The Somerset sisters, three beautiful, headstrong debutantes in Regency London, are discovering that a bit of scandal is a delightful thing . . . For the sake of propriety, and her younger sisters’ reputations, Iris Somerset has kept her rebellious streak locked away. But though she receives a proposal from Phineas Knight, Lord of Huntington, Iris can’t marry a man she knows isn’t truly enamored with her. In fact, Iris no longer wants to be chosen—she wants to choose. Under the clandestine tutelage of “wicked widow” Lady Annabel Tallant, she’ll learn how to steer her own marriage prospects—and discover her secret appetites . . . What kind of debutante refuses a marquess? Finn is surprised, a little chastened—and thoroughly intrigued. This new, independent version of Iris is far more alluring than the polished socialite she used to be. Finn believed he needed a safe, quiet wife to curb his wilder impulses. But the more Iris surprises him, the more impossible it becomes to resist their deepest desires . . .

First in the series featuring the Somerset sisters, three beautiful, headstrong debutantes, in Regency London. “An unconventionally irresistible romance.” —RT Book Reviews For the sake of propriety, and her younger sisters’ reputations, Iris Somerset has kept her rebellious streak locked away. But though she receives a proposal from Phineas Knight, Lord of Huntington, Iris can’t marry a man she knows isn’t truly enamored with her. In fact, Iris no longer wants to be chosen—she wants to choose. Under the clandestine tutelage of “wicked widow” Lady Annabel Tallant, she’ll learn how to steer her own marriage prospects—and discover her secret appetites . . . What kind of debutante refuses a marquess? Finn is surprised, a little chastened—and thoroughly intrigued. This new, independent version of Iris is far more alluring than the polished socialite she used to be. Finn believed he needed a safe, quiet wife to curb his wilder impulses. But the more Iris surprises him, the more impossible it becomes to resist their deepest desires . . . Praise for the Somerset Sisters series “An enthralling and deeply compelling Regency romance. I was hooked from start to finish.” — Ella Quinn, USA Today bestselling author “A slow burn with more implication and anticipation, but the teasing build-up is delightful.” —RT Book Reviews (4 Stars)

“An enthralling and deeply compelling Regency romance” featuring the Somerset sisters, three beautiful London debutantes (Ella Quinn, USA Today bestselling author). Violet Somerset has always preferred a library to a ballroom, but to please her grandmother she agreed to one London season. With nothing to show for it but heartbreak, she’s reconciled to spinsterhood. Until a notorious rogue known as the Devil of Dare requests an introduction to her timid, gentle youngest sister, Hyacinth. Violet will do anything to stop the match—even if it means posing as Hyacinth herself . . . Nicholas Balfour, the Earl of Dare, is enjoying the life of a rake far too much to take a wife. But he must keep his promise to his grandmother. He’ll simply choose the meekest bride he can find, install her at his estate, then carry on as before. Hyacinth sounds perfect—until he discovers that her sweet demeanor hides the tongue of a viper and the mind of a bluestocking . . . As Violet’s ruse threatens to unravel, however, she may find the tables turned. Soon she may have no choice but to tolerate her handsome fiancé—or fall in love with him . . . Praise for the Somerset Sisters series “A slow burn with more implication and anticipation, but the teasing build-up is delightful.” —RT Book Reviews (4 Stars) “Sharp, witty writing . . . her romances continue to be unusual and charming.” —All About Romance

