An American heiress turned resistance hero, Muriel Gardiner was an electrifying woman who impressed everyone she met with her beauty, intelligence, and powerful personality. Her adventurous life led her from Chicago's high society to a Viennese medical school, from Sigmund Freud's inner circle to the Austrian underground. Over the years, she saved countless Jews and anti-fascists, providing shelter and documents ensuring their escape. This remarkable woman's life as a legend of the Austrian Resistance was captured in the movie Julia with Vanessa Redgrave and remains an inspiration to all those who believe that one individual can change the world. Gardiner's astonishing story is told here for the first time in all its variety and unanticipated twists and turns.

How two extraordinary women crossed the Victorian class divide to put Christian teachings into practice in the slums of East London Nellie Dowell was a match factory girl in Victorian London who spent her early years consigned to orphanages and hospitals. Muriel Lester, the daughter of a wealthy shipbuilder, longed to be free of the burden of money and possessions. Together, these unlikely soulmates sought to remake the world according to their own utopian vision of Christ's teachings. The Match Girl and the Heiress paints an unforgettable portrait of their late-nineteenth-century girlhoods of wealth and want, and their daring twentieth-century experiments in ethical living in a world torn apart by war, imperialism, and industrial capitalism. In this captivating book, Seth Koven chronicles how each traveled the globe—Nellie as a spinster proletarian laborer, Muriel as a well-heeled tourist and revered Christian peacemaker, anticolonial activist, and humanitarian. Koven vividly describes how their lives crossed in the slums of East London, where they inaugurated a grassroots revolution that took the Sermon on the Mount as a guide to achieving economic and social justice for the dispossessed. Koven shows how they devoted themselves to Kingsley Hall—Gandhi's London home in 1931 and Britain's first "people's house" founded on the Christian principles of social sharing, pacifism, and reconciliation—and sheds light on the intimacies and inequalities of their loving yet complicated relationship. The Match Girl and the Heiress probes the inner lives of these two extraordinary women against the panoramic backdrop of shop-floor labor politics, global capitalism, counterculture spirituality, and pacifist feminism to expose the wounds of poverty and neglect that Christian love could never heal.

The Muriel Rukeyser Era makes available for the first time a range of Muriel Rukeyser's prose, a rich and diverse archive of political, social, and aesthetic writings. Eric Keenaghan and Rowena Kennedy-Epstein assemble a selection of unpublished and out-of-print texts, demonstrating the diversity, brilliance, and possibilities of mid-twentieth-century women's intellectual life and sociopolitical engagement. Although primarily known as a poet, Rukeyser produced an expansive and influential body of nonfiction and critical writings. Reflective of a deeply committed thinker, her accessible but philosophically complex prose—including essays, lectures, radio scripts, stories, and reviews—addresses issues related to racial, gender, and class justice, war and war crimes; the prison-industrial complex, Jewish culture and diaspora, motherhood, literature, music, cinema, and translation. Many of the selected texts have been forgotten, have fallen out of print, or were never previously published because of conservative Cold War political and gender orthodoxies. The Muriel Rukeyser Era offers new insight into Rukeyser's radical and strikingly contemporary vision for the role of the writer—especially the woman writer. This selection reveals the centrality of feminism, antifascism, and antiracism to her thinking and thus affirms the resonance and urgency of her work today.

Once They Had a Country conveys well what it was like to establish a new life in a foreign country--over and over again and in constant fear for one's life. The book draws from a remarkable set of primary source materials, including letters, telegrams, and police records to relate the story of two teenage refugees during World War II.

Muriel Spark seems to have seen the world as a stage where all the men and women are merely players having their "moments" on the stage of life. "One's prime is the moment one was born for" she has been known to say, and it is those moments, mere spots in time, that she describes in her fiction. Old people become babes again. School-boys (or girls) grow into their prime. That is the cycle of life that can be traced throughout her work, a pattern of birth, growth, and decay that is akin to the seasons. Through the analysis of these five finely chosen novels – Memento Mori, The Prime of Miss Jean Brodie, Girls of Slender Means, The Mandelbaum Gate and The Driver’s Seat – Linette Arthurton Bruno attempts to show how Muriel Spark adapts her time-structure to her theme. A great piece of work that underlines the skills of a woman considered as one of the fifty greatest British writers since 1945.

Never before published, this autobiographical novel captures the politics and passion of the Spanish Civil War.