Mount Allegro is an extraordinary memoir, a celebration of Sicilian life, an engaging sociological portrait, a moving reminiscence of a fledgling writer’s escape from the restrictive culture in which he grew up. Jerre Mangione’s autobiographical chronicle of his youth in a Sicilian community in Rochester is one of the truly enduring books about the immigrant experience in this country. Family squabbles, soul-nourishing food, and the casting of evil eyes are only some of the ingredients of this richly textured book, although they must all take second place to its unforgettable characters. As Eugene Paul Nassar writes in the book’s Foreword, “Mount Allegro . . . gave a literary visibility and identity, amiable and appealing, to a poorly understood ethnic group in America, and did so at a very high level of artistry.”

Depicts the lives of Sicilian immigrants in Rochester, New York, in the first half of the twentieth century as their customs blend and clash with those of their adopted country.

For more than thirty years, the journal Italian Americana has been home to the writers who have sparked an extraordinary literary explosion in Italian-American culture. Across twenty-five volumes, its poets, memoirists, story-tellers, and other voices bridged generations to forge a brilliant body of expressive works that help define an Italian-American imagination. Wild Dreams offers the very best from those pages: sixty-three pieces—fiction, memoir, poetry, story, and interview—that range widely in style and sentiment, tracing the arc of an immigrant culture’s coming of age in America. What stories do Italian Americans tell about themselves? How do some of America’s best writers deal with complicated questions of identity in their art? Organized by provocative themes—Ancestors, The Sacred and the Profane, Love and Anger, Birth and Death, Art and Self—the selections document the evolution of Italian-American literature. From John Fante’s “My Father’s God,” his classic story of religious subversion and memoirs by Dennis Barone and Jerre Mangione to a brace of poets, selected by Dana Gioia and Michael Palma, ranging from John Ciardi, Jay Parini, and Mary Jo Salter to George Guida and Rachel Guido de Vries. There are also stories alive with the Italian folk tradition (Tony Ardizzone and Louisa Ermelino), and others sleekly experimental (Mary Caponegro, Rosalind Palermo Stevenson). Other pieces—including an unforgettable interview with Camille Paglia—are Italian-American takes on the culture at large.

The Chosen People tells the history of the Jews from the conquest of Jersualem by Nebuchadnezzar of Babylon in 587 B.C.E. to the Second Jewish Revolt of C.E. 132. John Allegro bases his account on traditional texts — books of the Old Testament, Josephus, Philo Judaeus, Dio Cassius, and others — and sets out the complicated parade of plots, counter-plots, betrayals, and insurrections in a brisk and highly readable sequence. His main theme is how the conception of the Jewish nation as a divinely chosen race was planted as a political ambition among the exiled Jews. Bringing together old customs and stories, the idea was fired by the longing of the Babylonian Jews for their traditional homeland. Many of them grew prosperous outside Palestine, and their wealthy communities manipulated the wish for identity in the idea of an exclusive Judaism embodied as a political state and fighting for autonomy against local and imperial neighbors — more dream than fact. The author writes that “When the ‘new Judaism' came to be hammered out after the return from captivity, it was around these ancient customs and a historicized mythology that it was fashioned.” The religion was devised not, as popularly presented, by gift of the desert god Yahweh who had manifested himself in opposition to the Canaanite fertility god Baal but by reinterpreting the Sumerian idea of a life-giving god over many generations. For there was no fundamental opposition — the god-names originally meant the same. This second edition features a new introduction by James M. Donovan.

Volume 6 of The Cambridge History of American Literature explores the emergence and flowering of modernism in the United States. David Minter provides a cultural history of the American novel from the 'lyric years' to World War I, through post-World War I disillusionment, to the consolidation of the Left in response to the mire of the Great Depression. Rafia Zafar tells the story of the Harlem Renaissance, detailing the artistic accomplishments of such diverse figures as Zora Neal Hurston, W. E. B. Du Bois, Langston Hughes, Nella Larsen, and Richard Wright. Werner Sollors examines canonical texts as well as popular magazines and hitherto unknown immigrant writing from the period. Taken together these narratives cover the entire range of literary prose written in the first half of the twentieth century, offering a model of literary history for our times, focusing as they do on the intricate interplay between text and context.