When Monster wakes up with a terrible toothache he goes to his friend Frog for advice.

When Monster gets a terrible toothache, he's too frightened to go to the dentist. Frog decides he will remove the tooth for his friend, after all, how hard can it be?

Gruesome learns the hard way that even monsters have to go to the Dentist, after eating his favourite food; snails.

Gruesome finds out the hard way that even scary monsters have to go to the Dentist when he eats his favourite food...Snails! A trip to Doctor Cavity should sort his problem out as long as he listens to what the Dentist says...but will he...or will he get help from Ghost (the kind you really don't want)?

“Nabokovian in his caustic charm and sexy intelligence, Simic perceives the mythic in the mundane and pinpoints the perpetual suffering that infuses human life with both agony and bliss. . . . And he is the master of juxtaposition, lining up the unlikeliest of pairings and contrasts as he explores the nexuses of madness and prophecy, hell and paradise, lust and death.”—Donna Seaman, Booklist "As one reads the pithy, wise, occasionally cranky epigrams and vignettes that fill this volume, there is the definite sense that we are getting a rare glimpse into several decades worth of private journals--and, by extension are privy to the tickings of an accomplished and introspective literary mind."—Rain Taxi Written over many years, this book is a collection of notebook entries by our current Poet Laureate. Excerpts: Stupidity is the secret spice historians have difficulty identifying in this soup we keep slurping. Ars poetica: trying to make your jailers laugh. American identity is really about having many identities simultaneously. We came to America to escape our old identities, which the multiculturalists now wish to restore to us. Ambiguity is the world’s condition. Poetry flirts with ambiguity. As a “picture of reality” it is truer than any other. This doesn’t mean that you’re supposed to write poems no one understands. The twelve girls in the gospel choir sang as if dogs were biting their asses. What an outrage! This very moment gone forever!

This nuanced account explores Maya mythology through the lens of art, text, and culture. It offers an important reexamination of the mid-16th-century Popol Vuh, long considered an authoritative text, which is better understood as one among many crucial sources for the interpretation of ancient Maya art and myth. Using materials gathered across Mesoamerica, Oswaldo Chinchilla Mazariegos bridges the gap between written texts and artistic representations, identifying key mythical subjects and uncovering their variations in narratives and visual depictions. Central characters—including a secluded young goddess, a malevolent grandmother, a dead father, and the young gods who became the sun and the moon—are identified in pottery, sculpture, mural painting, and hieroglyphic inscriptions. Highlighting such previously overlooked topics as sexuality and generational struggles, this beautifully illustrated book paves the way for a new understanding of Maya myths and their lavish expression in ancient art.