An Expat in Japan experiences all things Japanese as ordered online! In Tokyo, Dirk had a comics blog where he had people dare him to try all sorts of different exotic, disgusting and revealing things and then describe them with humour online. The result is a fascinating look at the Japanese; how they live, how they think and what they eat. The title is the Japanese pronunciation of Moleskine, the books the comics were written in, and comes exactly like a Moleskine: black cover, rounded edges. What a fun idea' said Neil Gaiman.'

A troubled childhood in Iran. Living with a disability. Grieving for a dead child. Over the last forty years the comic book has become an increasingly popular way of telling personal stories of considerable complexity and depth. In Autobiographical Comics: Life Writing in Pictures, Elisabeth El Refaie offers a long overdue assessment of the key conventions, formal properties, and narrative patterns of this fascinating genre. The book considers eighty-five works of North American and European provenance, works that cover a broad range of subject matters and employ many different artistic styles. Drawing on concepts from several disciplinary fields—including semiotics, literary and narrative theory, art history, and psychology—El Refaie shows that the traditions and formal features of comics provide new possibilities for autobiographical storytelling. For example, the requirement to produce multiple drawn versions of one's self necessarily involves an intense engagement with physical aspects of identity, as well as with the cultural models that underpin body image. The comics medium also offers memoirists unique ways of representing their experience of time, their memories of past events, and their hopes and dreams for the future. Furthermore, autobiographical comics creators are able to draw on the close association in contemporary Western culture between seeing and believing in order to persuade readers of the authentic nature of their stories.

Novel Perspectives on German-Language Comics Studies: History, Pedagogy, Theory gathers an international team of contributors from two continents whose innovative scholarship demonstrates a regard for comics and graphic novels as works of art in their own right. The contributions serve as models for further research that will continue to define the relationship between comics and other traditional “high art” forms, such as literature and the visual arts. Novel Perspectives on German-Language Comics Studies is the first English-language anthology that focuses exclusively on the graphic texts of German-speaking countries. In its breadth, this book functions as an important resource in a limited pool of critical works on German-language comics and graphic novels. The individual chapters differ significantly from one another in methodology, subject matter, and style. Taken together, however, they present a cross-section of comics and graphic novel scholarship being performed in North America and Europe today. Moreover, they help to secure a place for these works in a globalized culture of comics. This volume’s contributors have helped create a new critical language within which this rapidly expanding medium can be read and interpreted.

The long awaited final volume of the critically acclaimed Tonoharu series rejoins Dan Wells several months into his tenure as an English teacher in the Japanese village of Tonoharu. As personal stresses push Dan to the breaking point, he decides to take an extended cross-country vacation to let off steam. His time away grants him a fresh perspective on his troubles, but upon his return to Tonoharu, Dan discovers that dramatic change has occurred in his absence. Will this upheaval render his new-found epiphany moot? With hundreds of beautiful, detailed illustrations that evoke 19th century line engravings, Tonoharu provides a nuanced portrayal of the joys and frustrations of living abroad.