“This affectionate if somewhat irreverent homage would probably win a chuckle from Twain himself” as pals tumble into Tom Sawyer (School Library Journal). Sixth graders Devin and Frankie—short for Francine—are the greatest goof-offs in the history of their school. When their teacher tells them to read The Adventures of Tom Sawyer, they skip it. When there’s a surprise test on the novel, they hide. But when they accidentally drop the school’s prized Mark Twain autograph through the library’s magic metal detector, they find themselves transported to the world of Tom Sawyer and Huck Finn. Soon these modern middle schoolers learn that being a troublemaker is timeless, as they whitewash a fence, run away from home, solve a murder mystery, become pirates, and search for hidden treasure along with Tom and Huck, the original slackers. “Reminiscent of Mary Pope Osborne’s ‘Magic Tree House’ series, but for an older audience,” the second book in Tony Abbott’s Cracked Classics series is a perfect introduction to Mark Twain for reluctant readers (School Library Journal).

When Mrs. Figglehopper's autographed page of "The Adventures of Tom Sawyer" falls between the library's zapper gates, Devin and Frankie have no choice but to dive in after it. Cracked Classics.

The continuing adventures of Verity, a teenage country girl, as she travels through an America transformed by nanotechnology. This trip is in a boat on the Mississippi and the boat is attacked by pirates.

Throughout the 1960s and 1970s, folklorist William Ferris toured his home state of Mississippi, documenting the voices of African Americans as they spoke about and performed the diverse musical traditions that form the authentic roots of the blues. Now, Give My Poor Heart Ease puts front and center a searing selection of the artistically and emotionally rich voices from this invaluable documentary record. Illustrated with Ferris's photographs of the musicians and their communities and including a CD of original music, the book features more than twenty interviews relating frank, dramatic, and engaging narratives about black life and blues music in the heart of the American South. Here are the stories of artists who have long memories and speak eloquently about their lives, blues musicians who represent a wide range of musical traditions--from one-strand instruments, bottle-blowing, and banjo to spirituals, hymns, and prison work chants. Celebrities such as B. B. King and Willie Dixon, along with performers known best in their neighborhoods, express the full range of human and artistic experience--joyful and gritty, raw and painful. In an autobiographical introduction, Ferris reflects on how he fell in love with the vibrant musical culture that was all around him but was considered off limits to a white Mississippian during a troubled era. This magnificent volume illuminates blues music, the broader African American experience, and indeed the history and culture of America itself.

The Mississippi River flood of 1927 was the most destructive river flood in U.S. history, reshaping the social and cultural landscape as well as the physical environment. Often remembered as an event that altered flood control policy and elevated the stature of powerful politicians, Richard M. Mizelle Jr. examines the place of the flood within African American cultural memory and the profound ways it influenced migration patterns in the United States. In Backwater Blues, Mizelle analyzes the disaster through the lenses of race and charity, blues music, and mobility and labor. The book’s title comes from Bessie Smith’s “Backwater Blues,” perhaps the best-known song about the flood. Mizelle notes that the devastation produced the richest groundswell of blues recordings following any environmental catastrophe in U.S. history, with more than fifty songs by countless singers evoking the disruptive force of the flood and the precariousness of the levees originally constructed to protect citizens. Backwater Blues reveals larger relationships between social and environmental history. According to Mizelle, musicians, Harlem Renaissance artists, fraternal organizations, and Creole migrants all shared a sense of vulnerability in the face of both the Mississippi River and a white supremacist society. As a result, the Mississippi flood of 1927 was not just an environmental crisis but a racial event. Challenging long-standing ideas of African American environmental complacency, Mizelle offers insights into the broader dynamics of human interactions with nature as well as ways in which nature is mediated through the social and political dynamics of race.Includes discography.

A new edition of a classic history of the Mississippi River Delta Development Arrested is a major reinterpretation of the 200-year-old conflict between African American workers and the planters of the Mississippi Delta. The book measures the impact of the plantation system on those who suffered its depredations firsthand, while tracing the decline and resurrection of plantation ideology in national public policy debate. Despite countless defeats under the planter regime, African Americans in the Delta continued to push forward their agenda for social and economic justice. Throughout this remarkably interdisciplinary book, ranging across fields as diverse as rural studies, musicology, development studies, and anthropology, Woods demonstrates the role of music—including jazz, rock and roll, soul, rap and, above all, the blues—in sustaining a radical vision of social change.