You've never read a fantasy novel like this one! The deep well of Japanese myth merges with the Western fantasy tradition for a novel that's as rich in place and culture as it is hard to put down. Balsa was a wanderer and warrior for hire. Then she rescued a boy flung into a raging river -- and at that moment, her destiny changed. Now Balsa must protect the boy -- the Prince Chagum -- on his quest to deliver the great egg of the water spirit to its source in the sea. As they travel across the land of Yogo and discover the truth about the spirit, they find themselves hunted by two deadly enemies: the egg-eating monster Rarunga . . . and the prince's own father.

The wandering female bodyguard Balsa returns to her native country of Kanbal, where she uncovers a conspiracy to frame her mentor and herself.

Elin's family has an important responsibility: caring for the fearsome water serpents that form the core of their kingdom's army. So when some of the creatures mysteriously die, Elin's mother is sentenced to death as punishment. With her last breath, she manages to send her daughter to safety. Alone and far from home, Elin soon discovers that she can communicate with both the terrifying water serpents and the majestic flying beasts that guard her queen. This skill gives her great power, but it also involves her in deadly plots that could cost her life. Can she save herself and prevent her beloved beasts from being used as tools of war? Or is there no escaping the terrible battles to come?

Ten years after the fateful clash between two opposing sides of the Divine Kingdom of Lyoza, Elin lives a peaceful life with her family. She tries to stay as far away from her past as possible—the girl who communicated with creatures and befriended a Royal Beast wants no part in the power struggles of humans. But when Elin is called upon to investigate a mysterious illness that's stricken the Toda, she uncovers a startling plot—one that could threaten everything she holds dear. In this thrilling sequel to The Beast Player, Elin must confront her destiny and heed the dire warnings of history. Is a final battle between the Toda and the Royal Beasts inevitable? And will it mean destruction for all?

For fans of Coraline and Spirited Away comes a diverse fantasy debut steeped in Japanese mythology about a girl and a deadly curse. The last thing thirteen-year-old Saki Yamamoto wants to do for her summer vacation is trade in exciting Tokyo for the antiquated rituals and bad cell reception of her grandmother's village. Preparing for the Obon ceremony is boring. Then the local kids take interest in Saki and she sees an opportunity for some fun, even if it means disrespecting her family's ancestral shrine on a malicious dare. But as Saki rings the sacred bell, the darkness shifts. A death curse has been invoked...and Saki has three nights to undo it. With the help of three spirit guides and some unexpected friends, Saki must prove her worth—or say goodbye to the world of the living forever... The Night Parade is perfect for: Fantasy fans and kids 11 to 14 who love Spirited Away Kids and teens looking for creepy, suspenseful stories Adults looking for diverse books for kids Mythology fans and kids 12 to 14 A 2017 Bank Street Best Children's Book of the Year A Kids' Indie Next Pick A Junior Library Guild Selection A 2017 Freeman Book Award Winner

After the ambush to the Novantae resistance, the survivors scatter across the galaxy. Then Ariadne receives a message: the Oracle has gone rogue. The AI wants One's daughter back and will do anything to get her. The seven devils realize they must get to the heart of the Empire and destroy the Oracle, no matter the sacrifice.

Drawing on a millennia of calligraphy theory and history, Brushed in Light examines how the brushed word appears in films and in film cultures of Korea, Japan, Taiwan, Hong Kong, and PRC cinemas. This includes silent era intertitles, subtitles, title frames, letters, graffiti, end titles, and props. Markus Nornes also looks at the role of calligraphy in film culture at large, from gifts to correspondence to advertising. The book begins with a historical dimension, tracking how calligraphy is initially used in early cinema and how it is continually rearticulated by transforming conventions and the integration of new technologies. These chapters ask how calligraphy creates new meaning in cinema and demonstrate how calligraphy, cinematography, and acting work together in a single film. The last part of the book moves to other regions of theory. Nornes explores the cinematization of the handwritten word and explores how calligraphers understand their own work.