“Powerful . . . Fascinating . . . Truman absolutely amazes.”—Atlanta Journal & Constitution When the senior curator at Washington's famed National Gallery finds a missing painting by the Renaissance master Caravaggio, he mounts a world-class exhibition—and plots a brilliant forgery scheme that will stun the art world. “A thrilling chase.”—Publishers Weekly But an artful deception suddenly becomes a portrait of blackmail and murder—as gallery owner and part-time sleuth Annabel Reed-Smith and her husband go searching for clues in the heady arena of international art and uncover a rare collection of unscrupulous characters that leads all the way to Italy. “Highly recommended . . . One of [Margaret] Truman's best.”—Booklist

“Powerful . . . Fascinating . . . Truman absolutely amazes.”—Atlanta Journal & Constitution When the senior curator at Washington's famed National Gallery finds a missing painting by the Renaissance master Caravaggio, he mounts a world-class exhibition—and plots a brilliant forgery scheme that will stun the art world. “A thrilling chase.”—Publishers Weekly But an artful deception suddenly becomes a portrait of blackmail and murder—as gallery owner and part-time sleuth Annabel Reed-Smith and her husband go searching for clues in the heady arena of international art and uncover a rare collection of unscrupulous characters that leads all the way to Italy. “Highly recommended . . . One of [Margaret] Truman's best.”—Booklist

Continuing her success in Capital Crimes, the bestselling author of First Ladies takes readers behind the exhibits at one of D.C.'s most popular attractions. When a senior curator at the National Gallery discovers a lost Caravaggio, he concocts a masterly scheme to exhibit and exploit the masterpiece, which escalates into murder as an art form.

A grim portrait of murder in Victorian London.1897, London. The capital is shocked to learn that the body of a woman has been found at the National Gallery, eviscerated in a manner that recalls all too strongly the exploits of the infamous Jack the Ripper.Daniel Wilson and Abigail Fenton are contacted by a curator of the National Gallery for their assistance. The dead woman, an artist's model and lady of the night, had links to artist Walter Sickert who was a suspect during the Ripper's spree of killings. Scotland Yard have arrested Sickert on suspicion of this fresh murder but it is not the last.Copycat murders of the Ripper's crimes implicate the artist who loves to shock but Sickert insists that he is innocent. Who would want to frame him? Wilson and Fenton have their work cut out catching an elusive and determined killer.

“A vigorous tale of twists and turns . . . An authentic thriller.”—The Washington Post Book World Murder didn't stop Mac Smith or Annabel Reed from falling in love, or from getting married at the glorious church on the hill in Washington, D.C., the National Cathedral. But the brutal murder of a friend drags them from their newlywed bliss into an unholy web of intrigue and danger. The body is found in the cathedral. There are scant clues and no suspects. And to further complicate matters, a parallel crime is committed at a church in England's Cotswolds, where the honeymooners have recently been visitors. Across the sea go the Smiths again, and straight into the center of an ungodly plot of secret agents, a playboy priest, a frustrated lover, a choleric cleric . . . and a murder so perfect it's a sin. Praise for Murder at the National Cathedral “One of her most enjoyable books.”—Associated Press “Margaret Truman has become a first-rate mystery writer.”—Los Angeles Times Book Review

The Nutshell Studies of Unexplained Death offers readers an extraordinary glimpse into the mind of a master criminal investigator. Frances Glessner Lee, a wealthy grandmother, founded the Department of Legal Medicine at Harvard in 1936 and was later appointed captain in the New Hampshire police. In the 1940s and 1950s she built dollhouse crime scenes based on real cases in order to train detectives to assess visual evidence. Still used in forensic training today, the eighteen Nutshell dioramas, on a scale of 1:12, display an astounding level of detail: pencils write, window shades move, whistles blow, and clues to the crimes are revealed to those who study the scenes carefully. Corinne May Botz's lush color photographs lure viewers into every crevice of Frances Lee's models and breathe life into these deadly miniatures, which present the dark side of domestic life, unveiling tales of prostitution, alcoholism, and adultery. The accompanying line drawings, specially prepared for this volume, highlight the noteworthy forensic evidence in each case. Botz's introductory essay, which draws on archival research and interviews with Lee's family and police colleagues, presents a captivating portrait of Lee.

From a former first daughter and bestselling author comes three classic Capital Crimes mysteries in one thrilling volume: "Murder in the Supreme Court; Murder in the CIA; " and "Murder in the House."