Mary Elizabeth Williams, an heiress from North Wales, was only twenty when in 1823 she reluctantly married George Lucy and became mistress of Charlecote Old Hall in Warwickshire. Sixty years later she wrote this engaging account of her life for her grandchildren. It was a life of great happiness, for she grew to love her husband deeply. Her country home, her children, the London season and a tour abroad all brought joy and fulfilment. But her contentment was marred by tragedy as few of her many children survived her. Her words reveal a character of great strength and determination. High-spirited, discerning and delightfully free from prudishness, Mary Elizabeth Lucy draws pen-portraits of the people she met - Queen Victoria and Sir Walter Scott among them - and provides an authentic view of life in fashionable 19th-century society.

A delightful memoir of Mary Elizabeth Lucy and her life at Charlecote. Mary Elizabeth Williams, an heiress from North Wales, was only twenty when in 1823 she reluctantly married George Lucy and became mistress of Charlecote Old Hall in Warwickshire. Sixty years later she wrote this engaging account of her life for her grandchildren. It was a life of great happiness, for she grew to love her husband deeply. Her country home, her children, the London season and a tour abroad all brought joy and fulfilment. But her contentment was marred by tragedy as few of her many children survived her. Her words reveal a character of great strength and determination. High-spirited, discerning and delightfully free from prudishness, Mary Elizabeth Lucy draws pen-portraits of the people she met - Queen Victoria and Sir Walter Scott among them - and provides an authentic view of life in fashionable 19th-century society.

A delightful journey through the glamorous story of the English country house party by the bestselling historian. Croquet. Parlour games. Cocktails. Welcome to a glorious journey through the golden age of the country house party - and you are invited. Our host, celebrated historian Adrian Tinniswood, traces the evolution of this quintessentially British pastime from debauched royal tours to the flamboyant excess of the Bright Young Things. With cameos by the Jazz Age industrialist, the bibulous earl and the off-duty politician - whether in moated manor houses or ornate Palladian villas - Tinniswood gives a vivid insight into weekending etiquette and reveals the hidden lives of celebrity guests, from Nancy Astor to Winston Churchill, in all their drinking, feasting, gambling and fornicating. The result is a deliciously entertaining, star-studded, yet surprisingly moving portrait of a time when social conventions were being radically overhauled through the escapism of a generation haunted by war - and a uniquely fast-living period of English history. Praise for The Long Weekend: 'Delicious, occasionally fantastical, revealing in ways that Downton Abbey never was. It is as if Tinniswood is at the biggest, wildest, most luxuriantly decadent party ever thrown, and he knows everyone.' Observer 'A deliciously jaunty and wonderfully knowledgeable book. Tinniswood displays a terrific insider's grasp of gossip . A meticulous, irresistible story.' Spectator 'Elegant, encyclopedic and entertaining . A confident and skilled historian who understands the mores of his era and wears his learning lightly . Deserves to be on every costume drama producer's bookshelf.' Times

Comfort, both physical and affective, is a key aspect in our conceptualization of the home as a place of emotional attachment, yet its study remains under-developed in the context of the European house. In this volume, Jon Stobart has assembled an international cast of contributors to discuss the ways in which architectural and spatial innovations coupled with the emotional assemblage of objects to create comfortable homes in early modern Europe. The book features a two-section structure focusing on the historiography of architectural and spatial innovations and material culture in the early modern home. It also includes 10 case studies which draw on specific examples, from water closets in Georgian Dublin to wallpapers in 19th-century Cambridge, to illustrate how people made use of and responded to the technological improvements and the emotional assemblage of objects which made the home comfortable. In addition, it explores the role of memory and memorialisation in the domestic space, and the extent to which home comforts could be carried about by travellers or reproduced in places far removed from the home. The Comforts of Home in Western Europe, 1700-1900 offers a fresh contribution to the study of comfort in the early modern home and will be vital reading for academics and students interested in early modern history, material culture and the history of interior architecture.

Country houses were grand statements of power and status, but they were also places where people lived. This book traces the changes in layout, the new technologies, and the innovations in furniture that made them more convenient and comfortable. It argues that these material changes were just one aspect of comfort in the country house: feeling comfortable was just as important as being comfortable. Achieving this involved the comfort and solace to be found in daily routines, religious faith and, above all, relationships with family and friends. Such emotional comforts, and the attachment to things and places that embodied and memorialized them, made country houses into homes.

The real lives of women in Britain's country houses.

Develops an understanding of Warwickshire's past for outsiders and those already engaged with the subject, and to explore questions which apply in other regions, including those outside the United Kingdom.