Middletown Families was first published in 1985. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions. Fifty years after publication of Robert and Helen Lloyd's classic studies, Middletown (1929) and Middletown in Transition (1937), the Middletown III Project picked up and continued their exploration of American values and institutions. By duplicating the original studies - in many cases by using the same questions - this team of social scientists attempted to gauge the changes that had taken place in Muncie, Indiana, since the 1920s. In Middletown Families, the first book to emerge from this project, Theodore Caplow and his colleagues reveal that many widely discussed changes in family life, such as the breakdown of traditional male/female roles, increased conflict between parents and children, and disintegration of extended family ties, are more perceived than actual. Their evidence suggests that the Middletown family seems to be stronger and more tolerant, with closer bonds and greater marital satisfaction than fifty years ago. Instead of breaking it apart, the pressures of modern society may have drawn the family closer together.

Thirteen-year-old Eli likes baggy clothes, baseball caps, and one girl in particular. Her seventeen-year-old sister Anna is more traditionally feminine; she loves boys and staying out late. They are sisters, and they are also the only family each can count on. Their dad has long been out of the picture, and their mom lives at the mercy of her next drink. When their mom lands herself in enforced rehab, Anna and Eli are left to fend for themselves. With no legal guardian to keep them out of foster care, they take matters into their own hands: Anna masquerades as Aunt Lisa, and together she and Eli hoard whatever money they can find. But their plans begin to unravel as quickly as they were made, and they are always way too close to getting caught. Eli and Anna have each gotten used to telling lies as a means of survival, but as they navigate a world without their mother, they must learn how to accept help, and let other people in.

Inspired by the immensely influential 1937 sociological study Middletown: A Case Study in Cultural Conflicts by Robert and Helen Lynd, Peter Davis's six documentary films about Muncie, Indiana, set out to examine the lives of Munsonians in the early 1980s. The disputes and conflicts accompanying the filming revealed more about American values and customs than the films themselves. While attempting to transform the data from the Middletown studies into a meaningful and interesting visual form, the filmmakers were constantly distracted by the pressures, decisions and perils of government- and corporate-funded documentary filmmaking. Dwight W. Hoover, a Muncie historian and collaborator in the Middletown film project, describes why the films were made and how they changed the lives of everyone involved.

The single event that we know as 9/11 is over, but the shock waves continue to radiate outward, generated by orange alerts, terrorism lockdowns, and the shrinking of personal liberties we once took for granted. The stories in this book, of real people faced with extraordinary trauma and gradually transcending it, are the best antidote to our fears. Middletown, America is a book of hope. All Americans were hit with some degree of trauma on September 11, 2001, but no place was hit harder than Middletown, New Jersey. Gail Sheehy spent the better part of two years walking the journey from grief toward renewal with fifty members of the community that lost more people in the World Trade Center than any other outside New York City. Her subjects are the women, men, and children who remained after the devastation and who are putting their lives back to-gether. Sheehy tells the story of four widowed moms from New Jersey who started out scarcely knowing the difference between the House and the Senate, yet turned their sorrow and anger into action and became formidable witnesses to the failures of the country’s leadership to connect the dots before September 11. Sheehy follows the four moms as they fight White House attempts to thwart the independent commission investigating 9/11 and expose efforts at a cover-up. What would become of the young wives carrying children their husbands would never see, wives who had watched their dreams literally go up in smoke in that amphitheater of death across the river? Amazingly, each finds her own door to the light. Here, too, is the story of the widow and widower who met in the waiting room of a mental-health agency and brought each other back from the brink of despair across a bridge of love. Sheehy also reveals how bereft mothers who will never have another son or daughter found reasons to recommit to life. And she follows in the footsteps of the robbed children, documenting the incredible resilience of four-year-olds, the anger of teenagers, the courage of sisters and brothers. Sheehy follows survivors who escaped the burning towers only to find themselves trapped inside a tower of inner torment, from which it took love, family, and faith to free themselves. She is taken into the confi-dence of the night crew at Ground Zero, police officers who worked in that pit for eight months straight and then faced the “returning home” phenomenon. She recounts the confessions of religious leaders who struggled to explain the inexplicable to their flocks. Mental-health professionals confide in her, as do corporate chiefs, educators, friends and neigh-bors, town officials, and volunteers who rose to the occasion and committed themselves to healing their wounded community. As a journalist who conducted more than nine hundred interviews, Gail Sheehy is an impeccable researcher. As a writer with a novelistic gift, she weaves the individual stories into a compelling narrative. Middletown, America illuminates every stage of a tumultuous passage—from shock, passivity, and panic attacks, to rising anger and deep grieving, and on to the secret romances and startling relapses, the realignment of faith, the return of a capacity to love and be loved, and, finally, the commitment to constructing new lives.