is 574. Columba and Aedan mac Gabran hunt down their enemies through the wilds of Ireland's ancient north and west. Their quest? To find Aedan's lost brother, to unite the warring peoples of Dal Riata, and to defeat once and for all the tyrannical overlord who holds them all hostage. But an even greater enemy threatens: bubonic plague ravages Europe yet again, bringing the West to its knees-a mortal peril from which none of them may escape.Ranging across the storied landscapes of early-mediaeval Donegal, Northern Ireland, and the Isle of Man, 'Cradle of Saints', the timely fourth instalment of this epic series, continues the stirring tale of the two men who helped to found the monastery of Iona and the nascent kingdom of Scotland.

Sacred Valley has been saved...at least, what's left of it. With his home finally secure, Lindon delves deep into the ancient labyrinth, seeking long-lost Soulsmithing knowledge and the secret to destroying the Dreadgods. Monarchs plot against him and against each other, unaware of the threats gathering in realms beyond. Far above Lindon and the Monarchs and the Dreadgods, another war is waged. Suriel and the Abidan clash against the Mad King and his forces in a battle for the fate of many worlds. And if it is lost, Cradle will be destroyed.