This carefully crafted ebook: "The Making of a Marchioness + The Shuttle (2 Unabridged Classic Romances)" contains 2 books in one volume and is formatted for your eReader with a functional and detailed table of contents. Frances Hodgson Burnett worked on two books simultaneously: The Shuttle, a longer and more complicated book; and The Making of a Marchioness, which she wrote in a few weeks and published to good reviews. it is about the rejuvenating effects of Americans and American money on a somewhat decadent English aristocracy. The Making of a Marchioness (1901) It was originally published in two parts: the first tells the fairy tale-like story of how our heroine, Emily Fox-Seton, became the Marchioness of Walderhurst. The second, originally titled The Methods of Lady Walderhurst, is a down-to-earth portrayal of the realities of Victorian marriage, with a bit of a Victorian sensation vibe to it. The Shuttle (1907) It was begun in 1900 but frequently abandoned while its author, Frances Hodgson Burnett, wrote several other books, including, most famously, The Making of a Marchioness. The Shuttle is about American heiresses marrying English aristocrats; by extension it is about the effect of American energy and dynamism rejuvenating a somewhat decadent English aristocracy: Rosalie Vanderpoel, the daughter of an American multimillionaire marries an impoverished English baronet and goes to live in England. She all but loses contact with her family in America. Years later her younger sister Bettina, beautiful, intelligent and extremely rich, goes to England to find what has happened to her sister. She finds Rosalie shabby and dispirited, cowed by her husband's ill treatment. Bettina sets about to rectify matters... Frances Eliza Hodgson Burnett (1849 – 1924) was an English-American playwright and author. She is best known for her children's stories, in particular Little Lord Fauntleroy , A Little Princess, and The Secret Garden.

The author describes this book as 'a picture of a nice simple, sweet prosaic soul who arrives at a good fortune almost comic because it is in a way so incongruous. Its heroine is a sort of Cinderella with big feet instead of little ones.'.

A beautiful debutante in Regency London seems destined to make a good match. But the Somerset sisters have made courtship and matrimony a deliciously scandalous affair . . . Hyacinth Somerset’s debut is the most anticipated event of the season, as it will be the reclusive young lady’s first public appearance. But within moments of being asked to dance by a dashing stranger, Hyacinth calls him a murderer, then faints dead away! Now all the ton is a aflutter over Hyacinth’s baffling shun of their most intriguing newcomer—the wildly handsome Lachlan Ramsey . . . Recently arrived from Scotland, Lachlan only wishes to claim his place in society to secure his sister’s future. When that is threatened by the accusations of a hapless slip of a girl, he will do anything protect his family. Yet it appears Hyacinth has only damaged her own hopes, inspiring the label of hysteric—and ultimately inspiring Lachlan to shelter her from harm. Now if only there were a defense for the surge of feeling he has every time Hyacinth turns her gaze his way. If only there were a way to make her his—while keeping the true secret in his past from destroying everything—and everyone—he cares about . . .

Named a best romance of the year by Entertainment Weekly Named a most anticipated romance by Oprah Daily, Marie Claire, BuzzFeed, PopSugar, and more! “There was no romance novel more fun this year than this extremely witty enemies-with-benefits confection.” —Entertainment Weekly The author of the “hilarious...joyful, elegant” (Publishers Weekly, starred review) To Have and to Hoax returns with an effervescent, charming, and swoon-worthy novel about a man and woman who never agree on anything—until they agree to a no-strings-attached affair in this Regency-era romp. The widowed Diana, Lady Templeton and Jeremy, Marquess of Willingham are infamous among English high society as much for their sharp-tongued bickering as their flirtation. One evening, an argument at a ball turns into a serious wager: Jeremy will marry within the year or Diana will forfeit one hundred pounds. So shortly after, just before a fortnight-long house party at Elderwild, Jeremy’s country estate, Diana is shocked when Jeremy appears at her home with a very different kind of proposition. After his latest mistress unfavorably criticized his skills in the bedroom, Jeremy is looking for reassurance, so he has gone to the only woman he trusts to be totally truthful. He suggests that they embark on a brief affair while at the house party—Jeremy can receive an honest critique of his bedroom skills and widowed Diana can use the gossip to signal to other gentlemen that she is interested in taking a lover. Diana thinks taking him up on his counter-proposal can only help her win her wager. With her in the bedroom and Jeremy’s marriage-minded grandmother, the formidable Dowager Marchioness of Willingham, helping to find suitable matches among the eligible ladies at Elderwild, Diana is confident her victory is assured. But while they’re focused on winning wagers, they stand to lose their own hearts. With Martha Waters’s signature “cheeky charm and wonderfully wry wit” (Booklist, starred review), To Love and to Loathe is another clever and delightful historical rom-com that is perfect for fans of Christina Lauren and Evie Dunmore.