American culture has long represented mixed-race identity in paradoxical terms. On the one hand, it has been associated with weakness, abnormality, impurity, transgression, shame, and various pathologies; however, it can also connote genetic superiority, exceptional beauty, and special potentiality. This ambivalence has found its way into superhero media, which runs the gamut from Ant-Man and the Wasp’s tragic mulatta villain Ghost to the cinematic depiction of Aquaman as a heroic “half-breed.” The essays in this collection contend with the multitude of ways that racial mixedness has been presented in superhero comics, films, television, and literature. They explore how superhero media positions mixed-race characters within a genre that has historically privileged racial purity and propagated images of white supremacy. The book considers such iconic heroes as Superman, Spider-Man, and The Hulk, alongside such lesser-studied characters as Valkyrie, Dr. Fate, and Steven Universe. Examining both literal and symbolic representations of racial mixing, this study interrogates how we might challenge and rewrite stereotypical narratives about mixed-race identity, both in superhero media and beyond.

An edgy and insightful look at Barack Obama, Keanu Reeves, and the mixed-race experience in our divided world. At once personally revealing and politically astute, author Will Harris reflects on the lives of two very different supermen: Barack Obama and Keanu Reeves. In an era where a man endorsed by the Ku Klux Klan can sit in the White House, Harris argues that the mixed-race of both Obama and Reeves gave them a cultural shapelessness that was a form of resistance. Reeves, as Neo in The Matrix, portrayed the chosen one on the silver screen, while Obama, for a brief moment, was a real-life superhero on the world stage. Drawing on his own personal experience and examining the way that these two men have been embedded in our collective consciousness, Harris asks what they can teach us about race and heroism.

An edgy and insightful look at Barack Obama, Keanu Reeves, and the mixed-race experience in our divided world. At once personally revealing and politically astute, author Will Harris reflects on the lives of two very different supermen: Barack Obama and Keanu Reeves. In an era where a man endorsed by the Ku Klux Klan can sit in the White House, Harris argues that the mixed-race of both Obama and Reeves gave them a cultural shapelessness that was a form of resistance. Reeves, as Neo in The Matrix, portrayed the chosen one on the silver screen, while Obama, for a brief moment, was a real-life superhero on the world stage. Drawing on his own personal experience and examining the way that these two men have been embedded in our collective consciousness, Harris asks what they can teach us about race and heroism.

Super Black places the appearance of black superheroes alongside broad and sweeping cultural trends in American politics and pop culture, which reveals how black superheroes are not disposable pop products, but rather a fascinating racial phenomenon through which futuristic expressions and fantastic visions of black racial identity and symbolic political meaning are presented. Adilifu Nama sees the value—and finds new avenues for exploring racial identity—in black superheroes who are often dismissed as sidekicks, imitators of established white heroes, or are accused of having no role outside of blaxploitation film contexts. Nama examines seminal black comic book superheroes such as Black Panther, Black Lightning, Storm, Luke Cage, Blade, the Falcon, Nubia, and others, some of whom also appear on the small and large screens, as well as how the imaginary black superhero has come to life in the image of President Barack Obama. Super Black explores how black superheroes are a powerful source of racial meaning, narrative, and imagination in American society that express a myriad of racial assumptions, political perspectives, and fantastic (re)imaginings of black identity. The book also demonstrates how these figures overtly represent or implicitly signify social discourse and accepted wisdom concerning notions of racial reciprocity, equality, forgiveness, and ultimately, racial justice.

Panthers, Hulks and Ironhearts offers the first comprehensive study of how Marvel has racially diversified its lineup and reimagined what a superhero might look like in the twenty-first century. It examines how they have revitalized older characters like Black Panther, recast legacy heroes like Ms. Marvel, and developed new ones like the Latina Miss America.

From the pages of Jonathan Hickman's AVENGERS, witness the Ultron Singularity of the 25th Century! Machines have inherited the Earth, with Ultron as their All-Father. Mankind's only hope will be a time-torn team in the tradition of AVENGERS FOREVER! An early Hulk, Jim Rhodes as Iron Man and a Hela-cursed battle-armor Thor are plucked from the past. The unlikely duo of Vision and Black Widow are drawn from our present. And from the near and not-so-near future, the new Thor and an even newer Captain America, with her own heroic legacy to live up to! Who cries "Assemble" to this unique group? The one and only Dr. Doom! Caught between Ultron and Doom, can the Avengers find a way to save forever? COLLECTING: Avengers: Ultron Forever 1, New Avengers: Ultron Forever 1, Uncanny Avengers: Ultron Forever 1, Avengers (1963) #54-55

Hear the riveting stories of Black artists who drew--mostly covertly behind the scenes--superhero, horror, and romance comics in the early years of the industry. The life stories of each man's personal struggles and triumphs are represented as they broke through into a world formerly occupied only by whites. Using primary source material from World War II-era Black newspapers and magazines, this compelling book profiles pioneers like E.C. Stoner, a descendant of one of George Washington's slaves, who became a renowned fine artist of the Harlem Renaissance and the first Black artist to draw comic books. Perhaps more fascinating is Owen Middleton who was sentenced to life in Sing Sing. Middleton's imprisonment became a cause célèbre championed by Will Durant, which led to Middleton's release and subsequent comics career. Then there is Matt Baker, the most revered of the Black artists, whose exquisite art spotlights stunning women and men, and who drew the first groundbreaking Black comic book hero, Vooda! The book is gorgeously illustrated with rare examples of each artist's work, including full stories from mainstream comic books from rare titles like All-Negro Comics and Negro Heroes, plus unpublished artist's photos. Invisible Men features Ken Quattro's impeccable research and lean writing detailing the social and cultural environments that formed these extraordinary, yet invisible, men!