Murdered Father, Dead Father: Revisiting the Oedipus Complex examines the progressive construction of the notion of paternal function and its central relevance in psychoanalysis. The distinction between the murdered (narcissistic) father and the dead father is seen as providing a paradigm for the understanding of different types of psychopathologies, as well as works of literature, anthropology and historical events. New concepts are introduced, such as "a father is being beaten", and a distinction between the descriptive après coup and the dynamic après coup that provides a model for a psychoanalytic understanding of temporality. The book includes a reflection on how the concepts of the death instinct and the negative, in their connection with that which is at the limits of representability, are an aid to an understanding of Auschwitz, a moment of rupture in European culture that the author characterizes as " the murder of the dead father". Perelberg’s book is an important clinical and intellectual marker, and will be required reading for psychoanalysts, psychotherapists, anthropologists, and historians, as well as students in all these disciplines.

Murdered Father, Dead Father: Revisiting the Oedipus Complex examines the progressive construction of the notion of paternal function and its central relevance in psychoanalysis. The distinction between the murdered (narcissistic) father and the dead father is seen as providing a paradigm for the understanding of different types of psychopathologies, as well as works of literature, anthropology and historical events. New concepts are introduced, such as "a father is being beaten", and a distinction between the descriptive après coup and the dynamic après coup that provides a model for a psychoanalytic understanding of temporality. The book includes a reflection on how the concepts of the death instinct and the negative, in their connection with that which is at the limits of representability, are an aid to an understanding of Auschwitz, a moment of rupture in European culture that the author characterizes as " the murder of the dead father". Perelberg's book is an important clinical and intellectual marker, and will be required reading for psychoanalysts, psychotherapists, anthropologists, and historians, as well as students in all these disciplines.

Inspired by the website that the New York Times hailed as "redefining mourning," this book is a fresh and irreverent examination into navigating grief and resilience in the age of social media, offering comfort and community for coping with the mess of loss through candid original essays from a variety of voices, accompanied by gorgeous two-color illustrations and wry infographics. At a time when we mourn public figures and national tragedies with hashtags, where intimate posts about loss go viral and we receive automated birthday reminders for dead friends, it’s clear we are navigating new terrain without a road map. Let’s face it: most of us have always had a difficult time talking about death and sharing our grief. We’re awkward and uncertain; we avoid, ignore, or even deny feelings of sadness; we offer platitudes; we send sympathy bouquets whittled out of fruit. Enter Rebecca Soffer and Gabrielle Birkner, who can help us do better. Each having lost parents as young adults, they co-founded Modern Loss, responding to a need to change the dialogue around the messy experience of grief. Now, in this wise and often funny book, they offer the insights of the Modern Loss community to help us cry, laugh, grieve, identify, and—above all—empathize. Soffer and Birkner, along with forty guest contributors including Lucy Kalanithi, singer Amanda Palmer, and CNN’s Brian Stelter, reveal their own stories on a wide range of topics including triggers, sex, secrets, and inheritance. Accompanied by beautiful hand-drawn illustrations and witty "how to" cartoons, each contribution provides a unique perspective on loss as well as a remarkable life-affirming message. Brutally honest and inspiring, Modern Loss invites us to talk intimately and humorously about grief, helping us confront the humanity (and mortality) we all share. Beginners welcome.

This bracing new nonfiction book by the young superstar E´douard Louis is both a searing j’accuse of the viciously entrenched French class system and a wrenchingly tender love letter to his father This bracing new nonfiction book by the young superstar Édouard Louis is both a searing j’accuse of the viciously entrenched French class system and a wrenchingly tender love letter to his father. Who Killed My Father rips into France’s long neglect of the working class and its overt contempt for the poor, accusing the complacent French—at the minimum—of negligent homicide. The author goes to visit the ugly gray town of his childhood to see his dying father, barely fifty years old, who can hardly walk or breathe:“You belong to the category of humans whom politics consigns to an early death.” It’s as simple as that. But hand in hand with searing, specific denunciations are tender passages of a love between father and son, once damaged by shame, poverty and homophobia. Yet tenderness reconciles them, even as the state is killing off his father. Louis goes after the French system with bare knuckles but turns to his long-alienated father with open arms: this passionate combination makes Who Killed My Father a heartbreaking book.

A small-town reporter hunts a big-city killer in a novel by a New York Times-bestselling author who provides “a truly American version of the English cozy” (Tulsa World). When her part-time reporting gig gives Lucy the opportunity to attend a Boston newspaper conference, she looks forward to a vacation from domestic bliss. But upon leaving Tinker’s Cove, Maine, she quickly discovers that alone time can be kind of…lonely. And in between libel workshops and panel discussions, Lucy takes a guilt trip. She feels terrible that she won’t be home to help her husband celebrate Father’s Day. But when Luther Read—head of a nearly bankrupt newspaper dynasty—suddenly drops dead, Lucy has other things to think about. She’s not buying the theory that Luther died of an asthma attack. The man just had too many enemies. Always the intrepid snoop, Lucy vows to investigate. But she can’t help wondering if her name will end up on a byline—or in an obit… “Reading a new Leslie Meier mystery is like catching up with a dear old friend.”—Kate Carlisle, New York Times bestselling author of the Bibliophile Mysteries “Leslie Meier writes with sparkle and warmth.”—Chicago Sun-Times “I like Lucy Stone a lot, and so will readers.”—Carolyn Hart, New York Times-bestselling author of the Bailey Ruth Mysteries

Wideman "traces the life of the father of iconic civil rights martyr Emmett Till--a man who was executed by the Army ten years before Emmett's murder--presenting an ... exploration of individual and collective memory in America by one of the most formidable black intellectuals of our time"--Amazon.com.