The gripping, true story of a brutal serial killer who unleashed his own reign of terror in Nazi-Occupied Paris. As decapitated heads and dismembered body parts surfaced in the Seine, Commissaire Georges-Victor Massu, head of the Brigade Criminelle, was tasked with tracking down the elusive murderer in a twilight world of Gestapo, gangsters, resistance fighters, pimps, prostitutes, spies, and other shadowy figures of the Parisian underworld. But while trying to solve the many mysteries of the case, Massu would unravel a plot of unspeakable deviousness. The main suspect, Dr. Marcel Petiot, was a handsome, charming physician with remarkable charisma. He was the “People’s Doctor,” known for his many acts of kindness and generosity, not least in providing free medical care for the poor. Petiot, however, would soon be charged with twenty-seven murders, though authorities suspected the total was considerably higher, perhaps even as many as 150. Petiot's trial quickly became a circus. Attempting to try all twenty-seven cases at once, the prosecution stumbled in its marathon cross-examinations, and Petiot, enjoying the spotlight, responded with astonishing ease. Soon, despite a team of prosecuting attorneys, dozens of witnesses, and over one ton of evidence, Petiot’s brilliance and wit threatened to win the day. Drawing extensively on many new sources, including the massive, classified French police file on Dr. Petiot, Death in the City of Light is a brilliant evocation of Nazi-Occupied Paris and a harrowing exploration of murder, betrayal, and evil of staggering proportions.

“Tucker writes with gusto . . . high drama.”—Marilyn Stasio, New York Times Book Review In the late 1600s, Louis XIV assigns Nicolas de la Reynie to bring order to Paris after the brutal deaths of two magistrates. Reynie, pragmatic and fearless, discovers a network of witches, poisoners, and priests whose reach extends all the way to the king’s court at Versailles. Based on court transcripts and Reynie’s compulsive note-taking, Holly Tucker’s engrossing true-crime narrative makes the characters breathe on the page as she follows the police chief into the dark labyrinths of crime-ridden Paris, the halls of royal palaces, secret courtrooms, and torture chambers.

The Jessie Arnold mysteries offer “real thrills set against the wild beauty of Alaska” (Minneapolis Star-Tribune)—and this time, Jessie unscrambles a deadly puzzle along the Alaskan Inside Passage… Two of Jessie’s friends are throwing a party at their new digs—an old lighthouse on the Alaskan Inside Passage. Not a party in the typical sense, but one where guests earn their keep by scraping, painting, and generally restoring Five Finger Light, named after the long, low islands around it. So Jessie decides to leave her partner-in-crime, Alex, alone for a few days and lend a hand. With the company of old friends and a view to die for, Jessie won’t soon forget this weekend—especially when she stumbles across a dead body. Looks like an accident. But even as a frantic Alex learns that someone’s cut the phone lines and wrecked the radio, Jessie realizes there’s a killer loose on the island. Worse yet, the killing spree might not be over—even though the party certainly is....

A mad director, off his meds, is making a movie about how he murders the producers who ruined his career. The movie is in his mind. The murders are real. Tommy Veasy, a pot-smoking homicide detective--our hero--who writes poetry to help him solve cases and ward off despair, thinks he sees a pattern in these seemingly accidental deaths. His colleagues think he's being dramatic. But the bodies keep piling up. The staff of a syndicated TV show in its tenth year, formerly an international hit but now only being aired in Montenegro and Botswana, worries about how they will maintain their Hollywood lifestyles when they become unemployable. How will the producer finance his two-hooker-a-weekend habit? How will the staff writer pay private school tuition, an underwater mortgage, tennis club dues, the housekeeper, the gardener, cable TV bills, the couples' therapist, et al.? Not a big problem: the mad director has planted a bomb in the office phone and is frantically trying to set it off. And meanwhile, a home invader keeps invading the wrong homes, to everyone's perplexity. In other words: it's just another day in paradise.

A delicious true crime account of a murder most gallic—think CSI Paris meets Georges Simenon—whose lurid combination of sex, brutality, forensics, and hypnotism riveted first a nation and then the world. In 1889, the gruesome murder of a lascivious court official at the hands of a ruthless con man and his pliant mistress launched the trial of the century. When Toussaint-Augustin Gouffé entered 3, rue Tronson du Coudray, expecting a delightful assignation with the comely Gabrielle Bompard, he was instead murdered by Gabrielle and her lover, Michel Eyraud. An international manhunt chased the infamous couple from Paris to America’s West Coast, culminating in a sensational trial that investigated the power of hypnosis to possess, control, and even kill. As the inquiry into the guilt or innocence of the woman the French tabloids dubbed the “Little Demon” intensified, the most respected minds in France vehemently debated: Was Gabrielle Bompard the pawn of her mesmerizing lover or simply a coldly calculating murderess capable of killing a man in cold blood?

Early on the morning of May 6, 1840, the elderly Lord William Russell was found in his London house with his throat so deeply cut that his head was nearly severed. The crime soon had everyone, including Queen Victoria, feverishly speculating about motives and methods. But when the prime suspect claimed to have been inspired by a sensational crime novel, it sent shock waves through literary London and drew both Dickens and Thackeray into the fray. Could a novel really lead someone to kill? In Murder by the Book, Claire Harman blends a riveting true-crime whodunit with a fascinating account of the rise of the popular novel and the early battle for its soul among the most famous writers of the day.

A NEW YORK TIMES NOTABLE BOOK It is 1901 and Buffalo, New York, stands at the center of the nation's attention as a place of immense wealth and sophistication. The massive hydroelectric power development at nearby Niagara Falls and the grand Pan-American Exposition promise to bring the Great Lakes “city of light” even more repute. Against this rich historical backdrop lives Louisa Barrett, the attractive, articulate headmistress of the Macaulay School for Girls. Protected by its powerful all-male board, “Miss Barrett” is treated as an equal by the men who control the life of the city. Lulled by her unique relationship with these titans of business, Louisa feels secure in her position, until a mysterious death at the power plant triggers a sequence of events that forces her to return to a past she has struggled to conceal, and to question everything and everyone she holds dear. Both observer and participant, Louisa Barrett guides the reader through the culture and conflicts of a time and place where immigrant factory workers and nature conservationists protest violently against industrialists, where presidents broker politics, where wealthy “Negroes” fight for recognition and equality, and where women struggle to thrive in a system that allows them little freedom. Wrought with remarkable depth and intelligence, City of Light remains a work completely of its own era, and of ours as well. A stirring literary accomplishment, Lauren Belfer's first novel marks the debut of a fresh voice for the new millennium and heralds a major publishing event.