Miami, Florida, is fast becoming a critical center for contemporary art. Serving as an incubator for outstanding visual artists, this "natural playground for inspiration" is poised to become one of the leading cultural destinations of the world. With more than 315 stunning color photos, this exciting new book takes readers through significant highlights of the city's art history and showcases the works of over 100 contemporary artists who have helped bring the cultural evolution to fruition. Ranging from established artists with international careers to those beginning to make a name for themselves, this selection reveals diversity that breathes creative energy into the sultry, scintillating city of Miami.

"Groundbreaking and provocative, Judy Chicago's iconic sculptures, paintings, and installations helped bridge the gap between feminism and art during the 1960s, 70s, and beyond. Using imagery inspired by the female body and references to historical female figures, Chicago forged a new, women-focused visual language that continues to influence the aesthetics of feminist art today. This book traces Chicago's career from her emergence on the Los Angeles art scene in the 1960s through her mature work in the 1990s. Featuring illustrations of six distinct bodies of works, this book includes Chicago's masterpiece The Dinner Party as well as other lesser-known works. With informative essays that situate Chicago's oeuvre in the context of contemporary Southern Californian art and scholarship that reflects Chicago's current work, this comprehensive book provides a breathtaking look at one of the quintessential figures of American feminist art" --

"Encompassing some 100 works in painting, sculpture, video, and installation, The Everywhere Studio brings together over 50 artists from the past five decades to reveal the artist’s studio as a charged site that has both predicted and responded to broader social and economic changes of our time. The Everywhere Studio interprets the works of post-war artists and emerging practitioners through the lens of the social and historical conditions in which they were made. Organized chronologically, the exhibition examines the changing relationships that artists have had to their sites of production. From the studio as a site of labor, to one that blurs production, performance, and spectacle, to a concept that defines the artist’s own identity, the exhibition features artists who, in response, to changing socio-economic influences, represented new modes of working and living that would subsequently spread across society."--Back cover.

Early works, regional projects and acclaimed series from Allan McCollum, whose work often blurs boundaries between unique artifacts and mass production Since the late 1960s, the American artist Allan McCollum (born 1944) has created works that examine the art object's relationship to uniqueness, context and value, as well as to the museum that collects, values and preserves it. Allan McCollum: Works since 1969, which accompanies a major survey of the artist's work, brings together new scholarship, documentary material and in-depth information on McCollum's decades-long career, adding to the broader historical and theoretical interpretation of the artist's important practice. McCollum's celebrated works can be interpreted in infinite ways and have significant impact on the understanding of the role of art and material culture in society. Throughout his career the artist has explored various economies and contexts that structure collections and presentations of objects. Interested in how material artifacts become charged with meaning, McCollum understands these objects as vehicles of self-assurance and self-representation within communities. This book traces the artist's career through numerous illustrations, supplementary material and texts, focusing on three key components--early work, "regional projects" and the artist's most iconic series.

Miami is one of the most important centers for the arts since the beginning of the new millennium. The magic city draws collectors, talent artists and wealth from Europe, South and North America. The city has increasingly incorporated visual art as part of its image. Museums and private collections have grown considerably over the past 20 years led by private philanthropy.The Art-Sôlido magazine has been covering this cultural evolution for the last 10 years. Based on that, we have to put together a list with the most important and representative local artists. These are creators who work and exhibit in our city, those who have contributed to make art and culture part of the deep fabric of Miami: artists with different backgrounds that exemplify the diverse sensibilities and identities that make up the city's art scene.

I Stand, I Fall, a comprehensive survey of work by John Miller, coincides with the first American museum exhibition dedicated to the influential conceptual artist. Through almost 150 images, this catalogue comprehensively traces Miller's use of the figure throughout his career in order to incisively comment on the status of art and life in American culture. The book features a range of media, including painting, sculpture, drawing, photography, installation and video; never-before-seen works from the 1980s; new large-scale sculptures; and the artist's most ambitious architectural installation to date - a vast and immersive mirrored labyrinth that went on view at the ICA Miami's Atrium Gallery. I Stand, I Fall, surveys Miller's use of the figure in order to examine themes of citizenship and politics, and the conventions of realism in contemporary art. Organized chronologically, the exhibition begins with his drawings and paintings from 1982-1983, the majority of which have never been presented publicly. Influenced by the pastoral genre of painting and American social realism of the 1920s and 30s, these deadpan, even grotesque, works explore issues of urban and suburban Americana, public space, and the human. Published retrospectively after the exhibition John Miller: I Stand, I Fall at Institute of Contemporary Art, Miami, 18 February - 12 June 2016.