Within the spectrum of American literary traditions, Arab American literature is relatively new. Writing produced by Americans of Arab origin is mainly a product of the twentieth century and only started to flourish in the past thirty years. While this young but thriving literature varies widely in content and style, it emerges from a common community and within a specific historical, political, and cultural context. In Modern Arab American Fiction, Salaita maps out the landscape of this genre as he details rather than defines the last century of Arab American fiction. Exploring the works of such best-selling authors as Rabih Alameddine, Mohja Kahf, Laila Halaby, Diana Abu-Jaber, Alicia Erian, and Randa Jarrar, Salaita highlights the development of each author’s writing and how each has influenced Arab American fiction. He examines common themes including the Israel-Palestine conflict, the Lebanese Civil War of 1975–90, the representation and practice of Islam in the United States, social issues such as gender and national identity in Arab cultures, and the various identities that come with being Arab American. Combining the accessibility of a primer with in-depth critical analysis, Modern Arab American Fiction is suitable for a broad audience, those unfamiliar with the subject area, as well as scholars of the literature.

N.B. this is a 'Palgrave to Order' title. Stock of this book requires shipment from overseas. It will be delivered to you within 12 weeks. Using literary and social analysis, this book examines a range of modern Arab American literary fiction and illustrates how socio-political phenomena have affected the development of the Arab American novel.

Beginning with the late-nineteenth-century cultural resurgence and continuing through the present day, short stories and novels have given voice to the personal and historical experiences of modern Arabs. This anthology offers a rich and diverse selection of works from more than one hundred and forty prominent Arab writers of fiction. The collection reflects Arab writers' formal inventiveness as well as their intense exploration of various dimensions of modern Arab life, including the impact of modernity, the rise of the oil economy, political authoritarianism, corruption, religion, poverty, and the Palestinian experience in modern times. Salma Khadra Jayyusi, a renowned scholar of Arabic literature, has included short stories and excerpts from novels from authors in every Arab country. Modern Arabic Fiction contains writings stretching from the pioneering work of late-nineteenth- and early-twentieth-century authors to the novels of Naguib Mahfouz and the stories of contemporary Arab writers. In addition to familiar names such as Mahfouz, the anthology presents excerpts from writers well known in the Arab world but just beginning to find an audience in the West, including early twentieth century Christian Lebanese writer Jurji Zaydan, whose historical epics were eye-openers for generations of Arab readers to the achievements of medieval Islamic civilization; Yusuf Idris's complex and brilliant portrait of Egypt's poor; 'Abd al-Rahman Muneef's searing exploration of the ecological and social impact of oil production; Palestinian writer Jabra Ibrahim Jabra's sophisticated description of the dilemma's of modern Arab intellectuals; and Jamal al-Ghitani's impressive employment of mythical time and the continuity of the past in the present. Jayyusi provides biographical information on the writers as well as a substantial and illuminating introduction to the development of modern Arabic fictional genres that considers the central thematic and aesthetic concerns of Arab short story writers and novelists.

This dazzling anthology features the work of seventy-nine outstanding writers from all over the Arab-speaking world, from Morocco in the west to Iraq in the east, Syria in the north to Sudan in the south. Edited by Denys Johnson-Davies, called by Edward Said “the leading Arabic-to-English translator of our time,” this treasury of Arab voices is diverse in styles and concerns, but united by a common language. It spans the full history of modern Arabic literature, from its roots in western cultural influence at the end of the nineteenth century to the present-day flowering of Naguib Mahfouz’s literary sons and daughters. Among the Egyptian writers who laid the foundation for the Arabic literary renaissance are the great Tawfik al-Hakim; the short story pioneer Mahmoud Teymour; and Yusuf Idris, who embraced Egypt’s vibrant spoken vernacular. An excerpt from the Sudanese writer Tayeb Salih’s novel Season of Migration to the North, one of the Arab world’s finest, appears alongside the Libyan writer Ibrahim al-Koni’s tales of the Tuaregs of North Africa, the Iraqi writer Mohamed Khudayir’s masterly story “Clocks Like Horses,” and the work of such women writers as Lebanon’s Hanan al-Shaykh and Morocco’s Leila Abouzeid.

In the aftermath of 9/11, Arab American writing surged. While there have been Arab American writers before, they tended to identify as American only and thus did not recur to Arab elements in their writing. Why did Arab American literature suddenly rise? What is its purpose? How do the novels deal with 9/11? How do authors portray their group's identity, how the group's position in US society? And how do they poeticize these questions? What sets them apart from mainstream literature? Many Arab American novels draw on well-known, classical Arab storytelling traditions. In how far do they adapt them? This study analyzes Diana Abu-Jaber's Crescent, Rabih Alameddine's 'The Hakawati', Laila Halaby's 'Once in a Promised Land', and Alia Yunis' 'The Night Counter'; and it answers the above questions by a close reading against the background of classical Arab elements, and by employing concepts of figurational sociology to analyze the poeticization of establishment and outsidership in the novels.

Reproduction of the original: The Book of Khalid by Ameen Rihani

The first edition of Dinarzad’s Children was a groundbreaking and popular anthology that brought to light the growing body of short fiction being written by Arab Americans. This expanded edition includes sixteen new stories —thirty in all—and new voices and is now organized into sections that invite readers to enter the stories from a variety of directions. Here are stories that reveal the initial adjustments of immigrants, the challenges of forming relationships, the political nuances of being Arab American, the vision directed towards homeland, and the ongoing search for balance and identity. The contributors are D. H. Melhem, Mohja Khaf, Rabih Alameddine, Rawi Hage, Laila Halaby, Patricia Sarrafian Ward, Alia Yunis, Diana Abu Jaber, Susan Muaddi Darraj, Samia Serageldin, Alia Yunis, Joseph Geha, May Monsoor Munn, Frances Khirallah Nobel, Nabeel Abraham, Yussef El Guindi, Hedy Habra, Randa Jarrar, Zahie El Kouri, Amal Masri, Sahar Mustafah, Evelyn Shakir, David Williams, Pauline Kaldas, and Khaled Mattawa.