A Story of rough beginnings as I struggled to find gender and sexual identity in a small country town in North Carolina in the 1940s and 50s. I found my way to fame and fortune. My goal in sharing this, is to help someone who may find them self in a similar situation. You can survive.

Billie Holiday—also known as Lady Day—had fame, style, a stellar voice, big gardenias in her hair, and lots of dogs. She had a coat-pocket poodle, a beagle, Chihuahuas, a Great Dane, and more, but her favorite was a boxer named Mister. Mister was always there to bolster her courage through good times and bad, even before her legendary appearance at New York’s Carnegie Hall. Newton’s stylish illustrations keep the simply told story focused on the loving bond between Billie Holiday and her treasured boxer. An author’s note deals more directly with the singer’s troubled life, and includes a little-known photo of Mister and Lady Day!

Nikki Grimes, a bestselling author known for titles such as Dark Sons, Barak Obama: Son of Promise, Child of Hope, and Voices of Christmas has written a gripping book from the perspective of a girl named Mister (Mary Rudine) who finds herself momentarily distracted from her faith commitment to purity by a handsome boy named Trey. After one night of weakness, Mister finds her entire life has changed, even if she can’t yet accept all the changes occurring within her are real. When the emotional scars of losing her innocence are more lasting than she imagined, Mister turns to a book of her mother’s, which contains poems from Mary’s perspective. As both Mister and Mary’s voices play out in the story, a full and meaningful portrait of Christian faith, trust, and forgiveness emerges, along with the truth that God can use even the most unplanned events in our lives for his greater glory.

This book "renders the singular arc of a woman's life through letters Mary-Louise Parker composes to the men, real and hypothetical, who have informed the person she is today. Beginning with the grandfather she never knew, the letters range from a missive to the beloved priest from her childhood to remembrances of former lovers to an homage to a firefighter she encountered to a heartfelt communication with the uncle of the infant daughter she adopted"--

What is the proper way to ask Mr. Panda for doughnuts? Patiently and politely, Mr. Panda asks the animals he comes across if they would like a doughnut. A penguin, a skunk, and a whale all say yes, but they do not remember to say "please" and "thank you." Is anyone worthy of Mr. Panda's doughnuts?Steve Antony has captured a cute panda, delightful animals hungry for doughnuts, and a manners lesson. With the black-and-white animals, plain backgrounds, and brightly colored doughnuts, Antony's art is bold, striking, and engaging.

Foreword by Bob Garfield. Afterword by Marian Wright Edelman Born in 1928 in Latrobe, Pennsylvania, Fred Rogers began his television career in 1951 at NBC. In 1954, he became program director for the newly founded WQED-TV in Pittsburgh, the first community-supported television station in the United States. From 1954 to 1961, Rogers and Josie Carey produced and performed in WQED's The Children's Corner, which became part of the the Saturday morning lineup on NBC in 1955 and 1956. It was after Fred Rogers was ordained as a Presbyterian minister in 1963, with a special charge of serving children and their families through television, that he developed what became the award-winning PBS series Mister Rogers' Neighborhood. Fred Rogers began his television career in 1951 at NBC, and in 1954, he became program director for the newly founded WQED-TV in Pittsburgh, the first community-supported television station in the United States. From 1954 to 1961, Rogers and Josie Carey produced and performed in WQED's The Children's Corner, which became part of the the Saturday morning lineup on NBC in 1955 and 1956. It was after Fred Rogers was ordained as a Presbyterian minister in 1963, with a special charge of serving children and their families through television, that he developed what became the award-winning PBS series Mister Rogers' Neighborhood.

During its 33-season run, Mister Rogers’ Neighborhood (1968–2001) left an indelible mark on millions of children and their caregivers. Perhaps no series in the history of children’s television has done more to develop the identity and ethics of the child. More than a decade after Fred Rogers’ death, he continues to attract an audience online. Yet despite the show’s lasting impact it has been largely ignored by scholars. This collection of new essays focuses on Rogers’ contributions to children’s lives, to the media and to American culture at large. The contributors discuss his stance on the individual and the perception of self, his ideas about meaningful participation in a community and his use of television. Clearly, Mr. Rogers’ ideas still strongly resonate.