As the two billion YouTube views for “Gangnam Style” would indicate, South Korean popular culture has begun to enjoy new prominence on the global stage. Yet, as this timely new study reveals, the nation’s film industry has long been a hub for transnational exchange, producing movies that put a unique spin on familiar genres, while influencing world cinema from Hollywood to Bollywood. Movie Migrations is not only an introduction to one of the world’s most vibrant national cinemas, but also a provocative call to reimagine the very concepts of “national cinemas” and “film genre.” Challenging traditional critical assumptions that place Hollywood at the center of genre production, Hye Seung Chung and David Scott Diffrient bring South Korean cinema to the forefront of recent and ongoing debates about globalization and transnationalism. In each chapter they track a different way that South Korean filmmakers have adapted material from foreign sources, resulting in everything from the Manchurian Western to The Host’s reinvention of the Godzilla mythos. Spanning a wide range of genres, the book introduces readers to classics from the 1950s and 1960s Golden Age of South Korean cinema, while offering fresh perspectives on recent favorites like Oldboy and Thirst. Perfect not only for fans of Korean film, but for anyone curious about media in an era of globalization, Movie Migrations will give readers a new appreciation for the creative act of cross-cultural adaptation.

The rise of cinema as the predominant American entertainment around the turn of the last century coincided with the migration of hundreds of thousands of African Americans from the South to the urban "land of hope" in the North. This richly illustrated book, discussing many early films and illuminating black urban life in this period, is the first detailed look at the numerous early relationships between African Americans and cinema. It investigates African American migrations onto the screen, into the audience, and behind the camera, showing that African American urban populations and cinema shaped each other in powerful ways. Focusing on Black film culture in Chicago during the silent era, Migrating to the Movies begins with the earliest cinematic representations of African Americans and concludes with the silent films of Oscar Micheaux and other early "race films" made for Black audiences, discussing some of the extraordinary ways in which African Americans staked their claim in cinema's development as an art and a cultural institution.

This timely new study reveals that, though South Korean popular culture might be enjoying new prominence on the global stage, the nation's film industry has long been a hub for creative appropriations across national borders. Movie Migrations explores how Korean filmmakers have put a unique spin on familiar genres, while influencing world cinema from Hollywood to Bollywood.

'An extraordinary novel... as beautiful and as wrenching as anything I've ever read' Emily St. John Mandel A dark past. An impossible journey. The will to survive. Franny Stone is determined to go to the end of the earth, following the last of the Arctic terns on what may be their final migration to Antarctica. As animal populations plummet, Franny talks her way onto one of the few remaining boats heading south. But as she and the eccentric crew travel further from shore and safety, the dark secrets of Franny's life begin to unspool. Haunted by love and violence, Franny must confront what she is really running towards - and from. From the west coast of Ireland to Australia and remote Greenland, this is an ode to the wild places and creatures now threatened, and an epic, moving story of the possibility of hope against all odds. ______________ READERS LOVE MIGRATIONS: 'Wrenchingly beautiful' 'Visceral, heart-breaking' 'Simply phenomenal' 'Raw and gripping' 'Riveting' 'Here's your next favourite' 'A story...about love, passion, wandering' *Previously published as The Last Migration*

With more than 250 million speakers globally, the Lusophone world has a rich history of filmmaking. This edited volume explores the representation of the migratory experience in contemporary cinema from Portuguese-speaking countries, exploring how Lusophone films, filmmakers, producers, studios, and governments relay narratives of migration.

Mobility and Migration in Film and Moving Image Art explores cinematic and artistic representations of migration and mobility in Europe from the 1990s to today. Drawing on theories of migrant and diasporic cinema, moving-image art, and mobility studies, Bayraktar provides historically situated close readings of films, videos, and cinematic installations that concern migratory networks and infrastructures across Europe, the Middle East, and Africa. Probing the notion of Europe as a coherent entity and a borderless space, this interdisciplinary study investigates the ways in which European ideals of mobility and fluidity are deeply enmeshed with forced migration, illegalization, and xenophobia. With a specific focus on distinct forms of mobility such as labor migration, postcolonial migration, tourism, and refugee mobilities, Bayraktar studies the new counter-hegemonic imaginations invoked by the work of filmmakers such as Ayşe Polat, Fatih Akin, Michael Haneke, and Tony Gatlif as well as video essays and installations of artists such as Kutluğ Ataman, Ursula Biemann, Ergin Çavuşoğlu, Maria Iorio and Raphaël Cuomo. Challenging aesthetic as well as national, cultural, and political boundaries, the works central to this book envision Europe as a diverse, inclusive, and unfixed continent that is reimagined from many elsewheres well beyond its borders.

Turkish Migration 2016 - Selected Papers - Compiled by Deniz Eroglu, Jeffrey H. Cohen, Ibrahim Sirkeci offers a selection of papers presented at the Migration Conference 2016 held in Vienna, Austria. The pieces collected here are just a sample of the work that was presented at the 2016 Turkish Migration conference. Our meeting, the 4th symposium on Turkish migration, brought together scholars from around the globe to share their research and debate mobility. As in our earlier symposia, we explored demography, sociology, culture and art as they are related to mobility. New this year was an increasing awareness of the “return” of Turks to Turkey from Germany, the challenges faced by Syrian refugees who have settled in Turkey or are passing through the country on their way to Europe as well as issues facing Kurdish minorities, Roma and other minority groups living in or transiting through Turkey. This collection is challenged by two competing poles. One pole is centered in xenophobic nationalism. Around this pole, migrants and refugees are described as criminals, religious fanatics and “moochers" who challenge the working class and the freedoms that come with life in the West. The second pole laments the insecurity that migrants and refugees face. Around this pole, movers are described as victims who lack so much at home. In this example, migrants and refugees are moving because there are no jobs and few prospects for work; civil liberties are proscribed and banned in the face of state imposed limits and there are no opportunities to strike out on a unique path to the future. Complicating both poles is the 24-hour news cycle that denies us the opportunity to understand and analyze. Instead, we are forced to pick one pole or the other. In either case, the outcome dehumanizes the mover, signals their pathos and emphasizes why they are different.