On October 8, 1920 the body of a young woman named Kate Lilian Bailey, aged 22, was discovered. It transpired that her husband, George Arthur Bailey, had poisoned his seven-months pregnant wife with prussic acid, and with a whiff of the same chloroform he used to ease her final anguish, sedated his three-year-old daughter whom he placed in bed next to the corpse. Fourteen hours later, he fled the cottage, taking his child to relatives in Swindon before being arrested three days after the murder, at Reading Station with four kinds of poison in his pockets. Police also found a note suggesting that Bailey had intended to kill his little girl as well as himself and his wife. So was this simply the botched suicide pact of a devoted couple that had gone tragically out of control? All would be revealed at a sensational 1921 trial at Aylesbury Assizes; a shabby record of forgery, fraud, theft, false information and army desertion. Bailey - also known to the police as George Cox and Ronald Gilbert Treherne, or Tremayne, was also, it's said, a budding sex criminal and a fantasist of the first order. Although, curiously, he didn't plead insanity at his trial, the accused had a history of mental disorder including nervous breakdowns and several suicide attempts. At his trial - where women would sit on an English murder jury for the first time - Bailey denied all the charges. The prosecution argued that Bailey murdered his wife in order to be free to seduce innocent local girls, and a conviction was swiftly secured after the four day trial. Despite an appeal, Bailey was hanged 'three clear Sundays' after the jury returned with its verdict. George was a milkman and was known as the 'musical milkman' because he could be heard whistling while on his daily rounds.

Long before the picturesque village of Little Marlow became a well-known location for filming episodes of popular television crime shows such as Inspector Morse, Miss Marple and Midsomer Murders, the tranquil Thameside hamlet was the site of a real-life murder that would have taxed the imagination of even the most inventive TV screenwriter. In the immediate aftermath of the Great War, Little Marlow was thrown into a state of great excitement by the discovery of the body of a young married woman named Kate Lilian Bailey. The scene of the tragedy was Barn Cottage, a pretty countryside residence; the weapon of choice was poison, and the man accused of the murder was local milkman, George Bailey Kate's husband. Who was George Arthur Bailey? What drove this seemingly harmless milkman to murder his wife? Who, or what, sealed his fate? Almost a century later, through exhaustive research, author Quentin Falk brings to light the extraordinary and colorful facts of this strangely under-reported crime to reveal not just one astonishing story, but an intriguing crime and compelling weave of several stories. "The Musical Milkman Murder" paints a vivid picture of rural society in early 20th century England, reveals the grisly tale of a star-crossed couple torn apart by poison that subsequently lead to an execution and the suicides of a judge and a hangman and the tragic story of a daughter who would take half a lifetime to discover the terrible truth behind her parentage."

100 years, 500 victims, 119 murderers, from the famous - Crippen, Shipman - to the obscure but no less fascinating - Albert Walker, Rhoda Willis - and others who were condemned but potentially innocent.

Traditionally, in British society, the milkman has been a family friend, a sex symbol and a cheerful chappie. He has been the eyes and ears of the community, and his genetic legacy has supposedly passed into the lineage of housewives. This collection of folk tales about milkmen covers the history of the job and the milkman's everyday experience. The book is structured by the milkman's working day. It starts with the alarm-clock and ends with the milkman returning home in search of sustenance and tender loving care. The book is less about changes in the dairy industry and more about the work experiences of the people who have delivered milk. Many milkmen are featured: Chris Frankland delivered over eight million pints before he retired at seventy-four; Alistair Maclean drove two million miles across the north coast of Scotland in fifty years; and Tony Fowler, an award-winning Leicestershire milkman, helped to put over fifty people in prison. For more than thirty years the author has collected milkman stories through oral testimony, newspaper archives, anecdotes, diaries, books and more formal interviews.

Twenty-three-year-old Judd Nix, an unpaid intern at the most prestigious personal management firm in country music, gets the opportunity of a lifetime when his boss and mentor, Simon Stills, offers him a temporary positionan opportunity that may just cost Judd his life.

Winner of the Man Booker Prize “Everything about this novel rings true. . . . Original, funny, disarmingly oblique and unique.”—The Guardian In an unnamed city, middle sister stands out for the wrong reasons. She reads while walking, for one. And she has been taking French night classes downtown. So when a local paramilitary known as the milkman begins pursuing her, she suddenly becomes “interesting,” the last thing she ever wanted to be. Despite middle sister’s attempts to avoid him—and to keep her mother from finding out about her maybe-boyfriend—rumors spread and the threat of violence lingers. Milkman is a story of the way inaction can have enormous repercussions, in a time when the wrong flag, wrong religion, or even a sunset can be subversive. Told with ferocious energy and sly, wicked humor, Milkman establishes Anna Burns as one of the most consequential voices of our day.

NEW YORK TIMES BESTSELLER • SOON TO BE AN FX LIMITED SERIES STREAMING ON HULU • NATIONAL BOOK CRITICS CIRCLE AWARD WINNER • From the author of Empire of Pain—a stunning, intricate narrative about a notorious killing in Northern Ireland and its devastating repercussions. "Masked intruders dragged Jean McConville, a 38-year-old widow and mother of 10, from her Belfast home in 1972. In this meticulously reported book—as finely paced as a novel—Keefe uses McConville's murder as a prism to tell the history of the Troubles in Northern Ireland. Interviewing people on both sides of the conflict, he transforms the tragic damage and waste of the era into a searing, utterly gripping saga." —New York Times Book Review "Reads like a novel ... Keefe is ... a master of narrative nonfiction. . .An incredible story."—Rolling Stone A Best Book of the Year: The New York Times, The Washington Post, The Wall Street Journal, TIME, NPR, and more! Jean McConville's abduction was one of the most notorious episodes of the vicious conflict known as The Troubles. Everyone in the neighborhood knew the I.R.A. was responsible. But in a climate of fear and paranoia, no one would speak of it. In 2003, five years after an accord brought an uneasy peace to Northern Ireland, a set of human bones was discovered on a beach. McConville's children knew it was their mother when they were told a blue safety pin was attached to the dress--with so many kids, she had always kept it handy for diapers or ripped clothes. Patrick Radden Keefe's mesmerizing book on the bitter conflict in Northern Ireland and its aftermath uses the McConville case as a starting point for the tale of a society wracked by a violent guerrilla war, a war whose consequences have never been reckoned with. The brutal violence seared not only people like the McConville children, but also I.R.A. members embittered by a peace that fell far short of the goal of a united Ireland, and left them wondering whether the killings they committed were not justified acts of war, but simple murders. From radical and impetuous I.R.A. terrorists such as Dolours Price, who, when she was barely out of her teens, was already planting bombs in London and targeting informers for execution, to the ferocious I.R.A. mastermind known as The Dark, to the spy games and dirty schemes of the British Army, to Gerry Adams, who negotiated the peace but betrayed his hardcore comrades by denying his I.R.A. past--Say Nothing conjures a world of passion, betrayal, vengeance, and anguish.