He shows how the way we understand ourselves reflects the ambivalent effects of the Holocaust on our perceptions of war and violence, history and memory, progress and barbarism.

"Crime stories attract audiences and social buzz, but they also serve as prisms for perceived threats. As immigration, technological change, and globalization reshape our world, anxiety spreads. Because journalism plays a role in how the public adjusts to moral and material upheaval, this unease raises the ethical stakes. Reporters can spread panic or encourage reconciliation by how they tell these stories. Murder in our Midst uses crime coverage in select North American and Western European countries as a key to examine culturally constructed concepts like privacy, public, public right to know, and justice. Working from close readings of news coverage, codes of ethics and style guides, and personal interviews with almost 200 news professionals, this book offers fertile material for a provocative conversation. We use our findings to divide the ten countries studied into three media models; we explore what the differing coverage decisions suggest about underlying attitudes to criminals and crime, and how justice in a democracy is best served. Today, journalists' work can be disseminated around the world without any consideration of whether what's being told (or how) might dissolve cultural differences or undermine each community's right to set its own standards to best reflect its citizens' values. At present, unique reporting practices persist among our three models, but the internet and social media threaten to dissolve distinctions and the cultural values they reflect. We need a journalism that both opens local conversations and bridges differences among nations. This book is a first step in that direction"--

War endlessly tries to mask itself. The myth of the heroic soldier testing his individual courage stands in stark contrast to the reality of mass, anonymous death and the suppression of individual actions. Murder in Our Midst shows that this fundamental tension reached its natural conclusion in the Holocaust, and that disguising it has required an ongoing effort to misrepresent war and the Holocaust as something other than industrial killing. Examining a broad range of the representations of war's horrors, from scholarly depictions to those in popular literature, poetry, art, and the movies, Omer Bartov finds they have some things in common. Societies and cultures have attempted to form coherent images of horrific events, to draw didactic lessons from them, and to exploit them to legitimate ideological or political positions. Made up of interconnected essays, this book is both a scholarly and an often personal and passionate examination of the emergence, implementation, and representation of industrial killing. Bartov draws out the links between recent revisionist attempts to minimize and deny the Holocaust, and Hollywood's ongoing fascination with National Socialism and Hitler's "Final Solution." Arguing that the modern predicament reflects the effects of the Nazi genocide on current perceptions of war, history, and memory, this book is a plea for compassion and commitment in an increasingly violent and indifferent world.

Theirs was a friendship - a viable friendship - that transcended race, culture, and economicbackgrounds. It was forged during the most contentiousperiod in American history. . . a friendshipthat could be shattered by one thing, onething only - MURDER!

A storm-struck island. A blood-soaked bed. A missing man. In this captivating mystery that's perfect for fans of Knives Out, Senior Investigator Shana Merchant discovers that murder is a family affair. Thirteen months ago, former NYPD detective Shana Merchant barely survived being abducted by a serial killer. Now hoping to leave grisly murder cases behind, she's taken a job in her fiancé's sleepy hometown in the Thousand Islands region of Upstate New York. But as a nor'easter bears down on her new territory, Shana and fellow investigator Tim Wellington receive a call about a man missing on a private island. Shana and Tim travel to the isolated island owned by the wealthy Sinclair family to question the witnesses. They arrive to find blood on the scene and a house full of Sinclair family and friends on edge. While Tim guesses they're dealing with a runaway case, Shana is convinced that they have a murder on their hands. As the gale intensifies outside, she starts conducting interviews and discovers the Sinclairs and their guests are crawling with dark and dangerous secrets. Trapped on the island by the raging storm with only Tim whose reliability is thrown into question, the increasingly restless suspects, and her own trauma-fueled flashbacks for company, Shana will have to trust the one person her abduction destroyed her faith in—herself. But time is ticking down, because if Shana's right, a killer is in their midst and as the pressure mounts, so do the odds that they'll strike again.

Three Weddings...And a Murder So far Meg Langslow's summer is not going swimmingly. Down in her small Virginia hometown, she's maid of honor at the nuptials of three loved ones--each of whom has dumped the planning in her capable hands. One bride is set on including a Native American herbal purification ceremony, while another wants live peacocks on the lawn. Only help from the town's drop-dead gorgeous hunk, disappointingly rumored to be gay, keeps Meg afloat in a sea of dotty relatives and outrageous neighbors. And, in whirl of summer parties and picnics, Southern hospitality is strained to the limit by an offensive newcomer who hints at skeletons in the guests' closets. But it seems this lady has offended one too many when she's found dead in suspicious circumstances, followed by a string of accidents--some fatal. Soon, level-headed Meg's to-do list extends from flower arrangements and bridal registries to catching a killer--before the next catered event is her own funeral...

Tom Kohl, a judge, relates how God changed his life through the living Jesus Christ; how God could take a tragedy and turn it into a triumph. Only through the power of the living God could Tom come to forgive the man who brutally murdered his daughter. This story also reveals how drug court, an intensive treatment program, was birthed out of Toms heart for drug addicts, offering second, third, and fourth chances in the criminal justice system. This is the true story of finding hope, comfort, and forgiveness in the midst of the darkness of drug addiction and ultimately the murder of Toms daughter.