Modern Architecture and its Representation in Colonial Eritrea offers a critical assessment of architecture and urbanism constructed in Eritrea during the Italian colonial period spanning from 1890-1941. Drawing together imperial projects, modernist aesthetics, and fascist motives, the book examines how the merger of these three significant influences yielded a complex built environment that served to emulate, if not redefine, Italian colonial pursuits. As Italy’s colonia primogenità or 'first born colony', Eritrea and its capital, Asmara, not only bore witness to the emergence of politicized interiors and international expositions, the colony became a vehicle that polarized issues of race and gender. Exploring discourses of modernity in Africa, this book moves between histories of architecture, urbanism, literature and media to describe how Eritrea and Asmara became a crucial fulcrum for Italy's ill-fated pursuits in Ethiopia and other neighboring countries. Consequently, modern architecture inscribed Eritrean subjectivities while redefining technologies that affected constructions of the colonial interior. Modern Architecture and its Representation in Colonial Eritrea demonstrates how architecture in Asmara reshaped the creation and reception of Italian East Africa.

Modern Architecture and its Representation in Colonial Eritrea offers a critical assessment of architecture and urbanism constructed in Eritrea during the Italian colonial period spanning from 1890-1941. Drawing together imperial projects, modernist aesthetics, and fascist motives, the book examines how the merger of these three significant influences yielded a complex built environment that served to emulate, if not redefine, Italian colonial pursuits. As Italy's colonia primogenità or "first born colony", Eritrea and its capital, Asmara, not only bore witness to the emergence of politicized interiors and international expositions, it also became a vehicle that polarized issues of race and gender. Exploring discourses of modernity in Africa, this book moves between histories of architecture, urbanism and media to describe how Eritrea and Asmara became a crucial fulcrum for Italy's ill-fated pursuits in Ethiopia and other neighboring countries. Consequently, modern architecture remained a tool for inscribing Eritrean subjectivities while redefining visual technologies that affected constructions of the domestic interior. Modern Architecture and its Representation in Colonial Eritrea illustrates how architecture in Asmara reshaped the creation and reception of Italian East Africa.

Today, nearly a century after the National Fascist Party came to power in Italy, questions about the built legacy of the regime provoke polemics among architects and scholars. Mussolini’s government constructed thousands of new buildings across the Italian Peninsula and islands and in colonial territories. From hospitals, post offices and stadia to housing, summer camps, Fascist Party Headquarters, ceremonial spaces, roads, railways and bridges, the physical traces of the regime have a presence in nearly every Italian town. The Routledge Companion to Italian Fascist Architecture investigates what has become of the architectural and urban projects of Italian fascism, how sites have been transformed or adapted and what constitutes the meaning of these buildings and cities today. The essays include a rich array of new arguments by both senior and early career scholars from Italy and beyond. They examine the reception of fascist architecture through studies of destruction and adaptation, debates over reuse, artistic interventions and even routine daily practices, which may slowly alter collective understandings of such places. Paolo Portoghesi sheds light on the subject from his internal perspective, while Harald Bodenschatz situates Italy among period totalitarian authorities and their symbols across Europe. Section editors frame, synthesize and moderate essays that explore fascism’s afterlife; how the physical legacy of the regime has been altered and preserved and what it means now. This critical history of interpretations of fascist-era architecture and urban projects broadens our understanding of the relationships among politics, identity, memory and place. This companion will be of interest to students and scholars in a range of fields, including Italian history, architectural history, cultural studies, visual sociology, political science and art history.

This thirteenth volume of the International Yearbook of Futurism Studies explores some of the many facets of Neo-Futurism from the second half of the twentieth century to the present day. It looks both at the revival and the continuation of Futurist aesthetics, whether in explicit or palimpsest form, in a variety of media: literature, visual art, design, music, architecture, theatre and photography. The essays delve into the broad spectrum of artistic research and offer a good dozen case studies that document, with a transnational and interdisciplinary orientation, the manifold forms of Neo-Futurism in various parts of the world. They investigate how historical Futurism's intellectual and artistic perspective was appropriated and developed further in a more or less conscious, faithful and original way, all the while confronting its progenitor's cultural, social and political misconceptions. Interdisciplinary contributions to neo-futurism as a global phenomenon

Articoli / Articles Jorge García Sánchez, The Promotion of Tourism in Carthage (Tunisia) during the American Archaeological Excavations (1921-1925) Federico Cresti, Al-Jaghbūb, the Libyan Holy City of the Ṭarīqa al-Sanūsīya: A Photographic Reconstruction Liliana Mosca, Fianarantsoa, la capitale du sud de Madagascar : de la ville royale à la ville coloniale Dawit Abraha, Nelly Cattaneo, Cinzia Monopoli, Hielen Tekeste Berhe, Asmära: Portraits of a Contemporary City Recensioni / Reviews Florence Brisset-Foucault, Talkative Polity: Radio, Domination, and Citizenship in Uganda (Alessandro Jedlowski) Carlo Piaggia e le sue esplorazioni africane (1851-1882), edited by Luca Lupi (Massimo Zaccaria) Autori / Contributors

Fragen des kulturellen Erbes und unseres Umgangs damit sind nicht neutral. Ereignisse wie die Black Lives Matter-Bewegung und der Sturz von Denkmälern und Statuen zeigen, wie stark sich die koloniale Vergangenheit in unsere gebaute Umgebung eingeschrieben hat; zugleich prägt der Kolonialismus weiterhin kulturelles Gedächtnis und Geschichtsschreibung. Das fordert all jene, die sich mit der Geschichte von Architektur beschäftigen, dazu heraus, auch die eigene Positionalität zu reflektieren. Wessen Erbe sind die kolonialen Orte? Welche womöglich verdrängten Erinnerungen sind mit ihnen verknüpft? Wie lassen sich Archive und materielle Evidenz neu bewerten, um die Geschichten marginalisierter Personen und Gruppen sichtbar zu machen? Angesichts des globalen Rufs nach Entkolonialisierung bringt dieser Sammelband Archäologie, Architekturgeschichte und Heritage Studies zusammen, um historische Methoden zu erkunden und die Verflechtung unterschiedlicher Narrative an architektonischen Orten offenzulegen. Ein Beitrag zur aktuellen Debatte um Entkolonialisierung und Erinnerungskultur Eine interdisziplinäre Sicht auf Architektur und kulturelles Erbe Internationale Beiträger: innen

Asmara, the capital of Eritrea, has one of the most extensive surviving ensembles of modernist architecture in the world. To this day, the influence of the former colonial power of Italy from the early 20th century remains visible. Many of the buildings, erected in the futuristic, expressionist, cubist or rationalistic style have been preserved and dominate the cityscape of Asmara. UNESCO is considering to make the city a World Heritage Site in recognition of its outstanding modernist architecture. The impressive photographs by Stefan Boness convey the unique atmosphere of Asmara as a living museum of modernity. New, changed and revised edition of Asmara - The Frozen City (2006)