Worshiped throughout the ancient Mediterranean world, the "Mother of the Gods" was known by a variety of names. Among peoples of Asia Minor, where her cult first began, she often shared the names of local mountains. The Greeks commonly called her Cybele, the name given to her by the Phrygians of Asia Minor, and identified her with their own mother goddesses Rhea, Gaia, and Demeter. The Romans adopted her worship at the end of the Second Punic War and called her Mater Magna, Great Mother. Her cult became one of the three most important mystery cults in the Roman Empire, along with those of Mithras and Isis. And as Christianity took hold in the Roman world, ritual elements of her cult were incorporated into the burgeoning cult of the Virgin Mary. In Mother of the Gods, Philippe Borgeaud traces the journey of this divine figure through Asia Minor, Greece, and Rome between the sixth century B.C. and the fourth century A.D. He examines how the Mother of the Gods was integrated into specific cultures, what she represented to those who worshiped her, and how she was used as a symbol in art, myth, and even politics. The Mother of the Gods was often seen as a dualistic figure: ancestral and foreign, aristocratic and disreputable, nurturing and dangerous. Borgeaud's challenging and nuanced portrait opens new windows on the ancient world's sophisticated religious beliefs and shifting cultural identities.

Mother God introduces readers to a dozen images of God inspired by feminine descriptions from Scripture.

Among maternal deities of the Greek pantheon, the Mother of the Gods was a paradox. Conflict and resolution were played out symbolically, Munn shows, and the goddess of Lydian tyranny was eventually accepted by the Athenians as the Mother of the Gods and a symbol of their own sovereignty.

This is a mother's account of her experience as a disciple of her own son - Andrew Cohen, a well-known American guru - and of her struggle to free herself from his control. What had been a close, affectionate relationship slowly becomes a nightmare of domination. The story begins quiely in India and unfolds with growing intensity as Andrew, his mother, and a few people who have gathered around him, travel to England, Holland, Israel, and finally the United States, but which time Andrew has attracted hundreds of devotees to his "meetings." The abuse of power, incessant fear, and the pyschology of obsession are all explored here from an intimate perspective. Since brainwashing cults and their grandiose gurus are proliferating - in this country and all over the world - this book is not only a mother's lament, but also a finger pointing to the growing appeal everywhere of authoritarianism and absolutism.

With roots as an Anatolian mother goddess and symbol of fertility, Cybele came to be known as Magna Mater, Great Mother of the Gods. Conscripted by many civilizations of the Mediterranean, she became the mother goddess of much of the classical world.

For as long as we have sought god, we have found the goddess. Ruling over the imaginations of humankind’s earliest agricultural civilizations, she played a critical spiritual role as a keeper of nature’s fertile powers and an assurance of the next sustaining harvest. In The Goddess, David Leeming and Christopher Fee take us all the way back into prehistory, tracing the goddess across vast spans of time to tell the epic story of the transformation of belief and what it says about who we are. Leeming and Fee use the goddess to gaze into the lives and souls of the people who worshipped her. They chart the development of traditional Western gender roles through an understanding of the transformation of concepts of the Goddess from her earliest roots in India and Iran to her more familiar faces in Ireland and Iceland. They examine the subordination of the goddess to the god as human civilizations became mobile and began to look upon masculine deities for assurances of survival in movement and battle. And they show how, despite this history, the goddess has remained alive in our spiritual imaginations, in figures such as the Christian Virgin Mother and, in contemporary times, the new-age resurrection of figures such as Gaia. The Goddess explores this central aspect of ancient spiritual thought as a window into human history and the deepest roots of our beliefs.

Sylvia Browne, in her own inimitable style, again defies convention in this uniquely informative compilation of diligently researched facts and personal accounts about the premise of a female divinity - namely, the Mother God (also known as the feminine principle). Spanning time, from the earliest beginnings of humankind when ''Goddess worship'' was at its peak, to the current era with its myriad beliefs and religions, Sylvia takes us on a journey of discovery, where she discusses the suppression of the ''Mother Goddess'' by the male-dominated politics of modern-day religious dogma. Using a combination of historical data and poignant and heartwarming stories that reveal the power and miracles attributed to the Mother God, Sylvia leads us from the question of ''Does She exist?'' to the logical, fact-based conclusion that She does ... and then shows us how to call on Her to help us in our everyday lives.