On the southern frontier in the eighteenth and early nineteenth centuries, European men--including traders, soldiers, and government agents--sometimes married Native women. Children of these unions were known by whites as "half-breeds." The Indian societies into which they were born, however, had no corresponding concepts of race or "blood." Moreover, counter to European customs and laws, Native lineage was traced through the mother only. No familial status or rights stemmed from the father. "Mixed Blood" Indians looks at a fascinating array of such birth- and kin-related issues as they were alternately misunderstood and astutely exploited by both Native and European cultures. Theda Perdue discusses the assimilation of non-Indians into Native societies, their descendants' participation in tribal life, and the white cultural assumptions conveyed in the designation "mixed blood." In addition to unions between European men and Native women, Perdue also considers the special cases arising from the presence of white women and African men and women in Indian society. From the colonial through the early national era, "mixed bloods" were often in the middle of struggles between white expansionism and Native cultural survival. That these "half-breeds" often resisted appeals to their "civilized" blood helped foster an enduring image of Natives as fickle allies of white politicians, missionaries, and entrepreneurs. "Mixed Blood" Indians rereads a number of early writings to show us the Native outlook on these misperceptions and to make clear that race is too simple a measure of their--or any peoples'--motives.

In this challenging and often humorous book, Louis Owens examines issues of Indian identity and relationship to the environment as depicted in literature and film and as embodied in his own mixedblood roots in family and land. Powerful social and historical forces, he maintains, conspire to colonize literature and film by and about Native Americans into a safe "Indian Territory" that will contain and neutralize Indians. Countering this colonial "Territory" is what Owens defines as "Frontier," a dynamic, uncontainable, multi-directional space within which cultures meet and even merge. Owens offers new insights into the works of Indian writers ranging from John Rollin Ridge, Mourning Dove, and D'Arcy McNickle to N. Scott Momaday, Leslie Silko, James Welch, and Gerald Vizenor. In his analysis of Indians in film he scrutinizes distortions of Indians as victims or vanishing Americans in a series of John Wayne movies and in the politically correct but false gestures of the more recent Dances With Wolves. As Owens moves through his personal landscape in Oklahoma, Mississippi, California, and New Mexico, he questions how human beings collectively can alter their disastrous relationship with the natural world before they destroy it. He challenges all of us to articulate, through literature and other means, messages of personal and environmental — as well as cultural—survival, and to explore and share these messages by writing and reading across cultural boundaries.

Mixed Blood serves an important function in drawing together a far-ranging set of experiences, all of which bear on the phenomenon of intermarriage. -- from publisher's site

Reluctant bank robber Jack Burn is on the run after a heist in the United States that left three million dollars missing and one cop dead. Hiding out in Cape Town, he is desperate to build a new life for his pregnant wife and young son. But on a tranquil evening in their new suburban neighborhood, they are the victims of a random gangland break-in. Benny Mongrel, an ex-con night watchman, knows who went into Burn's house, and what the American did to them. Burn's actions soon trap them both in a cat-and-mouse game with Rudi "Gatsby" Barnard, a corrupt Afrikaner cop. Once Gatsby smells those missing American millions, the men are drawn into a web of murder and vengeance that builds to an unforgettable conclusion.

COLONIAL MIXED BLOOD The navies built by the Arabs and King Solomon plied the oceans long ago. The Portuguese, Dutch, and British followed suit, and eventually the oceans were mastered. The colonial age came into being and brought with it increased movements of people and the mixing of genes. In Colonial Mixed Blood, author Allan Russell Juriansz, who was born in Sri Lanka, provides an account of this occurrence with reference to the Portuguese, Dutch, and British who colonized Sri Lanka for the period of the past five hundred years. The story begins in Riga, Latvia, in the late 1400s and centres on the Ondatjes and the Juriansz clan, their love story, their immersion in Christianity, and their struggles to survive the forces of colonialism and find happiness. A blend of history and fiction, Colonial Mixed Blood provides a background of the religious forces at work during this time in Europe and outlines the genealogy and life experiences of Juriansz’s family as part of the colonial activity of the Dutch East India Company in Sri Lanka. They inherited an adventurous spirit from their first Dutch ancestors, and this spirit inspired their diaspora. But it was one hundred and fifty years of intense British influence that transformed them into loyal British subjects.

Mixed-blood urban Native peoples in Canada are profoundly affected by federal legislation that divides Aboriginal peoples into different legal categories. In this pathfinding book, Bonita Lawrence reveals the ways in which mixed-blood urban Natives understand their identities and struggle to survive in a world that, more often than not, fails to recognize them. In ?Real? Indians and Others Lawrence draws on the first-person accounts of thirty Toronto residents of Native heritage, as well as archival materials, sociological research, and her own urban Native heritage and experiences. She sheds light on the Canadian government?s efforts to define Native identity through the years by means of the Indian Act and shows how residential schooling, the loss of official Indian status, and adoption have affected Native identity. Lawrence looks at how Natives with ?Indian status? react and respond to ?nonstatus? Natives and how federally recognized Native peoples attempt to impose an identity on urban Natives. Drawing on her interviews with urban Natives, she describes the devastating loss of community that has resulted from identity legislation and how urban Native peoples have wrestled with their past and current identities. Lawrence also addresses the future and explores the forms of nation building that can reconcile the differences in experiences and distinct agendas of urban and reserve-based Native communities.

In the Great Lakes region of the nineteenth century, "mixed bloods" were a class of people living within changing indigenous communities. As such, they were considered in treaties signed between the tribal nations and the federal government. Larry Nesper focuses on the implementation and long-term effects of the mixed-blood provision of the 1854 treaty with the Chippewa of Wisconsin. That treaty not only ceded lands and created the Ojibwe Indian reservations in the region, it also entitled hundreds of "mixed-bloods belonging to the Chippewas of Lake Superior," as they appear in this treaty, to locate parcels of land in the ceded territories. However, quickly dispossessed of their entitlement, the treaty provision effectively capitalized the first mining companies in Wisconsin, initiating the period of non-renewable resource extraction that changed the demography, ecology, and potential future for the region for both natives and non-natives. With the influx of Euro-Americans onto these lands, conflicts over belonging and difference, as well as community leadership, proliferated on these new reservations well into the twentieth century. This book reveals the tensions between emergent racial ideology and the resilience of kinship that shaped the historical trajectory of regional tribal society to the present.