An accessible, contemporary introduction to the methods for determining cause and effect in the social sciences "Causation versus correlation has been the basis of arguments--economic and otherwise--since the beginning of time. Causal Inference: The Mixtape uses legit real-world examples that I found genuinely thought-provoking. It's rare that a book prompts readers to expand their outlook; this one did for me."--Marvin Young (Young MC) Causal inference encompasses the tools that allow social scientists to determine what causes what. In a messy world, causal inference is what helps establish the causes and effects of the actions being studied--for example, the impact (or lack thereof) of increases in the minimum wage on employment, the effects of early childhood education on incarceration later in life, or the influence on economic growth of introducing malaria nets in developing regions. Scott Cunningham introduces students and practitioners to the methods necessary to arrive at meaningful answers to the questions of causation, using a range of modeling techniques and coding instructions for both the R and the Stata programming languages.

“The happiest, saddest, sweetest book about rock ‘n’ roll that I’ve ever experienced.”—Chuck Klosterman Mix tapes: We all have our favorites. Stick one into a deck, press play, and you’re instantly transported to another time in your life. For Rob Sheffield, that time was one of miraculous love and unbearable grief. A time that spanned seven years, it started when he met the girl of his dreams, and ended when he watched her die in his arms. Using the listings of fifteen of his favorite mix tapes, Rob shows that the power of music to build a bridge between people is stronger than death. You’ll read these words, perhaps surprisingly, with joy in your heart and a song in your head—the one that comes to mind when you think of the love of your life. Praise for Love is a Mixtape “A memoir that manages, no small feat, to be funny and beautifully forlorn at the same time.”—The New York Times Book Review “Humorous, heartbreaking, and heroic.”—Entertainment Weekly “The finest lines ever written about rock ‘n’ roll . . . Like that song on the radio, every word of Rob’s book is true. Love is a mix tape.”—Rolling Stone “Many of us use pop culture as a mirror of our emotional lives, but Sheffield happily walks right through the looking glass.”—Los Angeles Times “Sheffield writes with such aching remembering, you feel like you are invading his privacy . . . and it’s the truth of those details that make this memoir so touching.”—Newsweek

Mixtape Nostalgia: Culture, Memory, and Representation tells the story of the mixtape from its history in 1970s bootlegging to its resurgence as an icon of nostalgic analog technology. Burns looks at the history of the mixtape from the early 1980s and the rise of the cassette as a fundamental aspect of the music industry. Stories from music fans collecting hip hop mixtapes in the Bronx or recording songs off the radio permeate the book. She discusses the continued contemporary appeal of the mixtape as musicians, novelists, memoirists, playwrights, and even podcasters have used it as a metaphor for connection and identity. From Rob Sheffield’s Love is a Mix Tape to Questlove’s Mixtape Potluck Cookbook, Burns analyzes how the mixtape can function as a plot point, a stand-in for emotional connection, or an organizing structure. The book shows how creators use the iconography of the mixtape cassette to create ephemera, from coffee subscriptions to board games, which speaks to the appreciation of the tangible and the analog. The desire to find connection through sharing a physical artifact permeates the various creative uses of the mixtape. From blockbuster films like Guardians of the Galaxy to mixtape throw pillows, Burns highlights the mixtape as a site of collective memory tied to youth culture, community identity, and sharing music.

'A lovely novel, delicately drawn, with characters that really linger in the mind . . . I got really swept up in it.' Laura Barnett, author of The Versions of Us You never forget the one that got away. Daniel was the first boy to make Alison a mix tape. But that was years ago and Ali hasn't thought about him in a very long time. Even if she had, she might not have called him 'the one that got away'; after all, she'd been the one to run. Then Dan's name pops up on her phone, with a link to a song from their shared past. For two blissful minutes, Alison is no longer an adult in Adelaide with temperamental daughters; she is sixteen in Sheffield, dancing in her skin-tight jeans. She cannot help but respond in kind. And so begins a new mix tape. Ali and Dan exchange songs - some new, some old - across oceans and time zones, across a lifetime of different experiences, until one of them breaks the rules and sends a message that will change everything... __________ PRAISE FOR MIX TAPE: 'Gorgeous novel about first love . . . guaranteed to make you think of your first love - and perhaps what might have been' Nina Pottell, Prima 'This grown-up love story is gorgeously written and romantic without being sentimental' Good Housekeeping 'Deftly written romantic novel' Red 'Touching, peppily nostalgic love story' Sainsbury's Magazine 'Funny, moving, relatable' Heat 'Fantastic, moving, beautiful novel' Daily Mail 'This tender tale of second chances...is a nostalgic delight' Sunday Mirror 'A brilliantly nostalgic story, with a great sound track' Best Magazine

When we hear a lie from someone we trust, their words became our recordings of truth.They become the music we dance to - or don't dance to. Someone has told you you're not good enough, or maybe they've said you're too much. They've said you're too fat or too thin, too manly or too girly. Too short or too tall. Too whatever-else. You may have had a recording trapped in your head. You've tried to change the song, but no matter what you do, somehow that loop is stuck on repeat.I get it. I get you. Right now, you're holding my story, my recording, my mixtape.My mission, sweet friend, is to help you silence that recording you've had playing on repeat.With some careful crafting, choosing, and recording, we get to change the mixtape. And starting here, I'm going to take you through my journey of remixing those ugly recordings into words and songs of truth, growth, and bad-assery. It's not easy, but it's worth it. And I suspect you're here because you're ready for change. It's time to choose carefully the truths you hear.Let's walk together through our recordings to find the courage and the strength that has been in you all along.I'll honor your story as I share mine, and I'll help you become the DJ of your own life. It's time to change the music. Let's create your own mixtape.

Damn Son Where Did You Find This? is the first book ever to focus on the cover art of the modern US hiphop mixtape. A visual world that reached unseen levels at the turn of the millennium, uncensored, unregulated and extreme, it is a the most anarchic of all genres of graphic design.Freed from major label guidelines, lawyer opinions and moral hindrances the designers featured in this seminal book are truly unique - something that is hard to come by in today's global world of intertwined visual tendencies.Along with 500 cover artworks from designers KidEight, Miami Kaos, Mike Rev, Tansta & Skrilla, including interviews with artists and DJs which tell the stories of how they slipped into the hiphop mixtape industry.They take us through the creative process, how visual trends have come and gone, moral hazards and how designing mixtape covers changed the trajectories of their lives.This book is a document showing the work of five extraordinary Adobe Photoshop wizards who day after day, get up, draw up an epic scene centered around one or more rappers, and finish it off with blazing typography, all in the matter of a couple of hours and for as many hundred dollars.Created by graphic designer Michael Thorsby, and media producer Tobias Hansson

This notebook for music lovers is a great way to keep track of playlists for making mixtapes, to play on a digital music player, or for DJ gigs. There is space to record your playlist title, for whom the playlist is for, date, song name, artist, duration, notes, and URL. The cover art features old school cassette tapes and a faded, distressed look. And with 50 pages and an 8.5 x 11 inch size, it has plenty of room for playlist making while remaining portable. Details: Paper for playlist making 50 pages 8.5 x 11 inches Soft matte cover White paper