"Mudrooroo: A Likely Story reads the fiction of one of Australia's most controversial and enigmatic literary figures against the backdrop of the likelihood that he assumed an Aboriginal identity to which he was not entitled. As he is neither black nor white, Colin Johnson (a.k.a. Mudrooroo) writes on issues of identity and belonging from the position of an outsider. The book argues that the experimental nature of Johnson's creative body of work coupled with the complexities of his 'in-between' status, mean that both the man and his writing evade neat categorisation within mainstream literary criticism. Also examined here is how the denial of his white mother impacts upon the gender politics of Johnson's fiction in a way that opens up exciting new possibilities for critical comment and textual analysis."--Back cover.

Documents a theatre project involving an Aboriginal theatre group performing a post-Brechtian German play by Heiner Mxller, set within a play by the Aboriginal playwright, poet and novelist, Mudrooroo. Recounts the genesis and development of the project, and gives separate texts for both plays. Mxller has also written an autobiography, TWar without Battle: Living in two dictatorships'.

The young Wooreddy recognised the omen immediately, accidentally stepping on it while bounding along the beach: something slimy, something eerily cold and not from the earth. Since it had come from the sea, it was an evil omen.Soon after, many people died mysteriously, others disappeared without a trace, and once-friendly families became bitter enemies. The islanders muttered, 'It's the times', but Wooreddy alone knew more: the world was coming to an end. In Mudrooroo's unforgettable novel, considered by many to be his masterpiece, the author evokes with fullest irony the bewilderment and frailty of the last native Tasmanians, as they come face to face with the clumsy but inexorable power of their white destroyers. A novel of real power and stature. - Adelaide Advertiser In Dr Wooreddy, Mudrooroo has taken his previous themes of (Aboriginal) heritage and identity and melded them into one perception. This is an amazing book. - Newcastle Herald Powerfully imaginative, unflinchingly honest, rich in imagery and alive with comic ironies. - Australian Book Review Outstanding. - Boston Herald

This Encyclopedia offers an indispensable reference guide to twentieth-century fiction in the English-language. With nearly 500 contributors and over one million words, it is the most comprehensive and authoritative reference guide to twentieth-century fiction in the English language. Contains over 500 entries of 1000-3000 words written in lucid, jargon-free prose, by an international cast of leading scholars Arranged in three volumes covering British and Irish Fiction, American Fiction, and World Fiction, with each volume edited by a leading scholar in the field Entries cover major writers (such as Saul Bellow, Raymond Chandler, John Steinbeck, Virginia Woolf, A.S. Byatt, Samual Beckett, D.H. Lawrence, Zadie Smith, Salman Rushdie, V.S. Naipaul, Nadine Gordimer, Alice Munro, Chinua Achebe, J.M. Coetzee, and Ngûgî Wa Thiong’o) and their key works Examines the genres and sub-genres of fiction in English across the twentieth century (including crime fiction, Sci-Fi, chick lit, the noir novel, and the avant-garde novel) as well as the major movements, debates, and rubrics within the field, such as censorship, globalization, modernist fiction, fiction and the film industry, and the fiction of migration, diaspora, and exile

Aboriginals believe they have lived in Australia since the Dreamtime, the beginning of all creation, and archaeological evidence shows the land has been inhabited for tens of thousands of years. Over this time, Aboriginal culture has grown a rich variety of mythologies in hundreds of different languages. Their unifying feature is a shared belief that the whole universe is alive, that we belong to the land and must care for it. This was the first book to collate and explain the many fascinating elements of Aboriginal culture: the song circles and stories, artefacts, landmarks, characters and customs.

Fourteen academics and writers from the land down under present papers on aboriginal identity, Asians in Australia, Australians in Asia, bi- and multiculturalism in New Zealand, and whiteness, most of which were presented at the 1998 Sydney conference, Adventures of Identity: Constructing the Multic