Modern Poetry after Modernism
Title | Modern Poetry after Modernism PDF eBook |
Author | James Longenbach |
Publisher | Oxford University Press |
Total Pages | 222 |
Release | 1997-11-27 |
Genre | Literary Criticism |
ISBN | 0195356357 |
In this book, James Longenbach develops a fresh approach to major American poetry after modernism. Rethinking the influential "breakthrough" narrative, the oft-told story of postmodern poets throwing off their modernist shackles in the 1950s, Longenbach offers a more nuanced perspective. Reading a diverse range of poets--John Ashbery, Elizabeth Bishop, Amy Clampitt, Jorie Graham, Richard Howard, Randall Jarrell, Robert Lowell, Robert Pinsky, and Richard Wilbur--Longenbach reveals that American poets since mid- century have not so much disowned their modernist past as extended elements of modernism that other readers have suppressed or neglected to see. In the process, Longenbach allows readers to experience the wide variety of poetries written in our time-- without asking us to choose between them.
Poetry After Modernism
Title | Poetry After Modernism PDF eBook |
Author | Robert McDowell |
Publisher | |
Total Pages | 416 |
Release | 1998 |
Genre | Literary Collections |
ISBN |
Poetry After Modernism, Story Line's most successful anthology of criticism, was recognized and widely praised for raising the level of discourse on poetry. This expanded edition retains seven original essays and adds seven new pieces. As editor Robert McDowell points out, Poets who can write good critical prose from distinctive points of view are the most reliable guides to the news we need to hear most.
The Cambridge Introduction to Modernist Poetry
Title | The Cambridge Introduction to Modernist Poetry PDF eBook |
Author | Peter Howarth |
Publisher | Cambridge University Press |
Total Pages | 277 |
Release | 2011-11-10 |
Genre | Literary Criticism |
ISBN | 1139502328 |
Modernist poems are some of the twentieth-century's major cultural achievements, but they are also hard work to read. This wide-ranging introduction takes readers through modernism's most famous poems and some of its forgotten highlights to show why modernists thought difficulty and disorientation essential for poetry in the modern world. In-depth chapters on Pound, Eliot, Yeats and the American modernists outline how formal experiments take on the new world of mass media, democracies, total war and changing religious belief. Chapters on the avant-gardes and later modernism examine how their styles shift as they try to re-make the community of readers. Howarth explains in a clear and enjoyable way how to approach the forms, politics and cultural strategies of modernist poetry in English.
Theorists of Modernist Poetry
Title | Theorists of Modernist Poetry PDF eBook |
Author | Rebecca Beasley |
Publisher | Routledge |
Total Pages | 157 |
Release | 2007-10-03 |
Genre | Language Arts & Disciplines |
ISBN | 1134451407 |
Exploring the work of T.S. Eliot, T.E. Hulme and Ezra Pound - this book offers invaluable insight into the modernist movement and demonstrates the impact of these influential theorists on the shape and value of English Literature.
A History of Modern Poetry
Title | A History of Modern Poetry PDF eBook |
Author | David Perkins |
Publisher | Harvard University Press |
Total Pages | 712 |
Release | 1987 |
Genre | Literary Criticism |
ISBN | 9780674399471 |
This study of British and American poetry from the mid-1920s to the recent past, clarifies the complex interrelations of individuals, groups, and movements, and the contexts in which the poets worked.
Modern Poetry After Modernism
Title | Modern Poetry After Modernism PDF eBook |
Author | James Longenbach |
Publisher | Oxford University Press, USA |
Total Pages | 222 |
Release | 1997 |
Genre | American poetry |
ISBN | 0195101782 |
Reading a diverse range of poets - John Ashbery, Elizabeth Bishop, Amy Clampitt, Jorie Graham, Richard Howard, Randall Jarrell, Robert Lowell, Robert Pinsky, and Richard Wilbur - Longenbach reveals that American poets since mid-century have not so much disowned their modernist past as extended elements of modernism that other readers have suppressed or neglected to see.
The Universal Deep Structure of Modern Poetry
Title | The Universal Deep Structure of Modern Poetry PDF eBook |
Author | John A.F. Hopkins |
Publisher | Cambridge Scholars Publishing |
Total Pages | 255 |
Release | 2020-04-02 |
Genre | Poetry |
ISBN | 1527549100 |
With something of a poetry renaissance currently under way worldwide, there is now, more than ever, a need for a solidly-based methodology for interpreting poems: something more empirical than traditional âlit-critâ approaches, and something more linguistically-informed than the version of âpostmodernismâ rampant in certain Anglophone universities. The latter approach, which tends to allow the individual reader to do what he/she likes with a poetic text, is inadequate to interpret modernist poetry, whose English-language precursors may be found in the late Romantics; its pioneers were already writing (in France) as early as 1840. What is so different about the modernists? Most importantly, their works are monumental, in that they are strongly resistant to deconstruction. Contributing to this resistance is the fact that they are built around two deep-level propositions, each of which generates a set of indirectly-signifying images, sharing the same internal structure, but having a different vocabulary. Thus, they do not signify according to linear narrative, but according to these propositionsâand the relation between themâwhich may be reconstructed by a careful comparison of images on the textual surface. Every textâas subject-signârefers to an intertextual object-sign, which is usually another poem, but may also be a film or other form of art. Mediating between these two signs is their reader-constructed interpretant, which completes the semiotic triad. As this book shows, the novelty of this sign is thrown into relief by the contrast it makes with a lexical counterpart from the readerâs experience, which differs from the interpretant in structure. The bookâs inclusion of French and Japanese, as well as English poems, shows that deep-level signifying mechanisms may well be universal, with considerable research and pedagogical implications.