This book unites new information and surprising results from the last fifteen years of garden research, at a remove from the clichés of Orientalism. Garden archaeology reveals the economic importance of Judean gardens in Roman times and the visual complexity of gardens created and transformed in Moorish Spain. More contemporary approaches unravel the cultural continuities, variations, and differences between gardens in the Middle East since Roman times and in the Islamic world.

The Middle East is well-known for its historic gardens that have developed over more than two millenniums. The role of urban landscape projects in Middle Eastern cities has grown in prominence, with a gradual shift in emphasis from gardens for the private sphere to an increasingly public function. The contemporary landscape projects, either designed as public plazas or public parks, have played a significant role in transferring the modern Middle Eastern cities to a new era and also in transforming to a newly shaped social culture in which the public has a voice. This book considers what ties these projects to their historical context, and what regional and local elements and concepts have been used in their design.

The cross-cultural exchange of ideas that flourished in the Mediterranean during the sixteenth and seventeenth centuries profoundly affected European and Islamic society. Gardens of Renaissance Europe and the Islamic Empires considers the role and place of gardens and landscapes in the broader context of the information sharing that took place among Europeans and Islamic empires in Turkey, Persia, and India. In illustrating commonalities in the design, development, and people’s perceptions of gardens and nature in both regions, this volume substantiates important parallels in the revolutionary advancements in landscape architecture that took place during the era. The contributors explain how the exchange of gardeners as well as horticultural and irrigation techniques influenced design traditions in the two cultures; examine concurrent shifts in garden and urban landscape design, such as the move toward more public functionality; and explore the mutually influential effects of politics, economics, and culture on composed outdoor space. In doing so, they shed light on the complexity of cultures and politics during the Renaissance. A thoughtfully composed look at the effects of cross-cultural exchange on garden design during a pivotal time in world history, this thought-provoking book points to new areas in inquiry about the influences, confluences, and connections between European and Islamic garden traditions. In addition to the editor, the contributors include Cristina Castel-Branco, Paula Henderson, Simone M. Kaiser, Ebba Koch, Christopher Pastore, Laurent Paya, D. Fairchild Ruggles, Jill Sinclair, and Anatole Tchikine.

Islamic conceptions of heaven and hell began in the seventh century as an early doctrinal innovation, but by the twelfth century, these notions had evolved into a highly formalized ideal of perfection. In tracking this transformation, Nerina Rustomji reveals the distinct material culture and aesthetic vocabulary Muslims developed to understand heaven and hell and identifies the communities and strategies of defense that took shape around the promise of a future world. Ideas of the afterworld profoundly influenced daily behaviors in Islamic society and gave rise to a code of ethics that encouraged abstinence from sumptuous objects, such as silver vessels and silk, so they could be appreciated later in heaven. Rustomji conducts a meticulous study of texts and images and carefully connects the landscape and social dynamics of the afterworld with earthly models and expectations. Male servants and female companions become otherworldly objects in the afterlife, and stories of rewards and punishment helped preachers promote religious reform. By employing material culture as a method of historical inquiry, Rustomji points to the reflections, discussions, and constructions that actively influenced Muslims' picture of the afterworld, culminating in a distinct religious aesthetic.

From Timur's tent in Samarqand to Shah 'Abbas's palace in Isfahan and Humayun's tomb in Delhi, the pavilion has been an integral part of Persianate gardens since its earliest appearance at the Achaemenid garden in Pasargadae in the sixth century BC. Here, Mohammad Gharipour places both the garden and the pavilion within their historical, literary and artistic contexts, emphasizing the importance of the pavilion, which has hitherto been overlooked in the study of Iranian historical architecture. Starting with an examination of the depictions and representations of gardens in religious texts, Gharipour analyses the how the idea of the garden developed from the model of pre-Islamic gardens in Achaemenid and Sassanian Persia to its mentions in the Zoroastrian text of Aban Yasht and on to its central role as paradise in the Qur'an. Continuing on with an exploration of gardens and pavilions in Persian poetry, Gharipour offers in-depth analysis of their literal and metaphorical values. It is in the poetry of major Persian poets such as Ferdowsi, Naser Khosrow, Sa'di, Rumi and Hafez that Gharipour finds that whilst gardens are praised for their spiritual values, they also contain significant symbolic worth in terms of temporal wealth and power. Persian Gardens and Pavilions then goes onto examine the garden and the pavilion as reflected in Persian miniature painting, sculpture and carpets, as well as accounts of travelers to Persia. With masters such as Bizhad representing daily life as well as the more mystical prose and poetry in, for example, Sa'di's Bustan (The Orchard) and Golestan (The Rose Garden), the garden and the pavilion can be seen to have crucial semiotic significances and cultural meanings. But in addition to this, they also point to historical patterns of patronage and ownership which were of central importance in the diplomatic and social life of the royal courts of Persia. Gharipour thereby highlights the metaphorical, spiritual, symbolic and religious aspects of gardens, as well as their more materialistic and economic functions. This book reaches back through Persia's rich history to explore the material and psychological relationships between human beings, pavilions and gardens, and will be a valuable resource for Art History, Architecture and Iranian Studies.

Following the tradition and style of the acclaimed Index Islamicus, the editors have created this new Bibliography of Art and Architecture in the Islamic World. The editors have surveyed and annotated a wide range of books and articles from collected volumes and journals published in all European languages (except Turkish) between 1906 and 2011. This comprehensive bibliography is an indispensable tool for everyone involved in the study of material culture in Muslim societies.

Gardens take many forms, and have a variety of functions. They can serve as spaces of peace and tranquilty, a way to cultivate wildlife, or as places to develop agricultural resources. Globally, gardens have inspired, comforted, and sustained people from all walks of life, and since the Garden of Eden many iconic gardens have inspired great artists, poets, musicians, and writers. In this Very Short Introduction, Gordon Campbell embraces gardens in all their splendour, from parks, and fruit and vegetable gardens to ornamental gardens, and takes the reader on a globe-trotting historical journey through iconic and cultural signposts of gardens from different regions and traditions. Ranging from the gardens of ancient Persia to modern day allotments, he concludes by looking to the future of the garden in the age of global warming, and the adaptive spirit of human innovation. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.