Explores the responses of a world-renowned landscape design firm to the difficult demands of urban areas Instilling a poetics of place is a goal of Michael Van Valkenburgh Associates (MVVA), the famous landscape design firm that has created successful public spaces in some of the country's most challenging urban sites. In these locations, nature offers not so much an escape from city living as a teasing dialogue with built structures. The whole experience is aimed, as critic Paul Goldberger notes, to "make you see everything, city and nature alike, with a striking intensity." Richly illustrated and handsomely designed, this is the first publication to explore a wide range of MVVA's projects, focusing on the firm's trend toward sites requiring complex technological solutions. Leading critics and historians look at twelve projects, dating from 1992 to the present, and each posing a challenge--such as contamination, isolation, and lengthy public approval proceedings. They explore the process through which the firm researches such issues and how solutions are embedded in the final aesthetics and spatial structure of the sites.

The intimate Monk's Garden at the Isabella Stewart Gardner Museum in Boston embodies the design principles that inform the work of noted landscape architect Michael Van Valkenburgh. In Designing a Garden, Van Valkenburgh presents the design of the Monk's Garden at the Isabella Stewart Gardner Museum, an intimate, walled garden that Laurie Olin has described as "a masterpiece, and not a minor one." The book documents the evolution of the garden's design, which is based on the concept of meandering paths through a dreamlike woodland to create a contemplative space. Sketches and models show how the idea was worked out, and lush photographs reveal the completed garden through the seasons. Van Valkenburgh's text explores the origins of his love of landscape and plants in his family farm in Upstate New York and how this has influenced his intuitions as a designer. He shares the full background story of the Monk's Garden, focusing on the experimental nature of design work as well as the challenges and satisfactions of the small scale and the historic and cultural context. Designing a Garden provides a unique first-person account of the design process from the most prominent landscape architects in the country.

Green roofs are the great green hope of many environmentalists, politicians, and architects interested in more efficient and environmentally aware buildings. From a design standpoint, however, there is less consensus. While some see the roof garden as a visual statement using plants, geometric lines, and sculptural elements, others believe concerns for sustainability should outweigh visual appeal. A green roof that combines aesthetics and mechanics has become the goal of many a landscape architect. In Green Roof Gardens, author Christian Werthmann explains the history, methodology, and design process of green roof garden construction, providing a rich source of inspiration and technical knowledge in the process for anybody interested in this simple solution to many of the environmental challenges we face today.

In the field of landscape architecture, there is no more distinguished voice than Michael Van Valkenburgh, and it therefore seems appropriate that we begin this new Source Books in Landscape series with his recently completed Allegheny Riverfront Park project for Pittsburgh, Pennsylvania. As part of the city’s efforts to restore its downtown district and riverfront, Van Valkenburgh, along with artists Ann Hamilton and Michael Mercil, developed an ambitious plan to reform the wasted land along the river into an urban refuge. The celebrated collaboration between landscape architect and artist produced a thoughtful, useful, and beautiful park that has successfully renewed the city’s core. Source Books in Landscape Architecture, produced in collaboration with Ohio State University, will provide detailed documentation of important new projects, following its development from conception through completion using sketches, drawings, models, renderings, working drawings, and photographs.

The first book to present the work of Surfacedesign, an innovative San Francisco landscape architecture and urban design firm with major public and private projects throughout the Bay Area and in Hawaii, Mexico, and New Zealand. This monograph explores the design philosophy of the three partners of Surfacedesign, who are committed to solutions that emerge from the site itself and challenge conventional approaches to landscape. The work is informed by the vast openness and frontier spirit of the West, expressed in rugged materials and sustainable planting. Surfacedesign focuses on cultivating a sense of connection to the built and natural world, pushing people to engage with the landscape in new ways. The design approach emphasizes and celebrates the unique context and imaginative potential of each project. The studio's process is rooted in asking novel questions and listening to a site and its users, a process that has led to engaging and inspiring landscapes that are rugged, contemporary, and crafted. Twenty-five projects are presented, ranging in scale from the landscape approach to Auckland International Airport in New Zealand to intimate residential gardens in San Francisco and Los Angeles. Featured are Anaha, a Honolulu residential complex overlooking the Pacific Ocean, Land's End Lookout in the Golden Gate National Recreation area, Barnacles, a community gathering space on the Embarcadero, restoration of the Buena Vista Winery in Sonoma, the first commercial winery in California, and the landscape for the Museum of Steel in Monterrey, Mexico, a repurposed foundry that now incorporates the largest green roof in Central America.

The use of innovative new materials is an important trend in landscape architecture today. These materials include biodegradable geotextiles, super-absorbent polymers, and plants that react to changing soil conditions. This book presents the available materials and technologies in the context of practical applications.

What would a school look like if it was designed with mental health in mind? Too many public schools look and feel like prisons, designed out of fear of vandalism and truancy. But we know that nurturing environments are better for learning. Access to nature, big classroom windows, and open campuses consistently reduce stress, anxiety, disorderly conduct, and crime, and improve academic performance. Backed by decades of research, Schools That Heal showcases clear and compelling ways--from furniture to classroom improvements to whole campus renovations--to make supportive learning environments for our children and teenagers. With invaluable advice for school administrators, public health experts, teachers, and parents Schools That Heal is a call to action and a practical resource to create nurturing and inspiring schools for all children.