Immigration today touches the lives and economies of more people and places than ever before.Yet the places that are disproportionately affected by immigrant flows are not countries but cities. This remarkable collection examines contemporary global immigration trends and their profound effect on specific host cities. The book focuses not only on cities with long-established diverse populations, such as New York, Toronto, and Sydney, but also on less known gateway cities, such as Birmingham (UK), Marseille, and the emerging gateways of Johannesburg, Washington, D.C., and Dublin. The essays gathered here provide a global portrait of accelerating, worldwide immigration driven by income differentials, social networks, and various state policies that recruit skilled and unskilled laborers. Gateway cities vary in form and function but many are hyperdiverse, globally linked through transnational networks, and often increasingly segregated spaces. Offering penetrating analysis by the leading scholars in the field, Migrants to the Metropolis redirects the global narrative surrounding migration away from states and borders and into cities,where the vast majority of economic migrants settle.

Study of Kumauni migrants in Delhi.

As wealthy immigrants from Hong Kong began to settle in Vancouver, British Columbia, their presence undid a longstanding liberal consensus that defined politics and spatial inequality there. Riding the currents of a neoliberal wave, these immigrants became the center of vigorous public controversies around planning, home building, multiculturalism, and the future of Vancouver. Because of their class status and their financial capacity to remake space in their own ways, they became the key to a reshaping of Vancouver through struggles that are necessarily both global and local in context, involving global-real estate enterprises, the Canadian state, city residents, and others.In her examination of the story of the integration of transnational migrants from Hong Kong, Katharyne Mitchell draws out the myriad ways in which liberalism is profoundly spatial, varying greatly depending on the geographical context. In doing so, Mitchell shows why understanding the historically and geographically contingent nature of liberal thought and practice is crucial, particularly as we strive to understand the ongoing societies' transition to neoliberalism. Author note:Katharyne Mitchellis Professor of Geography and the Simpson Professor of the Public Humanities at the University of Washington.

Look around: the largest migration in human history is under way. For the first time ever, more people are living in cities than in rural areas. Between 2007 and 2050, the world’s cities will have absorbed 3.1 billion people. Urbanization is the mass movement that will change our world during the twenty-first century, and the “arrival city” is where it is taking place. The arrival city exists on the outskirts of the metropolis, in the slums, or in the suburbs; the American version is New York’s Lower East Side of a century ago or today’s Herndon County, Virginia. These are the places where newcomers try to establish new lives and to integrate themselves socially and economically. Their goal is to build communities, to save and invest, and, hopefully, move out, making room for the next wave of migrants. For some, success is years away; for others, it will never come at all. As vibrant places of exchange, arrival cities have long been indicators of social health. Whether it’s Paris in 1789 or Tehran in 1978, whenever migrant populations are systematically ignored, we should expect violence and extremism. But, as the award-winning journalist Doug Saunders demonstrates, when we make proper investments in our arrival cities—through transportation, education, security, and citizenship—a prosperous middle class develops. Saunders takes us on a tour of these vital centers, from Maryland to Shenzhen, from the favelas of Rio to the shantytowns of Mumbai, from Los Angeles to Nairobi. He uncovers the stories—both inspiring and heartbreaking—of the people who live there, and he shows us how the life or death of our arrival cities will determine the shape of our future.

From one of Canada's leading journalists comes a major book about how the movement of populations from rural to urban areas on the margins is reshaping our world. These transitional spaces are where the next great economic and cultural boom will be born, or where the great explosion of violence will occur. The difference depends on our ability to notice. The twenty-first century is going to be remembered for the great, and final, shift of human populations out of rural, agricultural life into cities. The movement engages an unprecedented number of people, perhaps a third of the world's population, and will affect almost everyone in tangible ways. The last human movement of this size and scope, and the changes it will bring to family life, from large agrarian families to small urban ones, will put an end to the major theme of human history: continuous population growth. Arrival City offers a detailed tour of the key places of the "final migration" and explores the possibilities and pitfalls inherent in the developing new world order. From villages in China, India, Bangladesh and Poland to the international cities of the world, Doug Saunders portrays a diverse group of people as they struggle to make the transition, and in telling the story of their journeys — and the history of their often multi-generational families enmeshed in the struggle of transition — gives an often surprising sense of what factors aid in the creation of a stable, productive community.

Exile and migration played a critical role in the diffusion and development of modernism around the globe, yet have long remained largely understudied phenomena within art historiography. Focusing on the intersections of exile, artistic practice and urban space, this volume brings together contributions by international researchers committed to revising the historiography of modern art. It pays particular attention to metropolitan areas that were settled by migrant artists in the first half of the 20th century. These arrival cities developed into hubs of artistic activities and transcultural contact zones where ideas circulated, collaborations emerged, and concepts developed. Taking six major cities as a starting point – Bombay (now Mumbai), Buenos Aires, Istanbul, London, New York, and Shanghai –the authors explore how urban topographies and landscapes were modified by exiled artists re-establishing their practices in metropolises across the world. Questioning the established canon of Western modernism, Arrival Cities investigates how the migration of artists to different urban spaces impacted their work and the historiography of art. In doing so, it aims to encourage the discussion between international scholars from different research fields, such as exile studies, art history, social history, architectural history, architecture, and urban studies.